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Amy Lawrence

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Cora Sue Collins, Celebrated Child Actress at MGM in the 1930s, Dies at 98
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Cora Sue Collins, the charming child actress of the 1930s and ’40s who worked alongside such legends as Greta Garbo, Claudette Colbert, Bette Davis, Irene Dunne and Merle Oberon during her brief but sensational career, has died. She was 98.

Collins died Sunday at her home in Beverly Hills of complications from a stroke, her daughter, Susie Krieser, told The Hollywood Reporter.

Collins played younger versions of Colbert in Torch Singer (1933), Frances Dee in The Strange Case of Clara Deane (1932) and Keep ‘Em Rolling (1934), Loretta Young in Caravan (1934), Oberon in The Dark Angel (1935) and Lynn Bari in Blood and Sand (1941).

“I must have the most common face in the world,” she said in a 2019 interview. “I played either the most famous actresses of the ’30s as a child or their child. They made me up to look like everybody.”

The MGM contract player also was William Powell and Myrna Loy’s...
See full article at The Hollywood Reporter - Movie News
  • 4/29/2025
  • by Mike Barnes
  • The Hollywood Reporter - Movie News
The Most Beautiful Man in Film
Well remembered for the staggering effect his film performances in classics such as A Place in the Sun and From Here to Eternity had on post-World War II movie audiences, Montgomery Clift is equally known today as one of Hollywood’s greatest casualties. A mysterious, sensitive antidote to the blandly handsome bobby-soxer idols of the day, Clift ushered in a new, naturalistic style of acting, years before Marlon Brando and James Dean, who both worshipped him. The camera adored him as well. Clift was described by one biographer as “having a face of impenetrable beauty,” and Elizabeth Taylor, his close friend and frequent costar, claimed her heart stopped the first time she saw him. After a near-fatal auto accident in 1956 ravaged his perfect face, Clift, now addicted to alcohol, painkillers, and, by some accounts, tormented by his closeted homosexuality, began a downward spiral that would last until his death at 45 in 1966. Marilyn Monroe,...
See full article at The Advocate
  • 7/13/2010
  • The Advocate
The Most Beautiful Man in Film
Well remembered for the staggering effect his film performances in classics such as A Place in the Sun and From Here to Eternity had on post-World War II movie audiences, Montgomery Clift is equally known today as one of Hollywood’s greatest casualties. A mysterious, sensitive antidote to the blandly handsome bobby-soxer idols of the day, Clift ushered in a new, naturalistic style of acting, years before Marlon Brando and James Dean, who both worshipped him. The camera adored him as well. Clift was described by one biographer as “having a face of impenetrable beauty,” and Elizabeth Taylor, his close friend and frequent costar, claimed her heart stopped the first time she saw him. After a near-fatal auto accident in 1956 ravaged his perfect face, Clift, now addicted to alcohol, painkillers, and, by some accounts, tormented by his closeted homosexuality, began a downward spiral that would last until his death at 45 in 1966. Marilyn Monroe,...
See full article at The Advocate
  • 7/13/2010
  • The Advocate
The Most Beautiful Man in Film
Well remembered for the staggering effect his film performances in classics such as A Place in the Sun and From Here to Eternity had on post-World War II movie audiences, Montgomery Clift is equally known today as one of Hollywood’s greatest casualties. A mysterious, sensitive antidote to the blandly handsome bobby-soxer idols of the day, Clift ushered in a new, naturalistic style of acting, years before Marlon Brando and James Dean, who both worshipped him. The camera adored him as well. Clift was described by one biographer as “having a face of impenetrable beauty,” and Elizabeth Taylor, his close friend and frequent costar, claimed her heart stopped the first time she saw him. After a near-fatal auto accident in 1956 ravaged his perfect face, Clift, now addicted to alcohol, painkillers, and, by some accounts, tormented by his closeted homosexuality, began a downward spiral that would last until his death at 45 in 1966. Marilyn Monroe,...
See full article at The Advocate
  • 7/13/2010
  • The Advocate
The Most Beautiful Man in Film
Well remembered for the staggering effect his film performances in classics such as A Place in the Sun and From Here to Eternity had on post-World War II movie audiences, Montgomery Clift is equally known today as one of Hollywood’s greatest casualties. A mysterious, sensitive antidote to the blandly handsome bobby-soxer idols of the day, Clift ushered in a new, naturalistic style of acting, years before Marlon Brando and James Dean, who both worshipped him. The camera adored him as well. Clift was described by one biographer as “having a face of impenetrable beauty,” and Elizabeth Taylor, his close friend and frequent costar, claimed her heart stopped the first time she saw him. After a near-fatal auto accident in 1956 ravaged his perfect face, Clift, now addicted to alcohol, painkillers, and, by some accounts, tormented by his closeted homosexuality, began a downward spiral that would last until his death at 45 in 1966. Marilyn Monroe,...
See full article at The Advocate
  • 7/13/2010
  • The Advocate
The Most Beautiful Man in Film
