Production has officially wrapped on “Hijas Únicas,” the debut feature from Chilean producer and filmmaker Alba Gaviraghi, marking the end of an ambitious multinational effort backed by Chile’s Agosto Cine and Equeco, Germany’s Nabis Filmgroup and Mexico’s Varios Lobos, with additional support from Argentina’s Gentil Cine. Shot in May and June 2025 across Santiago and Chile’s Central Coast, the film is now in post-production ahead of a planned 2026 release.
The coming-of-age drama, set in 2006 Santiago, follows 16-year-old Antonia as she defies her single mother in search of her absentee father, hoping to secure permission for a school trip to Argentina. Along the way, she reconnects with a half-sister she never knew and ultimately learns that her mother’s love may be the only anchor she needs. Described as an emotionally intimate portrait of girlhood and identity under socio-political strain, “Hijas Únicas” is built around a fiercely autobiographical core,...
The coming-of-age drama, set in 2006 Santiago, follows 16-year-old Antonia as she defies her single mother in search of her absentee father, hoping to secure permission for a school trip to Argentina. Along the way, she reconnects with a half-sister she never knew and ultimately learns that her mother’s love may be the only anchor she needs. Described as an emotionally intimate portrait of girlhood and identity under socio-political strain, “Hijas Únicas” is built around a fiercely autobiographical core,...
- 6/30/2025
- by Jamie Lang
- Variety Film + TV
Generative AI is a contentious topic in the animation industry (and almost everywhere else). However, the upcoming Annecy International Animation Festival (June 9-15) will spotlight works that utilized generative AI software.
In a statement, Annecy artistic director Marcel Jean said the festival received “dozens” of submissions that used AI technology. Four made the cut, including Midnight Specials selection “Who Said Death Is Beautiful?” the Japanese zombie feature from director Ryo Nakajima, as well as three Off-Limits shorts: Felipe Elgueta’s “Data Flesh,” in which images become zombie-like entities; Boris Labbe’s “Glass House,” a sci-fi-inspired glass Tower of Babel; and Claudia Larcher’s “The Great Tree Piece,” an analog/digital physical experience of nature.
“Who Said Death Is Beautiful?” is of particular concern because it used Stable Diffusion by Stability AI, a software that has been the subject of several class-action lawsuits for copyright infringement.
These are not the first AI works at Annecy.
In a statement, Annecy artistic director Marcel Jean said the festival received “dozens” of submissions that used AI technology. Four made the cut, including Midnight Specials selection “Who Said Death Is Beautiful?” the Japanese zombie feature from director Ryo Nakajima, as well as three Off-Limits shorts: Felipe Elgueta’s “Data Flesh,” in which images become zombie-like entities; Boris Labbe’s “Glass House,” a sci-fi-inspired glass Tower of Babel; and Claudia Larcher’s “The Great Tree Piece,” an analog/digital physical experience of nature.
“Who Said Death Is Beautiful?” is of particular concern because it used Stable Diffusion by Stability AI, a software that has been the subject of several class-action lawsuits for copyright infringement.
These are not the first AI works at Annecy.
- 5/23/2024
- by Bill Desowitz
- Indiewire
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