In sibling directors Bill and Turner Ross’ new movie “Gasoline Rainbow,” a group of five teenagers embark on a hectic, sweltering roadtrip from rural Oregan to the Pacific Coast. Over the course of that evocative journey, they get lost, get stoned, make a lot of friends, and swap many stories. Eschewing plot for the unbridled energy of untethered youth, “Gasoline Rainbow” might strike newcomers to the Ross brothers as a pure documentary exercise, the kind of absorbing cinema vérité endeavor in which cameras follow every unscripted move.
However, this is a Ross brothers movie, and defies such labels by design. For over a decade, these innovative filmmakers haven’t troubled the barriers between fiction and non-fiction so much as they have tried to ignore them entirely — and with this one, they’re ready to move past scrutiny of that process for good.
“We are desperate not to have this fucking conversation ever again,...
However, this is a Ross brothers movie, and defies such labels by design. For over a decade, these innovative filmmakers haven’t troubled the barriers between fiction and non-fiction so much as they have tried to ignore them entirely — and with this one, they’re ready to move past scrutiny of that process for good.
“We are desperate not to have this fucking conversation ever again,...
- 8/22/2023
- by Eric Kohn
- Indiewire
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