Slamdance winner won the Max Ophüls Prize at the weekend, granting it a slot in the Berlinale.
Jakob Lass’ feature debut Love Steaks, this year’s winner of the Slamdance Trailer Competition Grand Prix, was awarded the prestigious Max Ophüls Prize in Saarbrücken at the weekend.
The film, which is in the Lola nomination long list, will therefore also have a screening slot in the Berlinale’s Perspektive Deutsches Kino on Feb 16.
Billed by the filmmakers as “the world’s first Fogma film” (with the obligatory manifesto), Love Steaks had its world premiere at Munich Filmfest last June where it won all four prizes of the Young German Cinema Support Awards.
This included for Best Screenplay, despite the film not having had any written dialogue and featuring the staff and guests at a wellness hotel on the Baltic Sea coast playing themselves alongside newcomers Lana Cooper and Franz Rogowski..
Lass’ graduation film from the University of Film...
Jakob Lass’ feature debut Love Steaks, this year’s winner of the Slamdance Trailer Competition Grand Prix, was awarded the prestigious Max Ophüls Prize in Saarbrücken at the weekend.
The film, which is in the Lola nomination long list, will therefore also have a screening slot in the Berlinale’s Perspektive Deutsches Kino on Feb 16.
Billed by the filmmakers as “the world’s first Fogma film” (with the obligatory manifesto), Love Steaks had its world premiere at Munich Filmfest last June where it won all four prizes of the Young German Cinema Support Awards.
This included for Best Screenplay, despite the film not having had any written dialogue and featuring the staff and guests at a wellness hotel on the Baltic Sea coast playing themselves alongside newcomers Lana Cooper and Franz Rogowski..
Lass’ graduation film from the University of Film...
- 1/27/2014
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
Berlinale Paula and Perspektive prizes confirmed.
Berlin’s European Film Market (Efm) is expanding its number of screening venues by setting up shop at the recently refurbished Zoo Palast [pictured] cinema complex.
Exhibitors will be able to choose from five exclusive screening facilities with state-of-the-art projection technology, ranging from Cinemas 3-5 (with seating for 159, 161 and 157, respectively) to Club A and B with seating for 36 and 39.
Two of the cinemas can project 3D DCPs and one of the Club cinemas has its own bar, while all of the venues are kitted out with comfortable armchairs and extra space between the rows.
The Efm will be organising a free bus shuttle service from outside of the Gropius Mirror Restaurant and the Marriott Hotel to the Zoo Palast, but an alternative would be take the U2 underground which stops right outside of the cinema.
The Zoo Palast cinemas replace the screening venues at the Cubix cinema near Alexanderplatz, which had also...
Berlin’s European Film Market (Efm) is expanding its number of screening venues by setting up shop at the recently refurbished Zoo Palast [pictured] cinema complex.
Exhibitors will be able to choose from five exclusive screening facilities with state-of-the-art projection technology, ranging from Cinemas 3-5 (with seating for 159, 161 and 157, respectively) to Club A and B with seating for 36 and 39.
Two of the cinemas can project 3D DCPs and one of the Club cinemas has its own bar, while all of the venues are kitted out with comfortable armchairs and extra space between the rows.
The Efm will be organising a free bus shuttle service from outside of the Gropius Mirror Restaurant and the Marriott Hotel to the Zoo Palast, but an alternative would be take the U2 underground which stops right outside of the cinema.
The Zoo Palast cinemas replace the screening venues at the Cubix cinema near Alexanderplatz, which had also...
- 1/8/2014
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
In 1979, Adrienne Mancia together with Larry Kardish curated the first program of Kino!, new German cinema at New York's Museum of Modern Art. For 34 consecutive years, Larry Kardish, distinguished Senior Film Curator at MoMA, presented work by celebrated international filmmakers including Rainer Werner Fassbinder, Volker Schlöndorff, Margarethe von Trotta, Rosa von Praunheim, Werner Herzog, Wim Wenders, Wolf Gremm, Wolfgang Becker, Doris Dörrie, Andreas Dresen, to Christian Petzold, and many others to enthusiastic audiences.
For 2013, Kino! continues, now organised by Rajendra Roy, The Celeste Bartos Chief Curator of Film, MoMA, with Nicole Kaufmann, Project Co-ordinator, German Films Service + Marketing (Munich) and its New York representative, Oliver Mahrdt (read our interviews with them, here).
Here is the 35th edition lineup of reinvention with filmmakers Stephan Lacant, Nico Sommer, Laura Mahlberg, Andreas Bolm, and Jan Ole Gerstner in attendance to present their work and participate in Q&As.
Free...
For 2013, Kino! continues, now organised by Rajendra Roy, The Celeste Bartos Chief Curator of Film, MoMA, with Nicole Kaufmann, Project Co-ordinator, German Films Service + Marketing (Munich) and its New York representative, Oliver Mahrdt (read our interviews with them, here).
Here is the 35th edition lineup of reinvention with filmmakers Stephan Lacant, Nico Sommer, Laura Mahlberg, Andreas Bolm, and Jan Ole Gerstner in attendance to present their work and participate in Q&As.
Free...
- 4/12/2013
- by Anne-Katrin Titze
- eyeforfilm.co.uk
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.