Exclusive: More partners have joined Ard’s German political thriller series Dangerous Truth (Das Zweite Attentat).
Munich-based distributor OneGate Media and Bravado Equity, a subsidiary of Eric Welbers’ Bravado Media, have boarded as global distributor and gap financier, respectively. They join co-production partners Eikon Media, Wdr and Ard Degeto Film along with Deal Productions in Luxembourg for Ard.
Inspired by true events that took place in the lead up to the 2003 invasion of Iraq, the six-part, German-language drama centers around 35-year-old Alexander Jaromin, who for 20 years has been living with his mother in Athens under assumed identities in the witness protection program of the Federal Criminal Police Office (Bka) after his father and sister were killed in a terrorist attack. Tormented by the unknown, Alexander begins a desperate search to uncover the truth and soon finds himself under the close watch of the Federal Intelligence Service, with his...
Munich-based distributor OneGate Media and Bravado Equity, a subsidiary of Eric Welbers’ Bravado Media, have boarded as global distributor and gap financier, respectively. They join co-production partners Eikon Media, Wdr and Ard Degeto Film along with Deal Productions in Luxembourg for Ard.
Inspired by true events that took place in the lead up to the 2003 invasion of Iraq, the six-part, German-language drama centers around 35-year-old Alexander Jaromin, who for 20 years has been living with his mother in Athens under assumed identities in the witness protection program of the Federal Criminal Police Office (Bka) after his father and sister were killed in a terrorist attack. Tormented by the unknown, Alexander begins a desperate search to uncover the truth and soon finds himself under the close watch of the Federal Intelligence Service, with his...
- 7/3/2024
- by Jesse Whittock
- Deadline Film + TV
Identity Kills
Toronto International Film Festival
TORONTO -- That oft-revisited theme of alienation, German-style, is given a unique spin in Living Films' "Identity Kills", a movie combining docudrama and thriller elements with interesting, if mixed, results.
A second feature by writer-director Soren Voigt, the story of a young woman's unsuccessful re-entry into society after being released from a psychiatric hospital takes a little while to engage the viewer, but once the Patricia Highsmith-type thriller aspect kicks in, the balance turns out to be quite watchable.
Resembling a young Isabelle Huppert (in the type of offbeat role that could easily fit into her resume), Brigitte Hobmeier is the troubled Karen, who has returned to her Berlin apartment to discover that her carousing boyfriend (Daniel Lommatzsch) has moved his ex-girlfriend into the place.
Determined to start making positive changes in her life, she gets a job at a factory that manufactures cutlery with the intention of eventually forking over enough savings to take a dream trip to the Caribbean.
As fate would have it, one day Karen is mistaken by resort manager Mr. Sanchez (Antonio Sanchez-Camera) for another young woman (Mareike Alscher) who has applied for a job at his Caribbean hotel. Karen quickly becomes obsessed with her, to the point of posing as Sanchez's assistant with the ultimate intention of fully assuming the woman's identity.
Voigt, who developed his screenplay through improvised scenes with his cast of professional and nonprofessional actors, delivers a picture that lacks the artistic polish of conventional thrillers, but in exchange, there's a random aspect to Karen's behavior that makes her closing-act behavior all the more unexpected.
TORONTO -- That oft-revisited theme of alienation, German-style, is given a unique spin in Living Films' "Identity Kills", a movie combining docudrama and thriller elements with interesting, if mixed, results.
A second feature by writer-director Soren Voigt, the story of a young woman's unsuccessful re-entry into society after being released from a psychiatric hospital takes a little while to engage the viewer, but once the Patricia Highsmith-type thriller aspect kicks in, the balance turns out to be quite watchable.
Resembling a young Isabelle Huppert (in the type of offbeat role that could easily fit into her resume), Brigitte Hobmeier is the troubled Karen, who has returned to her Berlin apartment to discover that her carousing boyfriend (Daniel Lommatzsch) has moved his ex-girlfriend into the place.
