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Jodi Sta. Maria

News

Jodi Sta. Maria

“Untold” in Theaters
“Untold” is a new Philippines-produced, supernatural feature, written and directed by Roderick Cabrido, starring Jodi Sta. Maria, Joe, Bascon and Juan Karlos Labajo, now playing in theaters:

“…’Vivian Vera’ is a journalist and social media star who is on a career high as the news anchor for her own investigative documentary series ‘Untold’.

“But things go wrong when she pursues a story and it leaves her traumatized. Soon, inexplicable occurrences start surrounding her and her news crew…

“…and plunges them all deeper into a mystery that forces Vivian to face herself, if she wants answers…”

Click the images to enlarge…

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See full article at SneakPeek
  • 5/8/2025
  • by Unknown
  • SneakPeek
Untold (2021)
Trailer: Untold by Derick Cabrido
Untold (2021)
Do you sin? Do you lie? The dead know the truth. And they are coming for you – big time.

The biggest nightmare of 2025 is coming!

“Untold” premieres on 30 April, starring Philippines’ A-lister Jodi Sta. Maria as Vivian Vera, an award-winning journalist whose dark past distorting truth and ruining lives comes back to haunt her. Delving into the terrifying consequences of misinformation, the core question is “Can you be an honest reporter in this day and age?”

Untold exclusively in cinemas on April 30! Starring Asia’s Best Actress Jodi Sta. Maria, alongside Joem Bascon, Juan Karlos, Gloria Diaz, Mylene Dizon, Kaori Oinuma, Sarah Edwards, and Lianne Valentin.

Directed by multi-awarded filmmaker Derick Cabrido, from the home of big Filipino horror movies, Regal Entertainment Inc.
See full article at AsianMoviePulse
  • 3/14/2025
  • by Don Anelli
  • AsianMoviePulse
Asian Academy Creative Awards Unveil 2022 Winners: Netflix Scores Five Wins on Night Two
Image
Updated: Netflix was the big winner on Night Two of the Asian Academy Creative Awards on Thursday in Singapore, which were held concurrently with the Asia Television Forum and Market.

Netflix scored five wins including best feature film for Japan’s “Akakusa Kid” and best actor in a leading role for Korea’s Jung Hae-in for his role in “D.P.” India’s Basil Joseph won best direction for Netflix’s “Minnal Murali” while his compatriot Shreya Dube won the cinematography award for Netflix’s “Thar.” Taiwan won both best actor and actress in a supporting role for Wu Kang Ren in Netflix’s “Light The Night” and a posthumous victory for Liou Yiin-Shang for “Still Me,” respectively.

Jodi Chrissie Sta. Maria won best actress in a leading role for “The Broken Marriage Vow.” Korea won the best drama series for a third consecutive year for Cj Enm’s “Twenty Five Twenty One.
See full article at Variety Film + TV
  • 12/8/2022
  • by Manori Ravindran and Naman Ramachandran
  • Variety Film + TV
Cinemalaya 2012 Review: Vincent Sandoval's Aparisyon (Apparition)
Prior to Marcos' declaration of Martial Law, the Philippines was in complete disarray. The regime, dictated by a culture of corruption and violence, would have students and other activists disappear, only to be discovered as victims of torture or worse, as dispatched bodies. However, in the Adorasyon convent, nestled deep within the forests of Rizal, news of these abuses are only heard from the occasional visits of family members or smuggled newspapers and transistor radios. Kept away and protected from the harshness and temptations of the outside world by their dutiful mother superior (Fides Cuyugan-Asesnsio), the nuns enjoy the simple pleasures of a life lead by the daily routine of work and prayer. One night, newcomer Lourdes (Jodi Sta. Maria) gets raped by bandits...
See full article at Screen Anarchy
  • 8/1/2012
  • Screen Anarchy
Cinemanila 2010: Chassis Review
Adolfo Alix, Jr.'s Chassis opens with Nora (Jodi Sta. Maria) ironing the school uniform of her daughter inside a modest house. The house, perhaps a few square meters wide, consists of very few belongings, some furniture, the ironing horse, cheap ornaments hanging on the wall, one of which Alix's camera becomes fixated on because it showcases the ideal house. Nora finishes her chore and thanks the owner for her kindness. No, this is not Nora's house. She lives elsewhere.

 

Alix's camera follows Nora as she crosses a wide cement gap that separates her neighbor's house with the parking lot of huge container trucks. Underneath the chassis of one of the parked trucks hangs a hammock where Nora's daughter is sleeping. Nora's husband sleeps on the cold cement. This is Nora's home, or at least until the truck drives off to one of its many destinations. She wakes her daughter,...
See full article at Screen Anarchy
  • 12/15/2010
  • Screen Anarchy
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