“Dick Johnson is Dead” won both Best Documentary Feature and Best Director (Kirsten Johnson) at the fifth annual Critics’ Choice Documentary Awards. This Netflix film came into the competition with four bids; it lost the cinematography race to another Netflix title, “My Octopus Teacher,” and thee narration award to “David Attenborough: A Life on Our Planet.” “The Way I See It” won for score while “Totally Under Control” took editing. See the full list of Ccda winners announced on November 16 below.
The six genre prizes were awarded as follows: “MLK/FBI” (Best Archival Documentary); “John Lewis: Good Trouble” (Best Historical/Biographical Documentary); both “Beastie Boys Story” and “The Go-Go’s” (Best Music Documentary); “Boys State” (Best Political Documentary”); “My Octopus Teacher” (Best Science/Nature Documentary); and both “Ali & Cavett: The Tale of the Tapes” and “Athlete A” (Best Sports Documentary).
The Shoes in the Bed title “Mr. Soul!” won one of its...
The six genre prizes were awarded as follows: “MLK/FBI” (Best Archival Documentary); “John Lewis: Good Trouble” (Best Historical/Biographical Documentary); both “Beastie Boys Story” and “The Go-Go’s” (Best Music Documentary); “Boys State” (Best Political Documentary”); “My Octopus Teacher” (Best Science/Nature Documentary); and both “Ali & Cavett: The Tale of the Tapes” and “Athlete A” (Best Sports Documentary).
The Shoes in the Bed title “Mr. Soul!” won one of its...
- 11/16/2020
- by Paul Sheehan
- Gold Derby
Three films lead the fifth annual Critics’ Choice Documentary Awards with five nominations apiece. “Crip Camp: A Disability Revolution” and “Gunda,” both nabbed nominations for Best Documentary Feature and Best Director as well as three others apiece while “Mr. Soul!” was nominated for Best Documentary Feature and Best First Documentary Feature as well as three more.
Netflix led the way of all distributors with an impressive 31 nominations. In addition to “Crip Camp,” the studio also earned Best Documentary Feature bids forr “Athlete A,” “Dick Johnson Is Dead,” “My Octopus Teacher,” “A Secret Love,” and “The Social Dilemma.” Rounding out the top category nominees are “Belushi” and “The Go-Gos” from Showtime, “Feels Good Man” from Wavelength and PBS Independent, “The Fight” from Magnolia, “The Painter and the Thief” from Neon, and “Time” from Amazon. “Gunda” is Neon’s second nominee and “Mr. Soul!” comes to us from Shoes in the Bed.
Netflix led the way of all distributors with an impressive 31 nominations. In addition to “Crip Camp,” the studio also earned Best Documentary Feature bids forr “Athlete A,” “Dick Johnson Is Dead,” “My Octopus Teacher,” “A Secret Love,” and “The Social Dilemma.” Rounding out the top category nominees are “Belushi” and “The Go-Gos” from Showtime, “Feels Good Man” from Wavelength and PBS Independent, “The Fight” from Magnolia, “The Painter and the Thief” from Neon, and “Time” from Amazon. “Gunda” is Neon’s second nominee and “Mr. Soul!” comes to us from Shoes in the Bed.
- 10/26/2020
- by John Benutty
- Gold Derby
“Crip Camp: A Disability Revolution,” “Gunda” and “Mr. Soul” lead the fifth annual Critics Choice Association’s documentary nominations, with five apiece. Among the eclectic list of nominees are Taylor Swift, Greta Thunberg, veteran filmmaker Werner Herzog and longtime disability advocate Judith Heumann, as well as docs about such notables as John Lewis, Muhammad Ali, Bruce Lee and Frank Zappa.
Recognized with four nominations each are “Athlete A,” “Dick Johnson Is Dead,” “My Octopus Teacher” and “Totally Under Control.”
In terms of distributors, Netflix led with 31 nominations, followed by Neon with 14 and Magnolia Pictures with nine. Showtime had six, while HBO, Amazon, National Geographic, PBS Independent Lens and Shoes in the Bed Productions earned five each.
It’s the fifth annual documentary honors for the group, honoring projects released in theaters, on TV and on major digital platforms, as determined by the voting of Cca members. Winners will be announced at a presentation on Nov.
Recognized with four nominations each are “Athlete A,” “Dick Johnson Is Dead,” “My Octopus Teacher” and “Totally Under Control.”
In terms of distributors, Netflix led with 31 nominations, followed by Neon with 14 and Magnolia Pictures with nine. Showtime had six, while HBO, Amazon, National Geographic, PBS Independent Lens and Shoes in the Bed Productions earned five each.
It’s the fifth annual documentary honors for the group, honoring projects released in theaters, on TV and on major digital platforms, as determined by the voting of Cca members. Winners will be announced at a presentation on Nov.
- 10/26/2020
- by Tim Gray
- Variety Film + TV
“Crip Camp,” “Gunda” and “Mr. Soul!” led all films in nominations for the fifth annual Critics Choice Documentary Awards, which were announced on Monday by the Critics Choice Association.
The three films each received five nominations, including nods in the Best Documentary Feature category. As usual, that category cast a very wide net and contains far more nominees than other awards for nonfiction filmmaking — 14 this year, with nominations also going to “Athlete A,” “Belushi,” “Dick Johnson Is Dead,” “Feels Good Man,” “The Fight,” “The Go-Go’s,” “My Octopus Teacher,” “The Painter and the Thief,” “A Secret Love,” “The Social Dilemma” and “Time.”
Films with four nominations are “Athlete A,” “Dick Johnson Is Dead,” “Octopus Teacher” and “Totally Under Control.”
The list was missing many of the year’s most acclaimed nonfiction films, including “Welcome to Chechnya,” “The Dissident,” “Collective,” “Disclosure,” “76 Days” and “On the Record,” none of which received any nominations.
The three films each received five nominations, including nods in the Best Documentary Feature category. As usual, that category cast a very wide net and contains far more nominees than other awards for nonfiction filmmaking — 14 this year, with nominations also going to “Athlete A,” “Belushi,” “Dick Johnson Is Dead,” “Feels Good Man,” “The Fight,” “The Go-Go’s,” “My Octopus Teacher,” “The Painter and the Thief,” “A Secret Love,” “The Social Dilemma” and “Time.”
Films with four nominations are “Athlete A,” “Dick Johnson Is Dead,” “Octopus Teacher” and “Totally Under Control.”
The list was missing many of the year’s most acclaimed nonfiction films, including “Welcome to Chechnya,” “The Dissident,” “Collective,” “Disclosure,” “76 Days” and “On the Record,” none of which received any nominations.
