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Magnolia Nunez

Film Review: Carajita: Tragedy Blurs the Lines Between Caste, Love & Liability [Tribeca 2022]
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Carajita Review — Carajita (2021) Film Review from the 21st Annual Tribeca Film Festival, a movie directed by Ulises Porra and Silvina Schnicer, written by Ulises Porra, Ulla Prida, and Silvina Schnicer, and starring Cecile van Welie, Magnolia Nunez, Richard Douglas, Javier Hermida, Dimitri Rivera, and Eduardo Martinez Sturla. Carajita (‘Sweetie’) essentially concerns [...]

Continue reading: Film Review: Carajita: Tragedy Blurs the Lines Between Caste, Love & Liability [Tribeca 2022]...
See full article at Film-Book
  • 6/25/2022
  • by David McDonald
  • Film-Book
‘El Reino de Dios,’ ‘Carajita’ Sweep Guadalajara Film Fest Awards
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Claudia Sainte-Luce’s “El reino de Dios” (“The Realm of God”) and “Carajita” by Silvina Schnicer and Ulises Porra took home the bulk of the prizes in their respective categories, the Mayahuel for best Mexican film and best Ibero-American film at the 37th Guadalajara Int’l Film Fest (Ficg), which wrapped June 18.

Festival highlights included a conversation, albeit by remote, between festival director Estrella Araiza and Guadalajara native Guillermo del Toro who talked about the making of his upcoming stop-motion animation feature, “Guillermo del Toro’s Pinocchio.” The film, set to bow on Netflix in December, was filmed with 20 animators in more than 60 sets in Canada and Guadalajara, Del Toro revealed.

Sainte-Luce’s coming-of-age drama about a young boy’s struggle with his faith as he’s about to take his first communion, which world premiered at the Berlinale’s Generation Kplus sidebar, also won Ficg’s Mezcal awards for best cinematography,...
See full article at Variety Film + TV
  • 6/20/2022
  • by Anna Marie de la Fuente
  • Variety Film + TV
Carajita - Andrew Robertson - 17496
We start, and will return to, a beach. At first it is the noise of waves in the blackness, before a light, blinding, white. Then more lights, red, blue, red, blue, red.

Blue in the depths of the water, submerged, weighed down, literally. Figuratively with a fright that would never leave you. Not later, not lightly, not remotely. Even at distances of faces lit by screens, Rembrandt with an Apple rather than Night Watch. Yarisa, Yari, Santa elsewhere, and her charge, now adult, Sarah.

Magnolia Nunez (Yari) and Cecile van Welie (Sara) have a handful of credits each, early in careers that this holds out much promise for. Theirs is the central relationship, the one that is tested now that Sarah's family have moved to what is their 'away', what is Santa's home. Carajita means 'sweetie', a term of endearment, but like any other feminine coded diminutive there may be an.
See full article at eyeforfilm.co.uk
  • 3/15/2022
  • by Andrew Robertson
  • eyeforfilm.co.uk
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