Determined to start making positive changes in her life, she gets a job at a factory that manufactures cutlery with the intention of eventually forking over enough savings to take a dream trip to the Caribbean.
As fate would have it, one day Karen is mistaken by resort manager Mr. Sanchez (Antonio Sanchez-Camera) for another young woman (Mareike Alscher) who has applied for a job at his Caribbean hotel. Karen quickly becomes obsessed with her, to the point of posing as Sanchez's assistant with the ultimate intention of fully assuming the woman's identity.
Voigt, who developed his screenplay through improvised scenes with his cast of professional and nonprofessional actors, delivers a picture that lacks the artistic polish of conventional thrillers, but in exchange, there's a random aspect to Karen's behavior that makes her closing-act behavior all the more unexpected.
- 7/9/2004
- The Hollywood Reporter - Movie News
Identity Kills
Toronto International Film Festival
TORONTO -- That oft-revisited theme of alienation, German-style, is given a unique spin in Living Films' "Identity Kills", a movie combining docudrama and thriller elements with interesting, if mixed, results.
A second feature by writer-director Soren Voigt, the story of a young woman's unsuccessful re-entry into society after being released from a psychiatric hospital takes a little while to engage the viewer, but once the Patricia Highsmith-type thriller aspect kicks in, the balance turns out to be quite watchable.
Resembling a young Isabelle Huppert (in the type of offbeat role that could easily fit into her resume), Brigitte Hobmeier is the troubled Karen, who has returned to her Berlin apartment to discover that her carousing boyfriend (Daniel Lommatzsch) has moved his ex-girlfriend into the place.
Determined to start making positive changes in her life, she gets a job at a factory that manufactures cutlery with the intention of eventually forking over enough savings to take a dream trip to the Caribbean.
As fate would have it, one day Karen is mistaken by resort manager Mr. Sanchez (Antonio Sanchez-Camera) for another young woman (Mareike Alscher) who has applied for a job at his Caribbean hotel. Karen quickly becomes obsessed with her, to the point of posing as Sanchez's assistant with the ultimate intention of fully assuming the woman's identity.
Voigt, who developed his screenplay through improvised scenes with his cast of professional and nonprofessional actors, delivers a picture that lacks the artistic polish of conventional thrillers, but in exchange, there's a random aspect to Karen's behavior that makes her closing-act behavior all the more unexpected.
TORONTO -- That oft-revisited theme of alienation, German-style, is given a unique spin in Living Films' "Identity Kills", a movie combining docudrama and thriller elements with interesting, if mixed, results.
A second feature by writer-director Soren Voigt, the story of a young woman's unsuccessful re-entry into society after being released from a psychiatric hospital takes a little while to engage the viewer, but once the Patricia Highsmith-type thriller aspect kicks in, the balance turns out to be quite watchable.
Resembling a young Isabelle Huppert (in the type of offbeat role that could easily fit into her resume), Brigitte Hobmeier is the troubled Karen, who has returned to her Berlin apartment to discover that her carousing boyfriend (Daniel Lommatzsch) has moved his ex-girlfriend into the place.
Determined to start making positive changes in her life, she gets a job at a factory that manufactures cutlery with the intention of eventually forking over enough savings to take a dream trip to the Caribbean.
As fate would have it, one day Karen is mistaken by resort manager Mr. Sanchez (Antonio Sanchez-Camera) for another young woman (Mareike Alscher) who has applied for a job at his Caribbean hotel. Karen quickly becomes obsessed with her, to the point of posing as Sanchez's assistant with the ultimate intention of fully assuming the woman's identity.
Voigt, who developed his screenplay through improvised scenes with his cast of professional and nonprofessional actors, delivers a picture that lacks the artistic polish of conventional thrillers, but in exchange, there's a random aspect to Karen's behavior that makes her closing-act behavior all the more unexpected.
- 9/23/2003
- The Hollywood Reporter - Movie News
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