- 10/26/2020
- by Steve Pond
- The Wrap
In a year packed with superb documentaries, the Critics Choice Association Documentary Awards nominations, which honor the best non-fiction achievements of 2020, will help other awards groups to winnow down the list of must-sees. “Crip Camp: A Disability Revolution” (Netflix), “Gunda” (Neon), and “Mr. Soul!” lead this year’s nominations with five each. Netflix leads the field with 31 nominations, followed by Neon with 14 and Magnolia Pictures with nine.
“The Documentary Branch faced its greatest task yet considering the quantity and quality of nonfiction cinema released this year,” said Christopher Campbell, President of the Critics Choice Association Documentary Branch, in an official statement. “Ultimately, these nominees represent the best of the best of a remarkably fruitful moment for documentary filmmaking.”
Winners will be announced on November 16, 2020.
The Sundance debut “Crip Camp” is nominated for Best Documentary Feature, and also earned nods for James Lebrecht and Nicole Newnham for Best Director, along with Best Editing,...
“The Documentary Branch faced its greatest task yet considering the quantity and quality of nonfiction cinema released this year,” said Christopher Campbell, President of the Critics Choice Association Documentary Branch, in an official statement. “Ultimately, these nominees represent the best of the best of a remarkably fruitful moment for documentary filmmaking.”
Winners will be announced on November 16, 2020.
The Sundance debut “Crip Camp” is nominated for Best Documentary Feature, and also earned nods for James Lebrecht and Nicole Newnham for Best Director, along with Best Editing,...
- 10/26/2020
- by Anne Thompson
- Thompson on Hollywood
In a year packed with superb documentaries, the Critics Choice Association Documentary Awards nominations, which honor the best non-fiction achievements of 2020, will help other awards groups to winnow down the list of must-sees. “Crip Camp: A Disability Revolution” (Netflix), “Gunda” (Neon), and “Mr. Soul!” lead this year’s nominations with five each. Netflix leads the field with 31 nominations, followed by Neon with 14 and Magnolia Pictures with nine.
“The Documentary Branch faced its greatest task yet considering the quantity and quality of nonfiction cinema released this year,” said Christopher Campbell, President of the Critics Choice Association Documentary Branch, in an official statement. “Ultimately, these nominees represent the best of the best of a remarkably fruitful moment for documentary filmmaking.”
Winners will be announced on November 16, 2020.
The Sundance debut “Crip Camp” is nominated for Best Documentary Feature, and also earned nods for James Lebrecht and Nicole Newnham for Best Director, along with Best Editing,...
“The Documentary Branch faced its greatest task yet considering the quantity and quality of nonfiction cinema released this year,” said Christopher Campbell, President of the Critics Choice Association Documentary Branch, in an official statement. “Ultimately, these nominees represent the best of the best of a remarkably fruitful moment for documentary filmmaking.”
Winners will be announced on November 16, 2020.
The Sundance debut “Crip Camp” is nominated for Best Documentary Feature, and also earned nods for James Lebrecht and Nicole Newnham for Best Director, along with Best Editing,...
- 10/26/2020
- by Anne Thompson
- Indiewire
In what is signaling a very good year for documentaries, the Critics’ Choice Association on Monday announced its list of nominations for the fifth annual Critics’ Choice Documentary Awards, and if the past is any clue it could be an indicator of what to expect from the Oscars next spring.
With an inclusive list, to say the least, of about 50 films from approximately 200 submissions, three docs led the way with five noms apiece: Mr. Soul, about a historic Black TV show; Gunda, a touching film about the daily life of a pig and farm companions from exec producer Joaquin Phoenix; and Netflix’s Crip Camp: A Disability Revolution, an archival film about a summer camp catering to disabled young people.
Close behind with four nods each were Alex Gibney’s striking Covid-19 docu Totally Under Control that was actually just completed about two weeks ago; the personal story of a father and daugher, Dick Johnson Is Dead; the remarkable nature doc My Octopus Teacher; and gymnastics scandal pic Athlete A. The latter three hail from Netflix, which swamped the competition with 31 nominations, a more than 2-to-1 distance between next closest distributor Neon with 14. They are the only two distributors to reach double digits.
Overall the critics were in a generous mood, offering 15 films noms for Best Documentary Feature alone.
“At a unique time for the entertainment industry and the world, documentaries are more important and fortunately more abundant and more available and more essential than ever,” said Christopher Campbell, president of the documentary branch of Cca. “In 2020, documentaries have taken us to places and shown us perspectives we’ve never experienced before. They’ve chronicled events and life stories that are enlightening and enthralling — and sometimes frightening. It is a great honor for the Cca to celebrate these stories and subjects and shed light on the work of so many incredible filmmakers. The Documentary Branch faced its greatest task yet considering the quantity and quality of nonfiction cinema released this year. Ultimately, these nominees represent the best of the best of a remarkably fruitful moment for documentary filmmaking.”
Nominees were selected by Critics’ Choice members who were divided into five committees to whittle down the field.
Belushi (Showtime)
Crip Camp: A Disability Revolution (Netflix)
Dick Johnson is Dead (Netflix)
Feels Good Man (Wavelength Productions/PBS Independent Lens)
The Fight (Magnolia Pictures)
The Go-Go’s (Showtime)
Gunda (Neon)
Mr. Soul! (Shoes in the Bed Productions)
My Octopus Teacher (Netflix)
The Painter and the Thief (Neon)
A Secret Love (Netflix)
The Social Dilemma (Netflix)
Time (Amazon Studios)
Best Director
Garrett Bradley, Time (Amazon Studios)
Bonni Cohen and Jon Shenk, Athlete A (Netflix)
Kirsten Johnson, Dick Johnson is Dead (Netflix)
Victor Kossakovsky, Gunda (Neon)