Well remembered for the staggering effect his film performances in classics such as A Place in the Sun and From Here to Eternity had on post-World War II movie audiences, Montgomery Clift is equally known today as one of Hollywood’s greatest casualties. A mysterious, sensitive antidote to the blandly handsome bobby-soxer idols of the day, Clift ushered in a new, naturalistic style of acting, years before Marlon Brando and James Dean, who both worshipped him. The camera adored him as well. Clift was described by one biographer as “having a face of impenetrable beauty,” and Elizabeth Taylor, his close friend and frequent costar, claimed her heart stopped the first time she saw him. After a near-fatal auto accident in 1956 ravaged his perfect face, Clift, now addicted to alcohol, painkillers, and, by some accounts, tormented by his closeted homosexuality, began a downward spiral that would last until his death at 45 in 1966. Marilyn Monroe,...
See full article at The Advocate
  • 7/13/2010
  • The Advocate
The Most Beautiful Man in Film
Well remembered for the staggering effect his film performances in classics such as A Place in the Sun and From Here to Eternity had on post-World War II movie audiences, Montgomery Clift is equally known today as one of Hollywood’s greatest casualties. A mysterious, sensitive antidote to the blandly handsome bobby-soxer idols of the day, Clift ushered in a new, naturalistic style of acting, years before Marlon Brando and James Dean, who both worshipped him. The camera adored him as well. Clift was described by one biographer as “having a face of impenetrable beauty,” and Elizabeth Taylor, his close friend and frequent costar, claimed her heart stopped the first time she saw him. After a near-fatal auto accident in 1956 ravaged his perfect face, Clift, now addicted to alcohol, painkillers, and, by some accounts, tormented by his closeted homosexuality, began a downward spiral that would last until his death at 45 in 1966. Marilyn Monroe,...
See full article at The Advocate
  • 7/13/2010
  • The Advocate
The Most Beautiful Man in Film
Well remembered for the staggering effect his film performances in classics such as A Place in the Sun and From Here to Eternity had on post-World War II movie audiences, Montgomery Clift is equally known today as one of Hollywood’s greatest casualties. A mysterious, sensitive antidote to the blandly handsome bobby-soxer idols of the day, Clift ushered in a new, naturalistic style of acting, years before Marlon Brando and James Dean, who both worshipped him. The camera adored him as well. Clift was described by one biographer as “having a face of impenetrable beauty,” and Elizabeth Taylor, his close friend and frequent costar, claimed her heart stopped the first time she saw him. After a near-fatal auto accident in 1956 ravaged his perfect face, Clift, now addicted to alcohol, painkillers, and, by some accounts, tormented by his closeted homosexuality, began a downward spiral that would last until his death at 45 in 1966. Marilyn Monroe,...
See full article at The Advocate
  • 7/13/2010
  • The Advocate
The Most Beautiful Man in Film
Well remembered for the staggering effect his film performances in classics such as A Place in the Sun and From Here to Eternity had on post-World War II movie audiences, Montgomery Clift is equally known today as one of Hollywood’s greatest casualties. A mysterious, sensitive antidote to the blandly handsome bobby-soxer idols of the day, Clift ushered in a new, naturalistic style of acting, years before Marlon Brando and James Dean, who both worshipped him. The camera adored him as well. Clift was described by one biographer as “having a face of impenetrable beauty,” and Elizabeth Taylor, his close friend and frequent costar, claimed her heart stopped the first time she saw him. After a near-fatal auto accident in 1956 ravaged his perfect face, Clift, now addicted to alcohol, painkillers, and, by some accounts, tormented by his closeted homosexuality, began a downward spiral that would last until his death at 45 in 1966. Marilyn Monroe,...
See full article at The Advocate
  • 7/13/2010
  • The Advocate
The Most Beautiful Man in Film
Well remembered for the staggering effect his film performances in classics such as A Place in the Sun and From Here to Eternity had on post-World War II movie audiences, Montgomery Clift is equally known today as one of Hollywood’s greatest casualties. A mysterious, sensitive antidote to the blandly handsome bobby-soxer idols of the day, Clift ushered in a new, naturalistic style of acting, years before Marlon Brando and James Dean, who both worshipped him. The camera adored him as well. Clift was described by one biographer as “having a face of impenetrable beauty,” and Elizabeth Taylor, his close friend and frequent costar, claimed her heart stopped the first time she saw him. After a near-fatal auto accident in 1956 ravaged his perfect face, Clift, now addicted to alcohol, painkillers, and, by some accounts, tormented by his closeted homosexuality, began a downward spiral that would last until his death at 45 in 1966. Marilyn Monroe,...
See full article at The Advocate
  • 7/13/2010
  • The Advocate
The Most Beautiful Man in Film
Well remembered for the staggering effect his film performances in classics such as A Place in the Sun and From Here to Eternity had on post-World War II movie audiences, Montgomery Clift is equally known today as one of Hollywood’s greatest casualties. A mysterious, sensitive antidote to the blandly handsome bobby-soxer idols of the day, Clift ushered in a new, naturalistic style of acting, years before Marlon Brando and James Dean, who both worshipped him. The camera adored him as well. Clift was described by one biographer as “having a face of impenetrable beauty,” and Elizabeth Taylor, his close friend and frequent costar, claimed her heart stopped the first time she saw him. After a near-fatal auto accident in 1956 ravaged his perfect face, Clift, now addicted to alcohol, painkillers, and, by some accounts, tormented by his closeted homosexuality, began a downward spiral that would last until his death at 45 in 1966. Marilyn Monroe,...
See full article at The Advocate
  • 7/13/2010
  • The Advocate
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