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Lynne Fiddmont

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St. Vincent Looks Through the Past Darkly on ‘Daddy’s Home’
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Annie Clark has framed her frenetic and unabashedly retro new album Daddy’s Home as a kind of reckoning. Her father has returned home from prison, where he served 12 years for his involvement in a multi-million-dollar stock manipulation scheme; in the meantime, Clark radically transformed her St. Vincent music persona, evolving from a small-time indie artist with a cult following to a self-proclaimed “near-future cult leader” within pop music. While her last album Masseduction peered at her newfound fame through an electro-pop funhouse mirror, Daddy’s Home looks backward, examining Clark’s...
See full article at Rollingstone.com
  • 5/14/2021
  • by Claire Shaffer
  • Rollingstone.com
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St. Vincent’s Family Ties
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One of the last times Annie Clark went to see her father in a Texas prison, a fellow visitor asked her to autograph a receipt — the only paper they had on hand. “You can’t bring phones in, so you can’t take a normal selfie. I guess I’m glad that a selfie of me in there doesn’t exist,” Clark, 38, says. “I find it very darkly comic. It’s obviously very sad, but it’s also incredibly funny.”

Clark saw her father taken away by the U.S. government...
See full article at Rollingstone.com
  • 3/4/2021
  • by Brenna Ehrlich
  • Rollingstone.com
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