James Lebrecht and Nicole Newnham, Crip Camp: A Disability Revolution (Netflix)
Dawn Porter, John Lewis: Good Trouble (Magnolia Pictures)
Benjamin Ree, The Painter and the Thief (Neon)
Best First Documentary Feature
Robert S. Bader, Ali & Cavett: The Tale of the Tapes (HBO)
Chris Bolan, A Secret Love (Netflix)
Melissa Haizlip, Mr. Soul! (Shoes in the Bed Productions)
Arthur Jones, Feels Good Man (Wavelength Productions/PBS Independent Lens)
Elizabeth Leiter and Kim Woodard, Jane Goodall: The Hope (National Geographic)
Elizabeth Lo, Stray (Magnolia Pictures)
Sasha Joseph Neulinger, Rewind (Grizzly Creek Films/PBS Independent Lens)
Best Cinematography
Michael Dweck and Gregory Kershaw, The Truffle Hunters (Sony Pictures Classics)
Roger Horrocks, My Octopus Teacher (Netflix)
Kirsten Johnson, Dick Johnson is Dead (Netflix)
Victor Kossakovsky and Egil Håskjold Larsen, Gunda (Neon)
Scott Ressler, Neil Gelinas and Stefan Wiesen, The Last Ice (National Geographic)
Gianfranco Rosi, Notturno (Stemal Entertainment)
Ruben Woodin Dechamps, The Reason I Jump (Kino Lorber)
Best Editing
Don Bernier, Athlete A (Netflix)
Eli Despres, Greg Finton and Kim Roberts, The Fight (Magnolia Pictures)
Lindy Jankura and Alex Keipper, Totally Under Control (Neon)
Helen Kearns, Assassins (Greenwich Entertainment)
Victor Kossakovsky and Ainara Vera, Gunda (Neon)
Eileen Meyer and Andrew Gersh, Crip Camp: A Disability Revolution (Netflix)
Charlotte Munch Bengtsen, The Truffle Hunters (Sony Pictures Classics)
Best Score
Ari Balouzian and Ryan Hope, Feels Good Man (Wavelength Productions/PBS Independent Lens)
Marco Beltrami, Brandon Roberts and Buck Sanders, The Way I See It (Focus Features)
Tyler Durham, Sven Faulconer and Xander Rodzinski, The Last Ice (National Geographic)
Peter Nashel and Brian Deming, Totally Under Control (Neon)
Daniel Pemberton, Rising Phoenix (Netflix)
Jeff Tweedy, Long Gone Summer (ESPN)
Jeff Tweedy, Spencer Tweedy and Sammy Tweedy, Showbiz Kids (HBO)
Best Narration
David Attenborough: A Life on Our Planet (Netflix)
David Attenborough, Narrator
David Attenborough, Writer
Dick Johnson is Dead (Netflix)
Kirsten Johnson, Narrator
Kirsten Johnson, Writer
Fireball: Visitors From Darker Worlds (Apple)
Werner Herzog, Narrator
Werner Herzog, Writer
Mr. Soul! (Shoes in the Bed Productions)
Blair Underwood, Narrator
Melissa Haizlip, Writer
My Octopus Teacher (Netflix)
Craig Foster, Narrator
Craig Foster, Writer
Time (Amazon Studios)
Fox Rich, Narrator
Fox Rich, Writer
Totally Under Control (Neon)
Alex Gibney, Narrator
Alex Gibney, Writer
Best Archival Documentary
Ali & Cavett: The Tale of the Tapes (HBO)
Belushi (Showtime)
Class Action Park (HBO Max)
Crip Camp: A Disability Revolution (Netflix)
MLK/FBI (Field of Vision/IFC Films)
Mr. Soul! (Shoes in the Bed Productions)
Spaceship Earth (Neon)
Best Historical/Biographical Documentary
Belushi (Showtime)
Crip Camp: A Disability Revolution (Netflix)
Howard (Disney+)
John Lewis: Good Trouble (Magnolia Pictures)
Mr. Soul! (Shoes in the Bed Production)
Mucho Mucho Amor: The Legend of Walter Mercado (Netflix)
Natalie Wood: What Remains Behind (HBO)
Best Music Documentary
Beastie Boys Story (Apple)
Crock of Gold: A Few Rounds with Shane MacGowan (Magnolia Pictures)
The Go-Go’s (Showtime)
Laurel Canyon (Epix)
Once Were Brothers: Robbie Robertson and The Band (Magnolia Pictures)
Other Music (Factory 25)
Zappa (Magnolia Pictures)
Best Political Documentary
All In: The Fight for Democracy (Amazon Studios)
Boys State (Apple)
John Lewis: Good Trouble (Magnolia Pictures)
MLK/FBI (Field of Vision/IFC Films)
The Social Dilemma (Netflix)
Totally Under Control (Neon)
The Way I See It (Focus Features)
Best Science/Nature Documentary
Coded Bias (7th Empire Media/PBS Independent Lens)
Fantastic Fungi (Moving Art)
Gunda (Neon)
I Am Greta (Hulu)
The Last Ice (National Geographic)
My Octopus Teacher (Netflix)
Spaceship Earth (Neon)
Best Sports Documentary
Ali & Cavett: The Tale of the Tapes (HBO)
Athlete A (Netflix)
Be Water (ESPN)
A Most Beautiful Thing (50 Eggs Films)
Red Penguins (Universal Pictures)
Rising Phoenix (Netflix)
You Cannot Kill David Arquette (Super Ltd)
Best Short Documentary
Blackfeet Boxing: Not Invisible (ESPN)
(Directors: Kristen Lappas and Tom Rinaldi. Producers: Craig Lazarus, José Morales, Lindsay Rovegno, Victor Vitarelli and Ben Webber)
The Claudia Kishi Club (Netflix)
(Director and Producer: Sue Ding)
Crescendo! (Quibi)
(Director: Alex Mallis. Producers: Matt O’Neill and Perri Peltz)
Elevator Pitch (Field of Vision)
(Director and Producer: Martyna Starosta)
Hunger Ward (Spin Film/Vulcan Productions/Ryot Films)
(Director and Producer: Skye Fitzgerald. Producer: Michael Scheuerman)
Into the Fire (National Geographic)
(Director: Orlando von Einsiedel. Producers: Mark Bauch, Harri Grace and Dan Lin)
My Father the Mover (MTV Documentary Films)
(Director: Julia Jansch. Producer: Mandilakhe Yengo)
The Rifleman (Field of Vision)
(Director: Sierra Pettengill. Producer: Arielle de Saint Phalle)
The Speed Cubers (Netflix)
(Director and Producer: Sue Kim. Producers: Evan Krauss and Chris Romano)
St. Louis Superman (MTV Documentary Films)
(Directors and Producers: Sami Khan and Smriti Mundhra. Producer: Poh Si Teng)
Most Compelling Living Subjects Of A Documentary (Honor)
Dr. Rick Bright – Totally Under Control (Neon)
Steven Garza – Boys State (Apple)
The Go-Go’s – The Go-Go’s (Showtime)
Judith Heumann – Crip Camp: A Disability Revolution (Netflix)
Dick Johnson – Dick Johnson is Dead (Netflix)
Maggie Nichols, Rachael Denhollander, Jamie Dantzscher – Athlete A (Netflix)
Fox Rich – Time (Amazon)
Pete Souza – The Way I See It (Focus Features)
Taylor Swift – Miss Americana (Netflix)
Greta Thunberg – I Am Greta (Hulu)
Distributor Nominations
Netflix: 31
Neon: 14
Magnolia Pictures: 9
Showtime: 6
Amazon Studios: 5
HBO: 5
National Geographic: 5
PBS Independent Lens: 5
Shoes in the Bed Productions: 5
Apple: 4
ESPN: 3
Focus Features: 3
Wavelength Productions: 3
Field of Vision: 2
Hulu: 2
IFC: 2
MTV Documentary Films: 2
Sony: 2
7th Empire Media: 1
50 Eggs Films: 1
Disney+: 1
Epix: 1
Factory 25: 1
Greenwich Entertainment: 1
Grizzly Creek Films: 1
HBO Max: 1
Kino Lorber: 1
Moving Art: 1
Quibi: 1
Spin Film/Vulcan Productions/Ryot Films: 1
Stemal Entertainment: 1
Super Ltd: 1
Universal: 1...
