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The Sarajevo Film Festival, which focuses on films from Southeast Europe, the South Caucasus and Ukraine, has selected 54 films to compete for its Heart of Sarajevo awards. Three films play out of competition. The festival’s 30th edition will run from Aug. 16 to 23.

Jovan Marjanović, director of the festival, said the awards would “amplify voices from the region and bring them closer to the global audience.”

The festival’s four competition sections – for feature, documentary, short and student film – will feature 19 world, nine international, three European, 21 regional and three national premieres.

World premieres include Vuk Ršumović’s “Dwelling Among the Gods,” which plays in the feature film competition program, and Mirjana Karanović’s “Mother Mara,” which is a Gala Screening, playing out of competition.

Marjanović said the program makes the event “once again the place where the broadest audience, as well as film professionals and critics, can gain the most...

Sarajevo Film Festival has unveiled the programme for its four competition sections at its 30th edition (August 16-23), including five feature world premieres.

Eight films will play in the feature film competition, including the world premiere of Vuk Rsumovic’s Dwelling Among The Gods, about a young Afghan migrant woman who comes to Belgrade and learns her brother drowned in the river, so attempts to bury him under her full name.

Scroll down for the full feature selection

The film is a co-production between Serbia’s BaBoon Production, Croatia’s Kinorama and Italy’s Nightswim.

There is one out of competition title,...

Amsterdam-based sales outfit Film Harbour, launched earlier this year under CEO Liselot Verbrugge, has taken on world rights to Pavilion 6 by by Croatian filmmaker Goran Dević, ahead of its Sheffield DocFest world premiere next month.

Part of the BBC Storyville strand, the doc will premiere in Sheffield DocFest’s International Competition in June. It presents a humorous and humane snapshot of a unique moment in time: the waiting line for the Covid-19 vaccination. This is the fifth collaboration between producer Hrvoje Osvadić and director Dević, with previous collaborations including The Blacks.

The company is also beginning sales on another Sheffield DocFest title,...

Tilda Swinton’s feature directorial debut The Hexagonal Hive And A Mouse In A Maze, co-directed with Bartek Dziadosz, will world premiere in competition at Sheffield DocFest (June 12-17) as the full programme is unveiled.

The 109-strong line-up includes 48 world premieres, 14 international and 17 European.

Swinton and her co-director travel the world in The Hexagonal Hive And A Mouse In A Mouse to explore the concept of learning. The documentary was first introduced at Sheffield’s MeetMarket in 2018.

All the competition titles are world premieres including the latest from Croatian filmmaker Goran Devic, Pavillon 6 which surrounds Croatia’s fight for the Covid-19 vaccination.

Documentary filmmakers were reminded of the importance of storytelling during a panel discussion about their craft as part of the Sarajevo Film Festival’s industry program CineLink earlier this week.

“It’s about telling the story. It doesn’t have to be a complex story. It could be anything, but it’s the way you tell it and it’s the characters you tell it through,” said Lucie Kon, commissioning editor at BBC’s doc strand Storyville. She explained that filmmakers should package their project not only with a brilliant story, but one that can charm a broad audience within its first five minutes.

The visuals should also be flashy. “Even the still that tells you what story it is on the poster needs to be like: ‘Wow, I want to see that!’”

One project that impressed Kon was the Croatian film “Pavilion 6” by Goran Dević, featured in CineLink’s Docu Rough Cut Boutique,...

The Sarajevo Film Festival has unveiled its official selection for this year’s edition, with Elene Naveriani’s Cannes Directors’ Fortnight title Blackbird Blackbird Blackberry among the titles playing in Competition.

A total of 49 films will compete for the Heart of Sarajevo awards. The Festival’s four competition sections – feature, documentary, short, and student film – will feature 22 world, two international, 22 regional, and three national premieres.

Additional titles featured in the main competition program include Animal by Greek filmmaker Sofia Exarchou, Tigru by Andrei Tănase, and the Turkish series Rumi from producers Ahmet Okur, Kerim Ayyildiz, and director Can Ulkaj playing as a special screening.

The festival said Creative Director Izeta Građević saw 935 films submitted for consideration, including 200 feature fiction films, 235 documentaries, 500 shorts, and student titles.

The Sarajevo Film Festival competition programme is open for films and filmmakers from Albania, Armenia, Austria, Azerbaijan, Bosnia-Herzegovina, Bulgaria, Croatia, Cyprus, Greece, Georgia, Hungary, Kosovo*, North Macedonia,...

Submissions to the competition sections up 23% for this year’s festival.

Sudabeh Mortezai’s Europa is one of 10 feature world premieres set to screen in competition at the Sarajevo Film Festival next month (August 11-18).

