News

When you purchase through our links, we may earn an affiliate commission.

Tubi might not be as big as some of the other popular streaming services, but it does have some of the best movies and TV shows of recent times, and that too for absolutely free. The Fox-owned streaming service adds a ton of new monthly content to its ever-expanding library. So, we thought of compiling a list of the best movies coming to Tubi in July 2025.

Pale Rider (July 1) Rt Score: 94% Credit – Warner Bros.

Pale Rider is a Western film directed by Clint Eastwood from a screenplay co-written by Michael Butler and Dennis Shryack. The 1985 film follows a mysterious preacher as he single-handedly tries to protect a prospector village from a greedy mining company trying to take their land. Pale Rider stars Eastwood, Michael Moriarty, Carrie Snodgress, Christopher Penn, Richard Dysart, Sydney Penny, Richard Kiel, Doug McGrath, and John Russell.

When you purchase through our links, we may earn an affiliate commission.

As winter approaches we are all in need of something spicy to watch to make our temperature rise and if you are a fan of romantic comedies, then we have the perfect recommendations for you. From critically acclaimed movies like Rye Lane to iconic romantic comedy movies like Knocked Up, Hulu has everything you need. So, here are the 8 best R-rated romantic comedy movies available on Hulu right now.

If you want to watch more R-rated romantic comedy movies here are some more recommendations for you available on Netflix and Max (formerly known as HBO Max).

Punch-Drunk Love Credit – Sony Pictures

Punch-Drunk Love is an absurdist romantic comedy-drama film written and directed by Paul Thomas Anderson. The 2002 film follows Barry Egan, the owner of a bathroom supply business, who suffers from violent outbursts despite being shy and timid.

This week HeyUGuys fell in love, deeply and irrevocably in love, with a couple we’d never met before. We laughed with them, hoped for them, cringed with them and sighed over them. And it all began with a pair of ugly break-ups and a quick chat on Rye Lane…

Dom (David Jonsson) has had his heart broken. Properly stomped and shattered. Forced to return to the sympathetic embrace of his childhood home – where boiled eggs come with soldiers and his every need is catered to – the last place the woebegone accountant wants to be is at a trendy gallery humouring the singular photographic skills of his smug mate.

Yas (Vivian Oparah) appears to have taken her breakup a bit more on the chin. Her ebullient spirit would not allow her to stay crushed by the crapness of an ex so she is bemused to overhear Dom sobbing in a...

The romcom has lapsed into such an anaemic state that Rye Lane feels like a miracle. Here’s an entry into the genre that doesn’t surrender to thinkpiece-ready neuroticism. And doesn’t demand two A-listers shoulder the entire job of summoning chemistry from a dead-eyed script. And, most refreshingly, doesn’t subsist purely on nostalgia for romcoms of old.

Raine Allen-Miller’s breezy, south London-set debut is exactly what we deserve from this genre. With one foot in the present and the other in the past, it follows a day-long flirtation – à la Before Sunrise – between two of life’s loveable losers, Yas (Vivian Oparah) and Dom (David Jonsson). Both are shipwrecked by post-breakup shame. But when Yas catches Dom in the act of a not-so-private sob session in an art gallery bathroom, the pair become unlikely allies in the search for emotional closure. Yas subs in as Dom...

Non-Londoners might think of the U.K. capital as a single city, the perceived interchangeability of its regions and locations evident in many a notionally London-set but geographically manic film where characters stroll from Chelsea Bridge to the heart of Soho in a matter of minutes. Residents know that its quadrants are so disparate as to be whole separate ecosystems, with the Thames River that separates north from south London a virtual equator running through the city.

Those who have toured the Big Smoke via the movies — in particular, the idealized, exportable London of Working Title trifles and “Paddington” pictures — are largely familiar with the most leafy, genteel streets of the north and west, with the increasingly bourgeois east lately getting a look-in. But the diverse, dynamic neighborhoods of the south have received less than their due on screen, which is where Raine Allen-Miller’s delightful romantic comedy “Rye Lane” aims to set things right.