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Andrew Shemin

Scenes from an Empty Church Review: Onur Tukel Takes an Authentically Cynical Look at Faith During a Crisis
We all look for signs and interpret them how we see fit, whether doing so is correct or not—and despite those so-called “signs” proving nothing but coincidences to which we’ve ascribed unearned meaning. It’s how we find comfort. It’s how we wake up in the morning. And it’s the point where spirituality and religion intersect before ultimately diverging, since the former deals in faith’s freedom and the latter in faith’s commoditization. One allows us to believe what we believe without putting a name to it. The other sells us an unconditional clean slate by request no matter what heinous crimes we’ve committed yesterday. When opportunism becomes a better road towards salvation than compassionate morality, something has gone horribly wrong. It’s “money talks” and “piousness walks.”

Leave it to a filmmaker like Onur Tukel to take such a cynical (albeit true) interpretation of organized religion,...
See full article at The Film Stage
  • 6/29/2021
  • by Jared Mobarak
  • The Film Stage
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