Europa is the fifth feature from Austrian-Iranian filmmaker Mortezai, and follows an ambitious executive working at a mysterious corporation looking to expand into the Balkans. Mortezai’s previous feature Joy debuted at Venice in 2018; while her 2014 title Macondo premiered at the Berlinale.

Five of the 10 titles in the feature film competition are directed by women. Also having its world premiere in the feature film competition...

13th year of the programme will see three working modules across 2023.

Docu Rough Cut Boutique (Docu Rcb), the non-fiction workshop organised by the Sarajevo Film Festival and Balkan Documentary Center, has selected five work-in-progress projects for its 2023 edition.

The 13th edition of the workshop will host three modules across the year: in Sofia in April, in Budapest in June, and in Sarajevo in August.

Scroll down for the list of selected projects

Modules will consist of editing tutorials, group sessions and individual meetings with documentary professionals.

The five projects will be presented to decision makers at the 29th Sarajevo Film Festival in August,...

The buzzy regional event attrracted festival programmers from Cannes, Berlin and around the world.

Croatian director Sonja Tarokić’s debut feature The Staffroom was the big winner at the 69th edition of the Pula Film Festival when it received nine awards at the closing ceremony at the weekend in the port’s 2,000 year-old Roman amphitheatre.

The Croatian Programme Jury, headed by Austrian director Stefan Ruzowitzky, presented the film with the festival’s main award, the Grand Golden Arena for best festival film, as well as Golden Arenas for best director, best actor for Stojan Matavulj , best supporting actress, and best editing.

Retrospective to include films from Danis Tanovic, Cristi Puiu, Mira Fornay and more.

A total of 50 films are to make up the retrospective Eastern Promises: Autobiography of Eastern Europe at the 62nd San Sebastian Film Festival (Sept 19-27).

The line-up includes movies produced since 2000 in the countries that lived under Soviet influence after the Second World War and include some that were never released theatrically in Spain.

Several directors of films in the retrospective will attend the festival to present their works including Sarunas Bartas (Lithuania), Kristina Buožytė (Lithuania), Marian Crisan (Romania), Mira Fornay (Slovakia), Bohdan Sláma (Czech Republic), Malgorzata Szumowska (Poland) and Anna Viduleja (Latvia).

A book will be published to accompany the retrospective with contributions from journalists and critics across Europe.

The titles are:

Kruh In Mleko / Bread And Milk

Jan Cvitkovic (Slovenia) 2001

A modern classic of Slovenian cinema, the tale of a man who went out for bread and milk and lost himself to alcohol...

Sarajevo Film Festival’s industry days include CineLink Co-production Market, Work In Progress, Regional Forum and Industry Terrace

From Aug 21 to 24 at the Sarajevo Film Festival, the international film industry will hit the town for four days of meetings and networking.

The industry section of the festival has established itself as the main hub for regional film-makers, but since last year projects from the Caucasus region and the North African and Middle Eastern countries bordering the Mediterranean Sea are also eligible for CineLink, the co-production market which is a backbone of this festival strand.

From this year, there is also a new initiative, the Industry Terrace.

CineLink

CineLink is a development and financing platform for regional feature-length fiction films destined for European co-production.

From Aug 22 to 24, over 500 professionals from the region and the rest of Europe will gather in search of talented film-makers and promising projects. For the representatives of projects at the Co-Production Market and Work...

While I do not think that something as edgy or unusual as Giorgos Lanthimos' Dogtooth (pictured above) will make the 'final five' short list, but kudos to Greece for throwing it out there.  Perhaps something like Tetsuya Nakashima's Confessions will make the cut despite its similarly unsettling subject matter.  Either way, the Academy of Motion Picture Arts and Sciences did put out a big release yesterday with all of their Foreign Language film submissions, 65 of them in total even Greenland, from various countries.  Many of these films have reviews in our archives.

Albania, East West East, Gjergj Xhuvani

Algeria, Hors la Loi ("Outside the Law"), Rachid Bouchareb

Argentina, Carancho, Pablo Trapero

Austria, La Pivellina, Tizza Covi and Rainer Frimmel

Azerbaijan, The Precinct, Ilgar Safat

Bangladesh, Third Person Singular Number, Mostofa Sarwar Farooki

Belgium, Illegal, Olivier Masset-Depasse

Bosnia and Herzegovina, Circus Columbia, Danis Tanovic

Brazil, Lula the Son of Brazil,...

65 Countries Enter Race for 2010 Foreign Language Film Oscar®

Beverly Hills, CA: Sixty-five countries, including first-time entrants Ethiopia and Greenland, have submitted films for consideration in the Foreign Language Film category for the 83rd Academy Awards®.

