In 2011, Nick Zinner, guitarist of Yeah Yeah Yeahs, wrote 41 Strings, a four-part symphony to mark Earth Day. He’s since performed the piece around the world, including London’s Meltdown Festival and Australia’s Sydney Opera House with musicians like the xx’s Romy Madley Croft and Savages’ Gemma Thompson. The orchestral piece – which is built to reflect the change of fall, winter, spring and summer – has also made it to TV: the “spring” portion of the piece is currently the theme music for HBO’s Vice.
Zinner has now...
Zinner has now...
- 7/15/2019
- by Patrick Doyle
- Rollingstone.com
1. William Parker: For Those Who Are, Still (Aum Fidelity/Centering)
I have been an admirer and observer of William Parker for a quarter century, but nothing prepared me for the impact of this three-disc set's final CD, which features an orchestral composition, Ceremonies for Those Who Are Still, which ranks high among the best orchestral music of the 21st century, and I'm including classical composers. In other words, don't cringe while imagining the usual jazz-with-strings hack job. There are moments in Ceremonies for Those Who Are Still -- particularly when the choir is singing Parker's poems of life and loss and creation -- when the grandeur of the year's most fashionable jazz album, Kamasi Washington's The Epic (also a three-cd set) comes to mind, but the difference -- the reason Parker's set ranks much higher -- is that his orchestrations are vastly more contrapuntal, colorful, individual, and just plain daring.
I have been an admirer and observer of William Parker for a quarter century, but nothing prepared me for the impact of this three-disc set's final CD, which features an orchestral composition, Ceremonies for Those Who Are Still, which ranks high among the best orchestral music of the 21st century, and I'm including classical composers. In other words, don't cringe while imagining the usual jazz-with-strings hack job. There are moments in Ceremonies for Those Who Are Still -- particularly when the choir is singing Parker's poems of life and loss and creation -- when the grandeur of the year's most fashionable jazz album, Kamasi Washington's The Epic (also a three-cd set) comes to mind, but the difference -- the reason Parker's set ranks much higher -- is that his orchestrations are vastly more contrapuntal, colorful, individual, and just plain daring.
- 1/3/2016
- by SteveHoltje
- www.culturecatch.com
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