With an inclusive list, to say the least, of about 50 films from approximately 200 submissions, three docs led the way with five noms apiece: Mr. Soul, about a historic Black TV show; Gunda, a touching film about the daily life of a pig and farm companions from exec producer Joaquin Phoenix; and Netflix’s Crip Camp: A Disability Revolution, an archival film about a summer camp catering to disabled young people.
Close behind with four nods each were Alex Gibney’s striking Covid-19 docu Totally Under Control that was actually just completed about two weeks ago; the personal story of a father and daugher, Dick Johnson Is Dead; the remarkable nature doc My Octopus Teacher; and gymnastics scandal pic Athlete A. The latter three hail from Netflix, which swamped the competition with 31 nominations, a more than 2-to-1 distance between next closest distributor Neon with 14. They are the only two distributors to reach double digits.
Overall the critics were in a generous mood, offering 15 films noms for Best Documentary Feature alone.
“At a unique time for the entertainment industry and the world, documentaries are more important and fortunately more abundant and more available and more essential than ever,” said Christopher Campbell, president of the documentary branch of Cca. “In 2020, documentaries have taken us to places and shown us perspectives we’ve never experienced before. They’ve chronicled events and life stories that are enlightening and enthralling — and sometimes frightening. It is a great honor for the Cca to celebrate these stories and subjects and shed light on the work of so many incredible filmmakers. The Documentary Branch faced its greatest task yet considering the quantity and quality of nonfiction cinema released this year. Ultimately, these nominees represent the best of the best of a remarkably fruitful moment for documentary filmmaking.”
Nominees were selected by Critics’ Choice members who were divided into five committees to whittle down the field.
Belushi (Showtime)
Crip Camp: A Disability Revolution (Netflix)
Dick Johnson is Dead (Netflix)
Feels Good Man (Wavelength Productions/PBS Independent Lens)
The Fight (Magnolia Pictures)
The Go-Go’s (Showtime)
Gunda (Neon)
Mr. Soul! (Shoes in the Bed Productions)
My Octopus Teacher (Netflix)
The Painter and the Thief (Neon)
A Secret Love (Netflix)
The Social Dilemma (Netflix)
Time (Amazon Studios)
Best Director
Garrett Bradley, Time (Amazon Studios)
Bonni Cohen and Jon Shenk, Athlete A (Netflix)
Kirsten Johnson, Dick Johnson is Dead (Netflix)
Victor Kossakovsky, Gunda (Neon)
James Lebrecht and Nicole Newnham, Crip Camp: A Disability Revolution (Netflix)
Dawn Porter, John Lewis: Good Trouble (Magnolia Pictures)
Benjamin Ree, The Painter and the Thief (Neon)
Best First Documentary Feature
Robert S. Bader, Ali & Cavett: The Tale of the Tapes (HBO)
Chris Bolan, A Secret Love (Netflix)
Melissa Haizlip, Mr. Soul! (Shoes in the Bed Productions)
Arthur Jones, Feels Good Man (Wavelength Productions/PBS Independent Lens)
Elizabeth Leiter and Kim Woodard, Jane Goodall: The Hope (National Geographic)
Elizabeth Lo, Stray (Magnolia Pictures)
Sasha Joseph Neulinger, Rewind (Grizzly Creek Films/PBS Independent Lens)
Best Cinematography
Michael Dweck and Gregory Kershaw, The Truffle Hunters (Sony Pictures Classics)
Roger Horrocks, My Octopus Teacher (Netflix)
Kirsten Johnson, Dick Johnson is Dead (Netflix)
Victor Kossakovsky and Egil Håskjold Larsen, Gunda (Neon)
Scott Ressler, Neil Gelinas and Stefan Wiesen, The Last Ice (National Geographic)
Gianfranco Rosi, Notturno (Stemal Entertainment)
Ruben Woodin Dechamps, The Reason I Jump (Kino Lorber)
Best Editing
Don Bernier, Athlete A (Netflix)
Eli Despres, Greg Finton and Kim Roberts, The Fight (Magnolia Pictures)
Lindy Jankura and Alex Keipper, Totally Under Control (Neon)
Helen Kearns, Assassins (Greenwich Entertainment)
Victor Kossakovsky and Ainara Vera, Gunda (Neon)
Eileen Meyer and Andrew Gersh, Crip Camp: A Disability Revolution (Netflix)
Charlotte Munch Bengtsen, The Truffle Hunters (Sony Pictures Classics)
Best Score
Ari Balouzian and Ryan Hope, Feels Good Man (Wavelength Productions/PBS Independent Lens)
Marco Beltrami, Brandon Roberts and Buck Sanders, The Way I See It (Focus Features)
Tyler Durham, Sven Faulconer and Xander Rodzinski, The Last Ice (National Geographic)
Peter Nashel and Brian Deming, Totally Under Control (Neon)
Daniel Pemberton, Rising Phoenix (Netflix)
Jeff Tweedy, Long Gone Summer (ESPN)
Jeff Tweedy, Spencer Tweedy and Sammy Tweedy, Showbiz Kids (HBO)
Best Narration
David Attenborough: A Life on Our Planet (Netflix)
David Attenborough, Narrator
David Attenborough, Writer
Dick Johnson is Dead (Netflix)
Kirsten Johnson, Narrator
Kirsten Johnson, Writer
Fireball: Visitors From Darker Worlds (Apple)
Werner Herzog, Narrator
Werner Herzog, Writer
Mr. Soul! (Shoes in the Bed Productions)
Blair Underwood, Narrator
Melissa Haizlip, Writer
My Octopus Teacher (Netflix)
Craig Foster, Narrator
Craig Foster, Writer
Time (Amazon Studios)
Fox Rich, Narrator
Fox Rich, Writer
Totally Under Control (Neon)
Alex Gibney, Narrator
Alex Gibney, Writer
Best Archival Documentary
Ali & Cavett: The Tale of the Tapes (HBO)
Belushi (Showtime)
Class Action Park (HBO Max)
Crip Camp: A Disability Revolution (Netflix)
MLK/FBI (Field of Vision/IFC Films)
Mr. Soul! (Shoes in the Bed Productions)
Spaceship Earth (Neon)
Best Historical/Biographical Documentary
Belushi (Showtime)
Crip Camp: A Disability Revolution (Netflix)
Howard (Disney+)
John Lewis: Good Trouble (Magnolia Pictures)
Mr. Soul! (Shoes in the Bed Production)
Mucho Mucho Amor: The Legend of Walter Mercado (Netflix)