The 2010 submissions are:

.Albania, .East, West, East,. Gjergj Xhuvani, director;

.Algeria, .Hors la Loi. (.Outside the Law.), Rachid Bouchareb, director;

.Argentina, .Carancho,. Pablo Trapero, director;

.Austria, .La Pivellina,. Tizza Covi and Rainer Frimmel, directors;

.Azerbaijan, .The Precinct,. Ilgar Safat, director;

.Bangladesh, .Third Person Singular Number,. Mostofa Sarwar Farooki, director;

.Belgium, .Illegal,. Olivier Masset-Depasse, director;

.Bosnia and Herzegovina, .Circus Columbia,. Danis Tanovic, director;

.Brazil, .Lula, the Son of Brazil,. Fabio Barreto, director;

.Bulgaria, .Eastern Plays,. Kamen Kalev, director;

.Canada, .Incendies,. Denis Villeneuve, director;

.Chile, .The Life of Fish,. Matias Bize, director;

.China, .Aftershock,. Feng Xiaogang, director;

.Colombia, .Crab Trap,. Oscar Ruiz Navia, director;

.Costa Rica, .Of Love and Other Demons,. Hilda Hidalgo, director;

.Croatia, .The Blacks,...

I have been keeping track of all of the Foreign Language Oscar submissions in my "The Contenders" section of the site and today the official list of sixty-five films from sixty-five countries was unveiled by the Academy of Motion Picture Arts and Sciences for consideration for the 83rd Academy Awards. On January 20, 2011 a shortlist of nine contenders will be announced prior to the naming of the nominees on January 25, 2011.

I have included the complete list directly below, which includes first-time entrants Ethiopia and Greenland. The only film that was originally thought to be under consideration, but didn't show up on the Academy's final list was Afghanistan's entry, Black Tulip, directed by Sonia Nassery Cole. IMDb doesn't list a release date for the film, which means it may not have met the release requirements in time.

I have linked each film to their corresponding IMDb page for those films not included...

I'm not sure what the cutoff date is for from the individual countries for the Foreign Language Film nominations, but Sony Pictures Classics are glad to see Canada select Denis Villeneuve's Incendies. The company now has three horses in the race and once again, places the distributor in a pretty good position to grab the most of the spots in the final five nominations. Their solid trio so far includes: the Villeneuve film that played at Venice, Telluride and Tiff with Cannes items Xavier Beauvois' Of Gods and Men and Olivier Schmitz's Life, Above All. Having seen all three mentioned titles, I can say that this will please Academy voters. Cross your fingers for Dogtooth folks. Algeria: Outside the Law, Rachid Bouchareb Austria: La Pivellina, Tizza Covi and Rainer Frimmel Azerbaijan: The Precinct, Ilgar Safat Belgium: Illègal, Olivier Masset-Depasse Bosnia and Herzegovina: Circus Columbia, Danis Tanovic Bulgaria: Eastern Plays,...

Kostana Banovic’s Hopsctoch (top); The Blacks‘ filmmaker Zvonimir Juric (bottom) The 2010 edition of Los Angeles’ South-East European Film Festival continues this evening with screenings of three Us premieres beginning at 6:30 p.m. at the Goethe-Institut in the Mid-Wilshire Area: Kostana Banovic’s Ploha / Hopscotch, Mariá Takács‘ Secret Years, and Zvonimir Juric and Goran Devic’s The Blacks. Bosnian filmmaker Banovic’s autobiographical documentary Hopscotch traces her journey, accompanied by her teenager daughter and son, from the Netherlands to Sarajevo, the city of her birth. Cultural conflicts ensue as a result of their Dutch sojourn. Mariá Takács’ Hungarian documentary Secret Years documents the experiences of lesbian living under communism. Interviewees include women between the ages of 45 and 70, who reminisce [...]...

The 16th annual Bradford International Film Festival, which will run March 18-28, is a total celebration of all forms of cinema, from classic films to modern world cinema to a tribute to Cinerama and more. But, most excitingly, is a bombastic collection of some of the best, most exciting underground films being made today.

From Bad Lit’s perspective, the most thrilling screening of the entire 10-day affair is the new film by British filmmaker Peter Whitehead, Terrorism Considered as One of the Fine Arts. In the U.S., Whitehead is a “lost” filmmaker from the underground’s heyday in the ’60s, being left out of most histories of the underground movement. Whitehead directed several influential films, including Wholly Communion and The Fall, before dropping out of filmmaking in the mid-’70s.

Film historian Jack Sargeant wrote extensively about and interviewed Whitehead for his wonderful book on Beat cinema, Naked Lens.