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Glauco Firpo

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Glauco Firpo

Sundance 2017: Here Are the Cameras Used to Shoot This Year’s Acclaimed Films
IndieWire reached out to the filmmakers behind the feature-length narrative and documentary films premiering this week to find out what cameras they used and why they chose them. Here are their responses.

Read More: The 2017 IndieWire Sundance Bible – Every Review, Interview and News Item Posted During the Festival

Dramatic Competition & Next

Cory Finley, “Thoroughbred”

Arri Alexa Mini. Panavision G-Series lenses.

The Dp, Lyle Vincent, was very particular about getting a hold of both. They gave us flexibility in shooting and helped create the very precise, high-contrast, and slightly dreamy look we were going for.

Gillian Robespierre, “Landline”

Arri Alexa with some vintage lenses

“Landline” takes place in 1990’s Manhattan. My Dp Chris Teague and I talked a lot about what shooting a period movie from a recent period would look and feel like. Unfortunately, we were not able to shoot on film, and added a texture of LiveGrain during color...
See full article at Indiewire
  • 1/25/2017
  • by Annakeara Stinson and Chris O'Falt
  • Indiewire
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.

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