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While most audience members know Paul Greengrass best as the director of the two best regarded Jason Bourne movies, that’s not where his true specialty resides. He’s far more at home crafting hard hitting docudramas. Bloody Sunday was his calling card film, while United 93 remains his finest hour. It’s in that vein that his latest work firmly sits. 22 July not only marks Greengrass’ return to this style of movie making, it also represents his first foray into putting something out on Netflix. A long and somber true story like this may not be your first assumption for a Netflix release, but the quality here should draw you in. If you don’t know what 22 July stands for, it represents the day that Norway suffered the worst terrorist attack in that country’s history. Taking place on July 22nd back in 2011, extreme right wing terrorist Anders Behring Breivik...

A total of 145 scores were recently announced as being eligible for this year’s Academy Award, with everything from perceived frontrunner “La La Land” (Justin Hurwitz) and “Jackie” (Mica Levi) to outliers like “Sausage Party” and “Elle.” The final five will be nominated on January 24. In the meantime, avail yourself of this Spotify playlist featuring selections from 110 of the eligible scores — as well as the full list of every eligible score.

Read More: Oscar Best Score Contenders: The Inside Story of Creating 5 Diverse Frontrunners

Read More: Oscars 2017: Listen to 70 Songs Eligible for This Year’s Academy Award

The Abolitionists,” Tim Jones, composer

“Absolutely Fabulous The Movie,” Jake Monaco, composer

“The Accountant,” Mark Isham, composer

“Alice through the Looking Glass,” Danny Elfman, composer

“Allied,” Alan Silvestri, composer

“Almost Christmas,” John Paesano, composer

“American Pastoral,” Alexandre Desplat, composer

“The Angry Birds Movie,” Heitor Pereira, composer

“Anthropoid,” Robin Foster, composer

“Armenia, My Love,...

The Academy of Motion Picture Arts and Sciences today announced that 145 scores from eligible feature-length motion pictures released in 2016 are in contention for nominations in the Original Score category for the 89th Academy Awards.

The eligible scores along with their composers are listed below, in alphabetical order by film title:

“The Abolitionists,” Tim Jones, composer

“Absolutely Fabulous The Movie,” Jake Monaco, composer

“The Accountant,” Mark Isham, composer

“Alice through the Looking Glass,” Danny Elfman, composer

“Allied,” Alan Silvestri, composer

“Almost Christmas,” John Paesano, composer

“American Pastoral,” Alexandre Desplat, composer

“The Angry Birds Movie,” Heitor Pereira, composer

“Anthropoid,” Robin Foster, composer

“Armenia, My Love,” Silvia Leonetti, composer

“Assassin’s Creed,” Jed Kurzel, composer

“Autumn Lights,” Hugi Gudmundsson and Hjörtur Ingvi Jóhannsson, composers

“The Bfg,” John Williams, composer

“Believe,” Michael Reola, composer

“Ben-Hur,” Marco Beltrami and Buck Sanders, composers

“Bilal,” Atli Ӧrvarsson, composer

“Billy Lynn’s Long Halftime Walk,” Mychael Danna and Jeff Danna,...

The Academy of Motion Picture Arts and Sciences (AMPAS) has announced the 145 scores eligible in the Best Original Score category, includeing work from “Jackie” and “La La Land.” The latter film, a musical directed by “Whiplash” helmer Damien Chazelle, picked up the Los Angeles Film Critics Association’s award for Best Music earlier this month; “Jackie” was the category’s runner-up. Notably absent, meanwhile, are “Arrival” (which just landed a Golden Globe nod), “Manchester by the Sea” and “Silence.”

Read: ‘La La Land’: Emma Stone and Ryan Gosling’s ‘City of Stars’ Duet Will Sweep You Off Your Feet – Listen

Justin Hurwitz composed and orchestrated the “La La Land” score, while “Jackie” marks “Under the Skin” composer Mica Levi’s second silver-screen effort. Decades after becoming one of the world’s most renowned film composers, Ennio Morricone won last year’s Oscar for his work on Quentin Tarantino’s “The Hateful Eight.

Amir, here, back with more coverage of new Tiff films. The Toronto International Film Festival is winding down but luckily I have a couple of big name movies still scheduled. Here's a few from the last two days.

Once Upon A Time In Anatolia (Nuri Bilge Ceylan)

This Cannes grand prix winner is a slow-paced police procedural in which a doctor, a prosecutor and a group of other police agents drag an alleged murderer along with them in the rural Anatolia region of Turkey so he can show them where he’s hidden his victim’s body. More than half of this gorgeously shot film is spent during the night and I for one wished the morning never came. Gokhan Tiryaki’s impeccable lighting and the varied range of shots he creates in the limitless but monotonous locale of the film easily tops my personal list of best cinematography of the year.