Hal Ashby’s The Landlord, made in 1970, is probably the best movie of the 1970s not to be widely known by younger audiences, and even by some older audiences whose appreciation of the last great era of American moviemaking needs to be expanded beyond go-to classics like The Godfather and Chinatown and Taxi Driver. It’s Ashby’s first directorial effort, after work as assistant editor and chief film editor on The Diary of Anne Frank, The Cincinnati Kid and In the Heat of the Night, and it finds Ashby delighting in the freedom of fashioning experimental rules of editorial and visual expression in the process of translating a script from Bill Gunn (Ganja and Hess), based on Kristin Hunter’s novel, into what stands today as one of the funniest, most honest, cogent and probing explorations of race and American race relations in movie history. We had it on...
- 12/4/2017
- by Dennis Cozzalio
- Trailers from Hell
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