Natalie Wood: What Remains Behind (HBO)
Best Music Documentary
Beastie Boys Story (Apple)
Crock of Gold: A Few Rounds with Shane MacGowan (Magnolia Pictures)
The Go-Go’s (Showtime)
Laurel Canyon (Epix)
Once Were Brothers: Robbie Robertson and The Band (Magnolia Pictures)
Other Music (Factory 25)
Zappa (Magnolia Pictures)
Best Political Documentary
All In: The Fight for Democracy (Amazon Studios)
Boys State (Apple)
John Lewis: Good Trouble (Magnolia Pictures)
MLK/FBI (Field of Vision/IFC Films)
The Social Dilemma (Netflix)
Totally Under Control (Neon)
The Way I See It (Focus Features)
Best Science/Nature Documentary
Coded Bias (7th Empire Media/PBS Independent Lens)
Fantastic Fungi (Moving Art)
Gunda (Neon)
I Am Greta (Hulu)
The Last Ice (National Geographic)
My Octopus Teacher (Netflix)
Spaceship Earth (Neon)
Best Sports Documentary
Ali & Cavett: The Tale of the Tapes (HBO)
Athlete A (Netflix)
Be Water (ESPN)
A Most Beautiful Thing (50 Eggs Films)
Red Penguins (Universal Pictures)
Rising Phoenix (Netflix)
You Cannot Kill David Arquette (Super Ltd)
Best Short Documentary
Blackfeet Boxing: Not Invisible (ESPN)
(Directors: Kristen Lappas and Tom Rinaldi. Producers: Craig Lazarus, José Morales, Lindsay Rovegno, Victor Vitarelli and Ben Webber)
The Claudia Kishi Club (Netflix)
(Director and Producer: Sue Ding)
Crescendo! (Quibi)
(Director: Alex Mallis. Producers: Matt O’Neill and Perri Peltz)
Elevator Pitch (Field of Vision)
(Director and Producer: Martyna Starosta)
Hunger Ward (Spin Film/Vulcan Productions/Ryot Films)
(Director and Producer: Skye Fitzgerald. Producer: Michael Scheuerman)
Into the Fire (National Geographic)
(Director: Orlando von Einsiedel. Producers: Mark Bauch, Harri Grace and Dan Lin)
My Father the Mover (MTV Documentary Films)
(Director: Julia Jansch. Producer: Mandilakhe Yengo)
The Rifleman (Field of Vision)
(Director: Sierra Pettengill. Producer: Arielle de Saint Phalle)
The Speed Cubers (Netflix)
(Director and Producer: Sue Kim. Producers: Evan Krauss and Chris Romano)
St. Louis Superman (MTV Documentary Films)
(Directors and Producers: Sami Khan and Smriti Mundhra. Producer: Poh Si Teng)
Most Compelling Living Subjects Of A Documentary (Honor)
Dr. Rick Bright – Totally Under Control (Neon)
Steven Garza – Boys State (Apple)
The Go-Go’s – The Go-Go’s (Showtime)
Judith Heumann – Crip Camp: A Disability Revolution (Netflix)
Dick Johnson – Dick Johnson is Dead (Netflix)
Maggie Nichols, Rachael Denhollander, Jamie Dantzscher – Athlete A (Netflix)
Fox Rich – Time (Amazon)
Pete Souza – The Way I See It (Focus Features)
Taylor Swift – Miss Americana (Netflix)
Greta Thunberg – I Am Greta (Hulu)
Distributor Nominations
Netflix: 31
Neon: 14
Magnolia Pictures: 9
Showtime: 6
Amazon Studios: 5
HBO: 5
National Geographic: 5
PBS Independent Lens: 5
Shoes in the Bed Productions: 5
Apple: 4
ESPN: 3
Focus Features: 3
Wavelength Productions: 3
Field of Vision: 2
Hulu: 2
IFC: 2
MTV Documentary Films: 2
Sony: 2
7th Empire Media: 1
50 Eggs Films: 1
Disney+: 1
Epix: 1
Factory 25: 1
Greenwich Entertainment: 1
Grizzly Creek Films: 1
HBO Max: 1
Kino Lorber: 1
Moving Art: 1
Quibi: 1
Spin Film/Vulcan Productions/Ryot Films: 1
Stemal Entertainment: 1
Super Ltd: 1
Universal: 1...
- 10/26/2020
- by Pete Hammond
- Deadline Film + TV
A few hours ago, the Producers Guild of America threw a bit of a monkey-wrench into the awards season works. Giving out their Producers Guild Awards, the top prize went to Green Book, shooting that controversial film to the front of the Oscar race. The PGA voters always catapult their winners towards Best Picture at the Academy Awards, so it was expected that this would occur here too. Well, it probably has, just with a movie that wasn’t the presumptive top tier with producers. Guess that wasn’t the case, so we need to re-evaluate things a bit. I’ll try to make sense of it all below! PGA went with Peter Farrelly’s Green Book over what seemed like more likely choice in Bradley Cooper’s A Star Is Born and Alfonso Cuaron’s Roma. Green Book wasn’t even necessarily considered next in line, as an upset...
- 1/20/2019
- by Joey Magidson
- Hollywoodnews.com
“Green Book” has won the top prize at the Producers Guild of America Awards, meaning we have an official Best Picture frontrunner. Often seen as an Oscar bellwether, the PGA Awards’ top winner has matched up with that of the Academy 20 times since the Guild started giving out awards — including last year, when “The Shape of Water” won both.
Avail yourself of the full list below, with winners in bold.
Darryl F. Zanuck Award for Outstanding Producer of Theatrical Motion Pictures
“Black Panther” (Producer: Kevin Feige)
“BlacKkKlansman”
“Bohemian Rhapsody” (Producer: Graham King)
“Crazy Rich Asians”
“The Favourite”
“Green Book”
“A Quiet Place”
“Roma”
“A Star Is Born”
“Vice”
Outstanding Producer of Documentary Motion Pictures
“The Dawn Wall”
“Free Solo”
“Hal”
“Into the Okavango” (Producer: Neil Gelinas)
“Rbg”
“Three Identical Strangers”
“Won’t You Be My Neighbor?”
Outstanding Producer of Animated Theatrical Motion Pictures
“Dr. Seuss’ The Grinch”
“Incredibles 2”
“Isle of Dogs...
Avail yourself of the full list below, with winners in bold.
Darryl F. Zanuck Award for Outstanding Producer of Theatrical Motion Pictures
“Black Panther” (Producer: Kevin Feige)
“BlacKkKlansman”
“Bohemian Rhapsody” (Producer: Graham King)
“Crazy Rich Asians”
“The Favourite”
“Green Book”
“A Quiet Place”
“Roma”
“A Star Is Born”
“Vice”
Outstanding Producer of Documentary Motion Pictures
“The Dawn Wall”
“Free Solo”
“Hal”
“Into the Okavango” (Producer: Neil Gelinas)
“Rbg”
“Three Identical Strangers”
“Won’t You Be My Neighbor?”
Outstanding Producer of Animated Theatrical Motion Pictures
“Dr. Seuss’ The Grinch”
“Incredibles 2”
“Isle of Dogs...
- 1/20/2019
- by Michael Nordine
- Indiewire
Last year’s Producers Guild Awards told us which movie — “The Shape of Water” — would win the Oscar for Best Picture weeks before the Academy Awards. In fact 20 of the previous winners of this important prize have then gone on to Best Picture victories.
For the 30th annual PGA ceremony slated for Saturday evening, January 19, at the Beverly Hilton, we already know that the top choice will be at the very least a major front-runner for this year’s Oscar. Could it be a blockbuster like “A Star Is Born,” “Bohemian Rhapsody” or “Black Panther”? Or maybe a critical favorite such as “Roma,” “Green Book” or “The Favourite”?
Seepga Awards predictions: ‘A Star Is Born’ will be reborn with a Best Picture win
We’ll have the actual champs indicated below with an ** immediately after they are announced. Here is the full list of nominations for the 2019 PGA Awards in...
For the 30th annual PGA ceremony slated for Saturday evening, January 19, at the Beverly Hilton, we already know that the top choice will be at the very least a major front-runner for this year’s Oscar. Could it be a blockbuster like “A Star Is Born,” “Bohemian Rhapsody” or “Black Panther”? Or maybe a critical favorite such as “Roma,” “Green Book” or “The Favourite”?
Seepga Awards predictions: ‘A Star Is Born’ will be reborn with a Best Picture win
We’ll have the actual champs indicated below with an ** immediately after they are announced. Here is the full list of nominations for the 2019 PGA Awards in...
- 1/20/2019
- by Chris Beachum
- Gold Derby
The Producers Guild of America hands out its awards on Saturday, Jan. 19, 2019. That is three days before the academy announces the nominations for the Oscars. While the PGA ceremony is not televised, it is an important stop on the road to the Oscars.
The PGA Awards has an enviable track record at presaging the eventual Best Picture winner at the Academy Awards. The guild and the academy have agreed on 20 of the most recent 29 Best Picture champs, including last year’s double winner. “The Shape of Water.”
Since both groups expanded the Best Picture category, the PGA has predicted 70 of the 81 of the Best Picture nominees over the past nine years. Last year the guild went seven for nine in previewing the Oscars line-up: “Call Me by Your Name,” “Dunkirk,” “Get Out,” “Lady Bird,” “The Post,” “The Shape of Water” and “Three Billboards Outside Ebbing, Missouri.” The other four guild nominees were “The Big Sick,...
The PGA Awards has an enviable track record at presaging the eventual Best Picture winner at the Academy Awards. The guild and the academy have agreed on 20 of the most recent 29 Best Picture champs, including last year’s double winner. “The Shape of Water.”
Since both groups expanded the Best Picture category, the PGA has predicted 70 of the 81 of the Best Picture nominees over the past nine years. Last year the guild went seven for nine in previewing the Oscars line-up: “Call Me by Your Name,” “Dunkirk,” “Get Out,” “Lady Bird,” “The Post,” “The Shape of Water” and “Three Billboards Outside Ebbing, Missouri.” The other four guild nominees were “The Big Sick,...
- 1/19/2019
- by Paul Sheehan
- Gold Derby
Yesterday afternoon, the Producers Guild of America revealed their awards nominees. The PGA nominations mark a huge moment in the precursor season, as this Guild more accurately represents what could be the Academy Award nominees in Best Picture than anywhere else. Scoring with PGA, combined with other precursor citations, is the safest way to become an Oscar nominee. This year, they announce as the race for Best Picture seems as wide open as any previously. Well, now we know which films they favored, shining some light on to which titles are sitting in the best spots. Let us dive in, shall we? PGA didn’t really go with any surprises here, opting for most of the popular contenders for Oscar glory. Black Panther, BlacKkKlansman, Bohemian Rhapsody, The Favourite, Green Book, A Quiet Place, Roma, and A Star Is Born were all expected to get nominated, and they did. Crazy Rich Asians...
- 1/5/2019
- by Joey Magidson
- Hollywoodnews.com
Left to right: Noah Jupe plays Marcus Abbott, John Krasinski plays Lee Abbott, Emily Blunt plays Evelyn Abbott and Millicent Simmonds plays Regan Abbott in A Quiet Place, from Paramount Pictures.
The Producers Guild of America (PGA) announced today motion picture and television nominations for the 30th Annual Producers Guild Awards presented by Cadillac. All 2019 Producers Guild Awards winners will be announced on Saturday, January 19, 2019 at the Beverly Hilton Hotel in Los Angeles.
At this month’s event, the Producers Guild will also present special honors to Toby Emmerich (Milestone Award), Kevin Feige (David O. Selznick Achievement Award in Theatrical Motion Pictures), Amy Sherman-Palladino (Norman Lear Achievement Award in Television), Kenya Barris (Visionary Award), and Jane Fonda (Stanley Kramer Award).
The 2019 Producers Guild Awards Co-Chairs are Donald De Line and Amy Pascal. Cadillac is the Presenting Sponsor of the event, Delta Air Lines is the sponsor of the Visionary Award,...
The Producers Guild of America (PGA) announced today motion picture and television nominations for the 30th Annual Producers Guild Awards presented by Cadillac. All 2019 Producers Guild Awards winners will be announced on Saturday, January 19, 2019 at the Beverly Hilton Hotel in Los Angeles.
At this month’s event, the Producers Guild will also present special honors to Toby Emmerich (Milestone Award), Kevin Feige (David O. Selznick Achievement Award in Theatrical Motion Pictures), Amy Sherman-Palladino (Norman Lear Achievement Award in Television), Kenya Barris (Visionary Award), and Jane Fonda (Stanley Kramer Award).
The 2019 Producers Guild Awards Co-Chairs are Donald De Line and Amy Pascal. Cadillac is the Presenting Sponsor of the event, Delta Air Lines is the sponsor of the Visionary Award,...
- 1/4/2019
- by Michelle Hannett
- WeAreMovieGeeks.com
The Americans, The Handmaid’s Tale up for outstanding episodic drama.
The Producers Guild Of America (PGA) has announced its theatrical and television nominations in Los Angeles (4).
The Favourite, Roma and Black Panther and Crazy Rich Asians are in contention for the Darryl F. Zanuck Award for Outstanding Producer of Theatrical Motion Pictures alongside Green Book, BlacKkKlansman, and Bohemian Rhapsody, A Quiet Place, A Star Is Born, and Vice.
The PGA winners will be announced at the Producers Guild Awards ceremony on January 19 in Los Angeles.
Full list of theatrical nominees and select television nominees appears below. All producers listed below title.
The Producers Guild Of America (PGA) has announced its theatrical and television nominations in Los Angeles (4).
The Favourite, Roma and Black Panther and Crazy Rich Asians are in contention for the Darryl F. Zanuck Award for Outstanding Producer of Theatrical Motion Pictures alongside Green Book, BlacKkKlansman, and Bohemian Rhapsody, A Quiet Place, A Star Is Born, and Vice.
The PGA winners will be announced at the Producers Guild Awards ceremony on January 19 in Los Angeles.
Full list of theatrical nominees and select television nominees appears below. All producers listed below title.
- 1/4/2019
- by Jeremy Kay
- ScreenDaily
Now we know what the most popular movies are vying for Oscars this year: The Producers Guild of America’s motion picture and television nominations went mainstream. Winners will be revealed at the 30th Annual Producers Guild Awards, to be held January 19 at the Beverly Hilton.
Many of these films will wind up on the the final list of Oscar nominations to be revealed on January 22; the eventual winners are here as well. That does not mean that “Bohemian Rhapsody,” “A Quiet Place,” or “Crazy Rich Asians” will land Best Picture nominations, but it is a sign of strength and popularity. Oscar voters tend to take degree of difficulty in production into consideration, and may lean into big box office hits this year.
(Left off the PGA list are long-shot Best Picture contenders “If Beale Street Could Talk,” “Mary Poppins Returns,” and “First Man.”)
The 2019 PGA motion picture nominations are...
Many of these films will wind up on the the final list of Oscar nominations to be revealed on January 22; the eventual winners are here as well. That does not mean that “Bohemian Rhapsody,” “A Quiet Place,” or “Crazy Rich Asians” will land Best Picture nominations, but it is a sign of strength and popularity. Oscar voters tend to take degree of difficulty in production into consideration, and may lean into big box office hits this year.
(Left off the PGA list are long-shot Best Picture contenders “If Beale Street Could Talk,” “Mary Poppins Returns,” and “First Man.”)
The 2019 PGA motion picture nominations are...
- 1/4/2019
- by Anne Thompson
- Indiewire
“BlacKkKlansman,” “Black Panther,” “Bohemian Rhapsody,” “Crazy Rich Asians,” “The Favourite,” “Green Book,” “A Quiet Place,” “Roma,” “A Star Is Born,” and “Vice” have been nominated for the Producers Guild’s Darryl F. Zanuck Award as the top feature film of 2018.
Awards contenders “Can You Ever Forgive Me?,” “Eighth Grade,” “First Man,” “First Reformed,” and “If Beale Street Could Talk” were overlooked in the Zanuck nominations.
Nominees for animated films are “Dr. Seuss’ The Grinch,” “Incredibles 2,” “Isle of Dogs,” “Ralph Breaks the Internet,” and “Spider-Man: Into the Spider-Verse.”
The PGA also announced Friday nominees in nine television categories. In the drama series category, nominees included the final season of “The Americans,” “Better Call Saul,” “The Handmaid’s Tale,” “Ozark” and “This Is Us.” The first season of “The Handmaid’s Tale” won the category last year.
Comedy series nominees were “Atlanta,” “Barry,” “Glow,” “The Good Place” and “The Marvelous Mrs. Maisel,...
Awards contenders “Can You Ever Forgive Me?,” “Eighth Grade,” “First Man,” “First Reformed,” and “If Beale Street Could Talk” were overlooked in the Zanuck nominations.
Nominees for animated films are “Dr. Seuss’ The Grinch,” “Incredibles 2,” “Isle of Dogs,” “Ralph Breaks the Internet,” and “Spider-Man: Into the Spider-Verse.”
The PGA also announced Friday nominees in nine television categories. In the drama series category, nominees included the final season of “The Americans,” “Better Call Saul,” “The Handmaid’s Tale,” “Ozark” and “This Is Us.” The first season of “The Handmaid’s Tale” won the category last year.
Comedy series nominees were “Atlanta,” “Barry,” “Glow,” “The Good Place” and “The Marvelous Mrs. Maisel,...
- 1/4/2019
- by Dave McNary
- Variety Film + TV
The Producers Guild has unveiled nominations for its 30th annual PGA Awards, listing nominees for the year’s best-produced works in motion pictures, television and short-form categories. The awards will be presented January 19 at the Beverly Hilton.
The 10-strong film list encapsulates the diverse range of films that have been making their way through awards season this year, spanning superheroes (Disney/Marvel’s Black Panther), romantic comedy (Warner Bros’ Crazy Rich Asians), musical drama (20th Century Fox’s Bohemian Rhapsody and Warners’ A Star Is Born) and genre thriller (Paramount’s A Quiet Place).
Others making the cut in the category, the Darryl F. Zanuck Award for Outstanding Producer of Theatrical Motion Pictures, which was won by eventual Oscar Best Picture The Shape of Water last year: Focus Features’ BlacKkKlansman, Fox Searchlight’s The Favourite, Netflix’s Roma (Alfonso Cuarón’s drama is a rare foreign-language selection from this guild...
The 10-strong film list encapsulates the diverse range of films that have been making their way through awards season this year, spanning superheroes (Disney/Marvel’s Black Panther), romantic comedy (Warner Bros’ Crazy Rich Asians), musical drama (20th Century Fox’s Bohemian Rhapsody and Warners’ A Star Is Born) and genre thriller (Paramount’s A Quiet Place).
Others making the cut in the category, the Darryl F. Zanuck Award for Outstanding Producer of Theatrical Motion Pictures, which was won by eventual Oscar Best Picture The Shape of Water last year: Focus Features’ BlacKkKlansman, Fox Searchlight’s The Favourite, Netflix’s Roma (Alfonso Cuarón’s drama is a rare foreign-language selection from this guild...
- 1/4/2019
- by Patrick Hipes
- Deadline Film + TV
Oscar frontrunners “A Star Is Born,” “Roma,” “Black Panther,” “Green Book” and “The Favourite” have all been nominated as the best-produced films of 2018 by the Producers Guild of America, which announced its annual Producers Guild Awards nods on Friday morning.
Other nominees were “BlacKkKlansman,” “Crazy Rich Asians,” “A Quiet Place,” “Vice” and “Bohemian Rhapsody.”
Conspicuously missing from the list were such presumed awards contenders as “First Man,” “If Beale Street Could Talk,” “Mary Poppins Returns,” “Widows” and “Can You Ever Forgive Me?”
In the animated-feature category, the nominees were “Dr. Seuss’ The Grinch,” “The Incredibles 2,” “Isle of Dogs,” “Ralph Breaks the Internet” and “Spider-Man: Into the Spider-Verse.”
Also Read: Palm Springs Is Narnia and 4 Other Things We Learned From the 30th Film Awards Gala
Television nominations went to the drama series “The Americans,” “Better Call Saul,” “The Handmaid’s Take,” “Ozark” and “This Is Us,” and the comedy series “Atlanta,...
