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Sidney Poitier, who died at age 94 last week, was a leading man in many ways: teaching the teacher in The Blackboard Jungle, learning from students in To Sir, With Love, and schooling the public on historic achievement with each part he took, from the slender threads to the defiant ones. One of Poitier’s greatest roles is as a costar, not only taking second billing to Richard Widmark in The Bedford Incident (1965), but to the premise of the movie itself: World War III in the Atomic Age. It may sound like a sci-fi setup, but the science was not fiction.

Poitier, who won the Best Actor Oscar in 1964 for Lilies of the Field, plays magazine reporter Ben Munceford in The Bedford Incident. The Cold War thriller isn’t as well-known as Stanley Kubrick’s Dr. Strangelove or: How I learned to Stop Worrying and Love the Bomb or Sidney Lumet’s Fail-Safe,...

CopAt the ripe age of twenty-six—the two were born within days of each other in 1928—James B. Harris and Stanley Kubrick formed Harris-Kubrick Productions. With Kubrick leading the charge behind the camera and Harris acting as the right-hand-man producer, the duo completed three major critical successes: The Killing (1956), Paths of Glory (1957), and Lolita (1962). But where Kubrick’s subsequent work has achieved a supreme, hall-of-fame stature, Harris’s own directorial career—consisting of five excellent movies made across a four-decade span—remains, despite the valiant effort of a few notable English-language critics (Michael Atkinson, Jonathan Rosenbaum), on the relative sidelines. The latest attempt to boost Harris’s reputation: BAMcinématek’s week-long retrospective of Harris’s producing and directing output, selected by “Overdue” co-programmers Nick Pinkerton and Nicolas Rapold.Harris and Kubrick stopped working together amidst a pre-production disagreement during the making of what would become Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb...