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Iftikhar Thakur

Vin Diesel in Bloodshot (2020)
Audiences shun cinemas as Vin Diesel and Guy Pearce fire blanks in ‘Bloodshot’
Vin Diesel in Bloodshot (2020)
‘Bloodshot.’ (Photo credit: Columbia Pictures)

Ticket sales at Australian cinemas plunged to a new low last weekend as coronavirus-wary audiences ignored almost all the new releases.

The top 20 titles generated a mere $6.79 million, 25 per cent down on the previous frame, which had been the worst weekend of the year, according to Numero.

This morning exhibitors and distributors were struggling to recall the last time the weekend grosses fell to such a nadir.

Typifying the market’s malaise, only Sony Pictures’ Bloodshot and Universal’s The Invisible Man in week three cracked $1 million.

In the Us, where some cinemas have closed, the estimated weekend take of $US55.3 million was the lowest since 1998.

The government’s ban on gatherings of more than 500 people has not impacted cinemas, at least for now.

Hoyts Cinemas CEO Damian Keogh tells If: “We have no immediate plans to close cinemas but will be guided by government policy.
See full article at IF.com.au
  • 3/16/2020
  • by The IF Team
  • IF.com.au
Bo Report: Fast start for ‘Fast & Furious’ spin-off
‘Fast & Furious Presents: Hobbs & Shaw.’

As a spin-off, Universal’s Fast & Furious Presents: Hobbs & Shaw was never destined to roar out of the starting blocks with the same velocity as the previous editions of the franchise.

But the opening weekend for the action thriller starring Dwayne Johnson and Jason Statham in Australia over-indexed the Us bow and the worldwide tally was a none-too-shabby $179 million.

The top 20 titles generated $17.4 million, a slight 7 per cent dip on the previous weekend, according to Numero. Palace’s French psychological drama/thriller Who You Think I Am proved to be effective counter-programming for non-rev-heads, while Sony’s Chinese firefighting movie The Bravest fared Ok on limited screens.

Rialto’s indie Us drama The Public and Madman Entertainment’s romantic drama Ophelia directed by Aussie Claire McCarthy struggled in line with their Us results.

Directed by David Leitch, Fast & Furious Presents: Hobbs & Shaw clocked up $7.2 million,...
See full article at IF.com.au
  • 8/5/2019
  • by The IF Team
  • IF.com.au
Bo Report: ‘The Lion King’ reigns as Stephen Amis’ Sea Shepherd doc sails in
‘Defend, Conserve, Protect.’

Disney’s The Lion King roared through its second weekend in Australia as the studio smashed its own annual global box office record set in 2016 last weekend.

Meanwhile Defend, Conserve, Protect, Stephen Amis’ feature doc which examines the long-running campaign to stop Japanese fishermen killing whales in the Southern Ocean, opened on seven screens in limited sessions.

Narrated by Dan Aykroyd and produced by Amis, Sea Shepherd Australia MD Jeff Hansen and Sea Shepherd colleague Omar Todd, the film fetched an estimated $7,200 but had already netted $37,000 from about 40 advance screenings and festivals.

The executive producer, Label Distribution’s Tait Brady, is happy with the reviews and media coverage and says the film will play through the end of the year with screenings for activists and community groups, after which he will negotiate ancillary deals.

He offered the film to several sales agents but they were wary of the anti-whaling stance.
See full article at IF.com.au
  • 7/29/2019
  • by The IF Team
  • IF.com.au
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