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Daniela Seggiaro

State of the Festival: FIDMarseille 2021
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Above: Haruhara San's RecorderNow in its 32nd year, FIDMarseille found itself in a unique position in 2021. Starting just two days after the Cannes Film Festival wrapped its comeback edition—which was delayed two months due to the pandemic—Fid welcomed a number of critics, programmers, and filmmakers straight from the Croisette. While the philosophical differences between the festivals have always been pronounced, this year the calendar proximity only underscored the curatorial disparity—proving not so much Cannes’ authority as Fid’s significance in presenting a fuller picture of contemporary cinema. Freely mingling its documentary roots with au courant trends in art cinema, Fid offers a snapshot of what’s new and exciting in international filmmaking. Case in point: Apichatpong Weerasethakul, fresh off sharing the Jury Prize in Cannes for his latest film, Memoria, and recipient of this year’s Grand prix d’honneur; the Thai director’s first feature, Mysterious...
See full article at MUBI
  • 8/19/2021
  • MUBI
FIDMarseille 2021 line-up includes Apichatpong Weerasethakul honour
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Festival unveils competition titles for 2021 edition.

FIDMarseille has unveiled the full line-up for its 2021 edition (July 19-25), which includes a retrospective and honorary award for Thai filmmaker Apichatpong Weerasethakul.

The acclaimed writer/director, who won the Palme d’Or at Cannes in 2010 with Uncle Boonmee Who Can Recall His Past Lives, will attend the festival in France to accept the Grand Prix d’Honneur, introduce several screenings from throughout his career and present a masterclass.

Weerasethakul’s latest feature, Memoria starring Tilda Swinton, is set to play in Competition at Cannes Film Festival and his visit to Marseille will come after that premiere.
See full article at ScreenDaily
  • 6/24/2021
  • by Michael Rosser
  • ScreenDaily
Guadalajara Ff Cine Latino Award at Psiff: The Ficg Kicks Off the Year with the Presentation of an Award in California
The Guadalajara International Film Festival (Ficg) is taking part in the year’s first celebration of the seventh art—the Palm Springs International Film Festival—where it is slated to present the Cine Latino Award to the best Iberoamerican film screened at the 24th edition of the California festival, which will run from January 3rd to 14th, 2013.

The award is accompanied by a cash prize of Us$5,000 contributed by the Guadalajara International Film Festival and the University of Guadalajara Foundation/USA located in Los Angeles, California.

The Cine Latino Award highlights the enormous creativity of new talents in the world of Iberoamerican cinema, at the same time underlining the commitment of the Ficg and the University of Guadalajara Foundation/USA to the consolidation of culture and the arts in the region and to the wider interchange of ideas within a global context.

I will have the pleasure of being on the jury along with Juan Carlos Arciniegas (Ccn en Español), a journalist with an established career in the area of motion picture and entertainment criticism and analysis—and Iván Trujillo Bolio, director of the Guadalajara International Film Festival.

Listed below are the 22 films eligible for the award. They include some of the productions from Iberoamerican countries nominated by the Academy of Motion Picture Arts and Sciences in the Foreign Language Film category of the 85th Academy Awards, to be held on February 24th, 2013.

7 Boxes (Paraguay), (Isa:Shoreline Entertainment)

Director: Juan Carlos Maneglia, Tana Schémbori

After Lucia (Mexico), (Isa: Bac Films)

Director: Michel Franco

Beauty (Argentina), (Isa: Campo Cine)

Director: Daniela Seggiaro

Blancanieves (Spain/France) (Dreamcatchers)

Director: Pablo Berger

Checkmate (Dominican Republic)

Director: José María Cabral

Clandestine Childhood (Argentina/Brazil/Spain)

Director: Benjamín Ávil

The Cleaner (Peru) (Isa: Flamingo Films)

Director: Adrian Saba

The Clown (Brazil)

Director: Selton Mellobr

The Dead Man and Being Happy (Spain) (Isa: Udi)

Director: Javier Rebollo

Drought (Mexico) (Isa:imcine)

Director: Everardo González

The Girl (USA/Mexico) (Isa: Goldcrest Fims)

Director: David Riker

Here and There (Spain/USA/Mexico) (Isa: Alpha Violet)

Director: Antonio Méndez Esparza

La Playa D.C. (Colombia/Brazil/France) (Isa: Cineplex)

Director: Juan Andrés Arango García

Multiple Visions (The Crazy Machine) (Mexico/France/Spain)

Director: Emilio Maillé

The Passion of Michelangelo (Chile/France)

Director: Esteban Larraín

Sadourni’s Butterflies (Argentina)

Director: Darío Nardi

The Sleeping Voice (Spain) (Isa: The Match Factory)

Director: Benito Zambrano

The Snitch Cartel (Colombia)

Director: Carlos Moreno

Tabu (Portugal/Brazil/France/Germany)

Director: Miguel Gomes

The End (Spain)

Director: Jorge Torregrossa

Una Noche (Cuba/UK/USA)

Director: Lucy Mulloy

White Elephant (Argentina/Spain/France)

Director: Pablo Trapero

Festival Internacional de Cine en Guadalajara.

Nebulosa 2916, Jardines del Bosque C.P. 44520 Guadalajara, Jal., México

Teléfonos: +52 (33) 3121-7461, 3122-7827, 3121-6860

Fax: 3121 7426

www.ficg.mx

Todos los derechos reservados ® Pficg | Patronato del Festival Internacional de Cine en Guadalajara.
See full article at Sydney's Buzz
  • 1/9/2013
  • by Sydney Levine
  • Sydney's Buzz
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