Exclusive: David M. Rosenthal is directing an untitled thriller about freediving, which has been boarded by Netflix France.
Starring in the pic are Camille Rowe (Rock’n Roll) and Sofiane Zermani (Close Enemies), with César Domboy (Outlander) and Zacharie Chasseriaud (Hippocrate) in supporting roles.
The film follows Roxana Aubrey, a young university student with a troubled past and a passion for the sea, who decides to drop her studies and escape her life in Paris for a freediving course in the south of France. She is quickly pulled into a life that reaches new depths brought by the weight of an ocean’s descent.
The pic is shooting now and will film in the south of France, the Cote D’Azure, as well as Guadeloupe and Brussels. Thomas Hardmeier is lensing, Stéphane Roche is editor, Atli Orvärsson is composer and Jean Philippe Moreaux is production designer.
Starring in the pic are Camille Rowe (Rock’n Roll) and Sofiane Zermani (Close Enemies), with César Domboy (Outlander) and Zacharie Chasseriaud (Hippocrate) in supporting roles.
The film follows Roxana Aubrey, a young university student with a troubled past and a passion for the sea, who decides to drop her studies and escape her life in Paris for a freediving course in the south of France. She is quickly pulled into a life that reaches new depths brought by the weight of an ocean’s descent.
The pic is shooting now and will film in the south of France, the Cote D’Azure, as well as Guadeloupe and Brussels. Thomas Hardmeier is lensing, Stéphane Roche is editor, Atli Orvärsson is composer and Jean Philippe Moreaux is production designer.
- 11/16/2021
- by Tom Grater
- Deadline Film + TV
A clever example of creativity thriving within the strict protocols of the coronavirus pandemic, tense confinement thriller “Oxygen” plays like “Buried” in outer space: a ticking-clock sci-fi survival drama centered on a single character (“Inglourious Basterds” star Mélanie Laurent) trapped in a spiffy, coffin-like cryochamber with critically low reserves of breathable air. The blank-brained “bioform” awakens ahead of schedule, sealed in some kind of futuristic membrane, with only a helpful Hal 9000-like talking computer called Milo to assist her.
Making his first French-language feature since “High Tension,” extreme-horror helmer Alexandre Aja injects a bit too much outside-the-box style into Christie LeBlanc’s bare-bones, Black List-selected screenplay. But the timing is fortuitous: Here’s a high-concept Netflix movie, originally intended for another actress, that was shot in the window between France’s initial Covid-19 lockdown and the industry-hammering second wave.
Arriving now, as humankind tentatively emerges from a kind of global hypersleep,...
Making his first French-language feature since “High Tension,” extreme-horror helmer Alexandre Aja injects a bit too much outside-the-box style into Christie LeBlanc’s bare-bones, Black List-selected screenplay. But the timing is fortuitous: Here’s a high-concept Netflix movie, originally intended for another actress, that was shot in the window between France’s initial Covid-19 lockdown and the industry-hammering second wave.
Arriving now, as humankind tentatively emerges from a kind of global hypersleep,...
- 5/7/2021
- by Peter Debruge
- Variety Film + TV
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