As Ventana Sur settles into its stride in its first edition in Montevideo, Uruguay, Screen highlights 10 projects expected to make a splash at the leading Ibero-American audiovisual market.
The titles are at various stages in the production cycle and the filmmakers are in Montevideo looking to establish meaningful partnerships.
Selections include stories of vampires grappling with transformation, quests, coming-of-age stories, coastal erosion, and a project from the inaugural Latam Series Market.
Ventana Sur runs through December 6.
The Condor Daughter (Bol-Per-Uru)
Section: Copia Final
Director: Álvaro Olmos
The Condor Daughter marks the second fiction feature from Olmos, who has directed documentary and television,...
The titles are at various stages in the production cycle and the filmmakers are in Montevideo looking to establish meaningful partnerships.
Selections include stories of vampires grappling with transformation, quests, coming-of-age stories, coastal erosion, and a project from the inaugural Latam Series Market.
Ventana Sur runs through December 6.
The Condor Daughter (Bol-Per-Uru)
Section: Copia Final
Director: Álvaro Olmos
The Condor Daughter marks the second fiction feature from Olmos, who has directed documentary and television,...
- 12/3/2024
- ScreenDaily
Ventana Sur’s Blood Window long ago established itself as one of the most important platforms for genre cinema in Latin America. This year, the sidebar returns with a seven-title lineup for its Blood Window Screenings program.
The diverse lineup includes classic slashers, sci-fi flicks, supernatural tales and psychological thrillers that emphasize the range of stories that can be told using genre language and the widening definition of genre cinema.
Although this year’s lineup is broader in scope than what was once common for Blood Window – originally a platform for straight-up horror films, it’s also noticeably more contemporary than many previous editions of the program. Latin American genre cinema has a knack for producing fantastic period films, but this year’s titles are mostly set in the modern day, and those that aren’t are – except for one in the 1960s – set in the last half-century. The narratives...
The diverse lineup includes classic slashers, sci-fi flicks, supernatural tales and psychological thrillers that emphasize the range of stories that can be told using genre language and the widening definition of genre cinema.
Although this year’s lineup is broader in scope than what was once common for Blood Window – originally a platform for straight-up horror films, it’s also noticeably more contemporary than many previous editions of the program. Latin American genre cinema has a knack for producing fantastic period films, but this year’s titles are mostly set in the modern day, and those that aren’t are – except for one in the 1960s – set in the last half-century. The narratives...
- 11/19/2024
- by Jamie Lang
- Variety Film + TV
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