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Jennifer Higham

News

Jennifer Higham

Metamorphosis and Disconnection: A Movie Review
Metamorphosis DVD ArtDirector: Jeno Hodi.

Writers: Tibor Fonyodi, Allan Katz and Jeno Hodi.

The Countess Elizabeth Bathory is a person of such infamy that even today her misdeeds are told in cinema and story. Bathory bathed in pheasants blood and is likely the most deadly serial killers of all time, with up to 600 deaths attributed to her name. Her exploits have been documented in at least a dozen films, with Metamorphosis one of the most recent (Moira). An interesting subject does not always transition to cinema, however. A review at the website Moira places Metamorphosis on the site's five worst films from 2007 and this review will not attempt to sway this objective and accurate critique of the film. To release on DVD August 24th, through Mti Home Video, Metamorphosis is dreary, uninspiring and there really is nothing here that has not been tried before.

Metamorphosis begins with three Americans travelling through Hungary,...
See full article at 28 Days Later Analysis
  • 7/24/2010
  • by 28DaysLaterAnalysis@gmail.com (Michael Ross Allen)
  • 28 Days Later Analysis
Patrick Bergin
Ella Enchanted
Patrick Bergin
Opens

April 9


Nothing un-beguiles a fairy tale more than forced whimsy and labored magic, which is precisely what plagues "Ella Enchanted". The film, designed to add a modern kick to the fairy tale by introducing contemporary references and attitudes along with golden-oldie rock songs, never fully achieves the lighthearted tone it so desperately seeks. The Miramax film, directed by Tommy O'Haver ("Get Over It"), does attain moments of charm largely because of the talented and energetic Anne Hathaway ("The Princess Diaries"). Adding singing and dancing to her movie portfolio, Hathaway is very much the star of this movie, and she is a real delight. But with the audience limited to adolescents and younger children, and mostly girls at that, boxoffice potential here is equally as limited.

Ella plays the title character, who at birth is given a gift -- which is really a curse -- of "perfect obedience" by an out-of-control fairy godmother (Vivica A. Fox). This forces her to obey any and every command no matter how ridiculous or demeaning. When her widowed dad (Patrick Bergin) remarries, this brings to the household a wicked stepmother ("Absolutely Fabulous'" Joanna Lumley) and two nasty stepsisters, Hattie (Lucy Punch), who lives to scheme, and Olive (Jennifer Higham), who mentally is several goblets short of a medieval table setting.

The sisters are smitten by Prince Char (Hugh Dancy), but Ella loathes him because his uncle, Sir Edgar (Cary Elwes), acting as regent until Char takes over for his late father, has segregated the kingdom. Sir Edgar has banished the peaceful ogres to the forest and sentenced the gentle giants to forced labor while restricting elves to jobs as entertainers and clowns. Ella, a civil rights activist, unfurls a banner denouncing these restrictions when the prince appears at the opening of the Frell Galleria mall.

The prince, of course, is captivated by Ella, but the curse gets between the two. Encouraged by her former nursemaid Mandy (Minnie Driver), Ella journeys through the kingdom to search for her partying godmother to demand she rid Ella of the curse. Accompanying her are Slannen (Aidan McArdle), an elf who wants to be a lawyer, and Benny (Jimi Mistry), a talking book that can guide her to her godmother.

Unfortunately, Ella's adventures generally lack inspiration, acting more as plot devices than sequences of enchantment or moments of magic. Revisionist fairly tales such as this probably work better in animation, but nobody is doing fairly tale cartoon these days other than "Shrek". Five writers came up with a few amusing anachronisms, but many more, such as references to the O.J. Simpson trial or Rodney King, are more likely to elicit groans rather than chuckles. The fairy tale land itself is a mix of overly bright colors and a bit of CGI but mostly cheesy effects that seem to take pride in their low-tech grunge.

In the acting department, Hathaway shines as a heroine with spunk and sass. She plays this fluff with such disarming ease that it will be fun to see how she handles sterner stuff. Elwes delivers a daft bit of villainy as the dastardly uncle, clearly relishing the chance to revisit the world of his breakout hit, "The Princess Bride", from the dark side. Dancy and McArdle are both appealing young heroes, but Lumley hasn't been given nearly enough interesting bad things to do. Driver and Fox must have owed somebody a favor to get stuck in such lackluster roles.

The film's soundtrack contains several catchy covers of pop/rock classics that should stimulate sales for the Hollywood Records album.

ELLA ENCHANTED

Miramax Pictures

A Jane Startz production

Credits:

Director: Tommy O'Haver

Screenwriters: Laurie Craig, Karen McCullah Lutz, Kirsten Smith, Jennifer Heath, Michele J. Wolff

Based on the novel by: Gail Carson Levine

Producer: Jane Startz

Executive producers: Bob Weinstein, Harvey Weinstein, Julie Goldstein, Su Armstrong

Director of photography: John De Borman

Production designer: Norman Garwood

Music: Nick Glennie-Smith

Co-producer: Susan Miller Lazar

Costume designer: Ruth Myers

Editor: Masahiro Hirakubo

Cast:

Ella: Anne Hathaway

Char: Hugh Darcy

Sir Edgar: Cary Elwes

Slannen: Aidan McArdle

Dame Olga: Joanna Lumley

Hattie: Lucy Punch

Olive: Jennifer Higham

Mandy: Minnie Driver

Narrator: Eric Idle

Heston: Steve Coogan

Benny: Jimi Mistry

Lucinda: Vivica A. Fox

Running time -- 100 minutes

MPAA rating: PG...
  • 7/9/2004
  • The Hollywood Reporter - Movie News
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