As the boom of J-horror was slowly declining, the movement, which became popular for its blend of contemporary themes and Asian folklore, was looking at new shores that would provide new ideas. While directors such as Hideo Nakata were busy applying their stories within a western framework, sometimes with them helming the American remakes of their own films even, others, like Kiyoshi Kurosawa attempted to expand the borders of J-horror expressing concerns and fear about at that time upcoming technologies like the internet. Being one of the most popular names associated with J-horror after his film “Ju-on: The Grudge” (2002) as well as its sequel, Takashi Shimizu would release “Marebito” the same year as the American remake of the film which had put his name on the map of international audiences.
Masuoka (Shinya Tsukamoto) lives a reclusive life in his apartment watching the recorded footage from his camera...
Masuoka (Shinya Tsukamoto) lives a reclusive life in his apartment watching the recorded footage from his camera...
- 8/23/2019
- by Rouven Linnarz
- AsianMoviePulse
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