It’s love at first sight for Ania and a young handsome stranger lurking in the woods. Animal magnetism finds a new meaning in Wild, an intriguing, passionate drama between a woman and a wolf that falters only in that it doesn’t go quite far enough with its bestialistic premise.
For Ania (Lilith Stangenberg, utterly committed), life is drab, living in a monstrous high-rise apartment in an unnamed German city and working for a faceless city firm where the most interesting part of the day is making coffee for her misogynist boss Boris (Georg Fridrich).
But she’s awoken from her slumber when she stumbles upon a set of eyes in a park one evening, the figure of a full-grown wolf. It’s an interest that engulfs her entire world, starting with her placing bits of uncooked steak in the forest before she plots a trap to capture her unrequited lover.
For Ania (Lilith Stangenberg, utterly committed), life is drab, living in a monstrous high-rise apartment in an unnamed German city and working for a faceless city firm where the most interesting part of the day is making coffee for her misogynist boss Boris (Georg Fridrich).
But she’s awoken from her slumber when she stumbles upon a set of eyes in a park one evening, the figure of a full-grown wolf. It’s an interest that engulfs her entire world, starting with her placing bits of uncooked steak in the forest before she plots a trap to capture her unrequited lover.
- 2/8/2016
- by Ed Frankl
- The Film Stage
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