Malaga, Spain — “My Parents’ Great Bazar,” from “Ane is Missing” co-scribe Marina Parés, bio “Costus,” on the iconic Madrid Movida artists, and “Villa Futuro,” a queer old age drama from “Locked Up” star Alberto Velasco, all feature among eight winners of Tell Us the Stories That Nobody Tells, a diversity drive contest for movies and TV shows backed by Netflix and Dama, the Spanish audiovisual authors’ rights collection body.
Announced Wednesday at an awards ceremony hosted by the Malaga Film Festival, the winners of the competition, which forms part of the partners’ Cambio de Plano initiative, will receive €6,000 a piece.
Two will also get a teaser financed by Netflix and Dama. As importantly, the partners will pay for mentoring for the development of their projects from Daniela Fejerman, director of Malaga’s opening film, “Someone Who Takes Care of Me,” TV critic and screenwriter Bob Pop (“Maricón perdido”), screenwriter Valentina Viso,...
Announced Wednesday at an awards ceremony hosted by the Malaga Film Festival, the winners of the competition, which forms part of the partners’ Cambio de Plano initiative, will receive €6,000 a piece.
Two will also get a teaser financed by Netflix and Dama. As importantly, the partners will pay for mentoring for the development of their projects from Daniela Fejerman, director of Malaga’s opening film, “Someone Who Takes Care of Me,” TV critic and screenwriter Bob Pop (“Maricón perdido”), screenwriter Valentina Viso,...
- 3/16/2023
- by John Hopewell
- Variety Film + TV
Guadalajara, Mexico — Chile came into this year’s Guadalajara Intl. Film Festival (Ficg) as the guest country of honor. Once here, Luis Alejandro Pérez García’s “Piola” stomped around the Guadalajara Construye Works in Progress section like it owned the place, snatching up six of a possible 13 prizes.
After the success of Juan Caceres’ “Perro Bomba” in the same competition last year – the film scored four awards – perhaps it shouldn’t have been a surprise that another Chilean feature would perform so well this time around.
“Piola” turns on the chance interaction between three young people in moments that would be recognizable to teenagers the world around. Martin’s family is moving and he can’t be bothered to involve himself. Sol is searching for her lost dog and dealing with an unrequited romance. And Charly can’t handle his miserable job and the stresses of teenage fatherhood.
The impressive...
After the success of Juan Caceres’ “Perro Bomba” in the same competition last year – the film scored four awards – perhaps it shouldn’t have been a surprise that another Chilean feature would perform so well this time around.
“Piola” turns on the chance interaction between three young people in moments that would be recognizable to teenagers the world around. Martin’s family is moving and he can’t be bothered to involve himself. Sol is searching for her lost dog and dealing with an unrequited romance. And Charly can’t handle his miserable job and the stresses of teenage fatherhood.
The impressive...
- 3/11/2019
- by Jamie Lang
- Variety Film + TV
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