Tallinn Black Nights Film Festival’s Baltic Event Co-Production Market has selected 14 feature projects for its 2024 edition.
Titles include Anastasiya Gruba’s debut Women Suicide Season, a co-production between Ukraine through Oleksandra Kostina’s Bosonfilms and Germany. The film centres on a man who escapes from his mother to a hermit’s life in a trailer; only for his loneliness to be interrupted by suicidal women who are drowning nearby.
Scroll down for the full list of projects
Women Suicide Season has participated in numerous labs and development workshops, including the Marche du Film’s Pop Up Film Residency and Global Media Makers LA Residency.
Titles include Anastasiya Gruba’s debut Women Suicide Season, a co-production between Ukraine through Oleksandra Kostina’s Bosonfilms and Germany. The film centres on a man who escapes from his mother to a hermit’s life in a trailer; only for his loneliness to be interrupted by suicidal women who are drowning nearby.
Scroll down for the full list of projects
Women Suicide Season has participated in numerous labs and development workshops, including the Marche du Film’s Pop Up Film Residency and Global Media Makers LA Residency.
- 10/3/2024
- ScreenDaily
The 60th-anniversary edition will unspool from 4-10 September while complying with stricter hygiene measures. The postponed 60th-anniversary edition of the International Film Festival for Children and Youth (Zlín Film Fest), the oldest and largest film festival for children, is bracing for a physical edition from 4-10 September. In addition to the previously announced titles in the International Competition of Feature Films for Children and the International Competition of Feature Films for Youth (see the news), the International Competition of European First Feature Films will introduce the local audience to the Belgian drama Cleo by Eva Cools, Hungarian helmer Attila Hartung’s Fomo – Fear of Missing Out, Małgorzata Imielska’s Used Up and Lucía Alemany’s drama The Innocence. Selected European documentary films for a young audience will vie for a prize in a separate competition, which will screen the Polish observational doc Underage Engineers by Aleksandra Skowron and Hanna Polak; Rozálie Kohoutová.
Hottest presentations of upcoming Flemish films also include multicultural family film Binti; Patrice Toye’s Tench; and Gust van den Berghe’s Rain Anyway.
The word on everyone’s lips at this year’s Connext, the industry event organised by Flanders Image, was, “What will be the next Girl?”
Last year, Lukas Dhont’s transgender story was presented as a Work In Progress at Connext and is now one of the most lauded films of 2018, winning the Camera d’Or at Cannes and now representing Belgium in the foreign-language Oscar race.
It’s wildly different than Girl, but the buzziest...
The word on everyone’s lips at this year’s Connext, the industry event organised by Flanders Image, was, “What will be the next Girl?”
Last year, Lukas Dhont’s transgender story was presented as a Work In Progress at Connext and is now one of the most lauded films of 2018, winning the Camera d’Or at Cannes and now representing Belgium in the foreign-language Oscar race.
It’s wildly different than Girl, but the buzziest...
- 10/10/2018
- by Wendy Mitchell
- ScreenDaily
Hottest presentations of upcoming Flemish films also include multicultural family film Binti; Patrice Toye’s Tench; and Gust van den Berghe’s Rain Anyway.
The word on everyone’s lips at this year’s Connext, the industry event organized by Flanders Image, was, “What will be the next Girl?”
Last year, Lukas Dhont’s transgender story was presented as a Work In Progress at Connext and is now one of the most lauded films of 2018, winning the Camera d’Or at Cannes and now representing Belgium in the foreign Oscar race.
It’s wildly different than Girl, but the buzziest...
The word on everyone’s lips at this year’s Connext, the industry event organized by Flanders Image, was, “What will be the next Girl?”
Last year, Lukas Dhont’s transgender story was presented as a Work In Progress at Connext and is now one of the most lauded films of 2018, winning the Camera d’Or at Cannes and now representing Belgium in the foreign Oscar race.
It’s wildly different than Girl, but the buzziest...
- 10/10/2018
- by Wendy Mitchell
- ScreenDaily
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