Other nominees were “BlacKkKlansman,” “Crazy Rich Asians,” “A Quiet Place,” “Vice” and “Bohemian Rhapsody.”
Conspicuously missing from the list were such presumed awards contenders as “First Man,” “If Beale Street Could Talk,” “Mary Poppins Returns,” “Widows” and “Can You Ever Forgive Me?”
In the animated-feature category, the nominees were “Dr. Seuss’ The Grinch,” “The Incredibles 2,” “Isle of Dogs,” “Ralph Breaks the Internet” and “Spider-Man: Into the Spider-Verse.”
Also Read: Palm Springs Is Narnia and 4 Other Things We Learned From the 30th Film Awards Gala
Television nominations went to the drama series “The Americans,” “Better Call Saul,” “The Handmaid’s Take,” “Ozark” and “This Is Us,” and the comedy series “Atlanta,...
- 1/4/2019
- by Steve Pond
- The Wrap
Join our newsletter to get more stories like this Step Into The Okavango with Nat Geo Wild tonight as the channel airs this must-see documentary film. Water is the true common currency of the entire planet, without it, we all die. No matter how much money, riches or influence one has, if water becomes scare-which it has in much of the world- the stakes for all life dramatically change. This is the focus in National Geographic documentary directed by Neil Gelinas, as we see a little known or mapped out part of the globe, the Okavango River Basin, a vital […]
The post Journey Into the Okavango with Nat Geo Wild’s no miss trip to Africa’s massive watershed appeared first on Monsters and Critics.
The post Journey Into the Okavango with Nat Geo Wild’s no miss trip to Africa’s massive watershed appeared first on Monsters and Critics.
- 12/14/2018
- by April Neale
- Monsters and Critics
The Producers Guild of America has selected seven nominees for its best documentary award, including box office successes “Won’t You Be My Neighbor?,” “Rgb,” and “Three Identical Strangers.”
The PGA revealed the nominees on Tuesday morning. Nominations in the other categories, including theatrical motion pictures and television, will be announced on Jan. 4. The PGA Awards ceremony will take place on Jan. 19 at the Beverly Hilton Hotel.
The other nominees for best producing of documentary theatrical motion pictures are “The Dawn Wall,” “Free Solo,” “Hal,” and “Into the Okavango.” The producers of the nominated films are in the process of being vetted for individual producer eligibility.
The Fred Rogers documentary “Won’t You Be My Neighbor?” has grossed $22.6 million domestically, making it the 12th-highest grosser of all time. The Ruth Bader Ginsburg doc “Rbg” has topped $14 million for Magnolia Pictures and “Three Identical Strangers,” which centers on the lives of triplets,...
The PGA revealed the nominees on Tuesday morning. Nominations in the other categories, including theatrical motion pictures and television, will be announced on Jan. 4. The PGA Awards ceremony will take place on Jan. 19 at the Beverly Hilton Hotel.
The other nominees for best producing of documentary theatrical motion pictures are “The Dawn Wall,” “Free Solo,” “Hal,” and “Into the Okavango.” The producers of the nominated films are in the process of being vetted for individual producer eligibility.
The Fred Rogers documentary “Won’t You Be My Neighbor?” has grossed $22.6 million domestically, making it the 12th-highest grosser of all time. The Ruth Bader Ginsburg doc “Rbg” has topped $14 million for Magnolia Pictures and “Three Identical Strangers,” which centers on the lives of triplets,...
- 11/20/2018
- by Dave McNary
- Variety Film + TV
Over 200 projects announced, including 37 world and 70 UK premieres.
UK documentary festival Sheffield Doc/Fest has unveiled the programme for its 25th edition, which runs from June 7-12 this summer.
Amongst the titles are a screening of McQueen, Ian Bonhôte and Peter Ettedgui’s film about the late British fashion designer Alexander McQueen composed of archival footage and personal testimonials.
Last month Sean McAllister’s A Northern Soul was announced as the opening night film.
Scroll down for the full list of films in competition
The 2018 official competition jury includes documentarian Mark Cousins, director Sophie Fiennes and artists Liv Wynter and Samson Kambalu.
UK documentary festival Sheffield Doc/Fest has unveiled the programme for its 25th edition, which runs from June 7-12 this summer.
Amongst the titles are a screening of McQueen, Ian Bonhôte and Peter Ettedgui’s film about the late British fashion designer Alexander McQueen composed of archival footage and personal testimonials.
Last month Sean McAllister’s A Northern Soul was announced as the opening night film.
Scroll down for the full list of films in competition
The 2018 official competition jury includes documentarian Mark Cousins, director Sophie Fiennes and artists Liv Wynter and Samson Kambalu.
- 5/3/2018
- by Ben Dalton
- ScreenDaily
As handsomely mounted as you'd expect from National Geographic, Into the Okavango takes the viewer on an expedition down a tributary system that runs across Angola, Namibia and Botswana. Accompanying a crew made up of scientists and local river guides over four months, director Neil Gelinas documents a fact-finding mission rife with dangers, from fires to marshland to marauding hippos. Angola's civil war hangs over the journey, with the team traveling through unexploded minefields on their way to Botswana's Okavango Delta, which feels even more starkly unspoiled in comparison. Conserving the Okavango, a wetland paradise teeming with animal and plant...
- 4/30/2018
- by Harry Windsor
- The Hollywood Reporter - Movie News
Exclusive: In the new trailer for Into the Okavango, we see the picturesque landscape and animals of Okavango Delta — and the threats endangering the African river basin. National Geographic Documentary Films’ follow-up to the Jane Goodall docu Jane takes us on a journey alongside Dr. Steve Boyes as he and a group scientists, photographers, filmmakers, and African guides make it their mission to protect the basin before it gets worse.
The pic, which makes its world premiere Sunday at 5 Pm at the Tribeca Film Festival, marks the directorial debut of National Geographic photographer Neil Gelinas, who accompanied the researchers on this stunning expedition down the Okavango River to discover how or why the river — which is the source of Africa’s wildlife lifeline — is drying up.
Gelinas and the film’s subjects Adjany Costa, Steve Boyes and Water Setlabosha will be among the attendees for the premiere at the Tribeca Festival Hub.
The pic, which makes its world premiere Sunday at 5 Pm at the Tribeca Film Festival, marks the directorial debut of National Geographic photographer Neil Gelinas, who accompanied the researchers on this stunning expedition down the Okavango River to discover how or why the river — which is the source of Africa’s wildlife lifeline — is drying up.
Gelinas and the film’s subjects Adjany Costa, Steve Boyes and Water Setlabosha will be among the attendees for the premiere at the Tribeca Festival Hub.
- 4/18/2018
- by Dino-Ray Ramos
- Deadline Film + TV
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