We return with another edition of the Indie Spotlight, highlighting the recent independent horror news sent our way. Today's feature includes casting news for Pilgrimage, details on the 15th Annual Shriekfest Call for Entries, release details for 3 Easy Steps to Survive the Zombie Apocalypse, new posters from The Events Surrounding a Peeping Tom & the Horror That Followed, and much more:
Exclusive Stills from The Dark Below: An update to our coverage from earlier this week, we now have new exclusive stills from The Dark Below. You can the view new stills and release details below, along with the recently released stills:
"Dead Wait Productions announce the completion of principle photography for their new genre film the Dark Below. Award winning genre director Douglas Schulze (Mimesis, Dark Fields) and Executive Producer Seth Willenson bring us a survival thriller that explores the fear of entrapment beneath a frozen lake.
The film...
Exclusive Stills from The Dark Below: An update to our coverage from earlier this week, we now have new exclusive stills from The Dark Below. You can the view new stills and release details below, along with the recently released stills:
"Dead Wait Productions announce the completion of principle photography for their new genre film the Dark Below. Award winning genre director Douglas Schulze (Mimesis, Dark Fields) and Executive Producer Seth Willenson bring us a survival thriller that explores the fear of entrapment beneath a frozen lake.
The film...
- 3/29/2015
- by Tamika Jones
- DailyDead
Second-Story Man
Directed by Neal Dhand
Written by Neal Dhand and Richard Jackson
USA, 2011
imdb, film web-site
(Note: Neal Dhand writes for us at Sound On Sight. He and I do not currently know each other and after this review our meeting at the staff Christmas party may be a bit awkward.)
Edward Delaney recently wrote a provocative piece arguing that many documentary filmmakers are seduced into making their films feature-length, rather than making them the length that the narrative demands. But this problem is not restricted to documentary. As John Landis tells the story, the great director George Roy Hill once drunkenly gave him great advice about editing: “You need to take your film, shake it and everything that falls on the floor, you leave.”
The problem for most filmmakers, especially in their first films, is that they love their film too much to give them a great shake...
Directed by Neal Dhand
Written by Neal Dhand and Richard Jackson
USA, 2011
imdb, film web-site
(Note: Neal Dhand writes for us at Sound On Sight. He and I do not currently know each other and after this review our meeting at the staff Christmas party may be a bit awkward.)
Edward Delaney recently wrote a provocative piece arguing that many documentary filmmakers are seduced into making their films feature-length, rather than making them the length that the narrative demands. But this problem is not restricted to documentary. As John Landis tells the story, the great director George Roy Hill once drunkenly gave him great advice about editing: “You need to take your film, shake it and everything that falls on the floor, you leave.”
The problem for most filmmakers, especially in their first films, is that they love their film too much to give them a great shake...
- 9/18/2011
- by Michael Ryan
- SoundOnSight
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