Disney will once more be returning to the Oscars next year in the Best Animated Short category, having brought to the big screen John Kahr’s brilliant short film, Paperman.
Attached to screenings of Wreck-It Ralph – late last year in the Us, this month in the UK – the film is a heart-warming tale of love between a young man and woman in New York. And now the studio have made it available to watch in full, ahead of the Oscars at the end of the month.
“Introducing a groundbreaking technique that seamlessly merges computer-generated and hand-drawn animation techniques, first-time director John Kahrs takes the art of animation in a bold new direction with the Oscar®-nominated short, “Paperman.”
Using a minimalist black-and-white style, the short follows the story of a lonely young man in mid-century New York City, whose destiny takes an unexpected turn after a chance meeting with a...
Attached to screenings of Wreck-It Ralph – late last year in the Us, this month in the UK – the film is a heart-warming tale of love between a young man and woman in New York. And now the studio have made it available to watch in full, ahead of the Oscars at the end of the month.
“Introducing a groundbreaking technique that seamlessly merges computer-generated and hand-drawn animation techniques, first-time director John Kahrs takes the art of animation in a bold new direction with the Oscar®-nominated short, “Paperman.”
Using a minimalist black-and-white style, the short follows the story of a lonely young man in mid-century New York City, whose destiny takes an unexpected turn after a chance meeting with a...
- 2/1/2013
- by Kenji Lloyd
- HeyUGuys.co.uk
Vol. I Issue 4
Join us twice weekly. Send us links to your sizzle reels and film sites.
Mea Maxima Culpa: Silence in the House of God
Directed by Alex Gibney
In Mea Maxima Culpa: Silence in the House of God, Oscar®-winning filmmaker Alex Gibney examines the abuse of power in the Catholic Church through the story of four courageous deaf men who, in the first known case of public protest, set out to expose the priest who abused them. The film follows a cover-up that winds its way from the row houses of Milwaukee, Wisconsin, through the bare ruined choirs of Ireland's churches, all the way to the highest office of the Vatican.
Like Woodward and Bernstein covering the story of Watergate, Gibney uses the keyhole of the first known protest against clerical sexual abuse in the Us to show that the Pope knew (or should have known) that there is wide spread child abuse within the ranks of Catholic priests, not just in the U.S. but worldwide. Not exactly a pretty picture. This powerful, beautifully crafted film builds a case that screams out for reform of an institution that, like our military, is run by men with little or no outside supervision. One feels that like Nixon after the proven Watergate charges, the Pope should resign along with others who have allowed this outrageous behavior and its cover up to be so institutionalized.
Gibney’s films have a logical clarity that reinforces their intelligence. Smart, clear and wrenchingly powerful they explore institutions and the people who are part of them. From governors to prison guards he shows little patience for lies and incompetence. The chain he establishes in Maxima Culpa links the victims to the priests to their supervisors and on to Rome to the office formally run by the man who is now the Pope. What can you say? They knew, they had to know, the links are compelling. Why would this institution shelter these men (and women) who were abusing children and in some cases adults? Who would tolerate this behavior? Why would the Church tolerate this behavior? Yet the cover up continues.
In a year of films dealing with institutions, such as government officials slowly trying to find a cure for HIV/AIDS, or the military dealing with women being abused, or the Israel army ignoring the rights of the provocative Palestinians or even government failures to act on global warming, this is the best and it should be one of the nominees.
The Filmmaker
Alex Gibney is the founder of Jigsaw Productions. An Oscar, Emmy, and Grammy Award-winning producer, he is well known for producing one of the highest grossing documentaries of all time, Enron: The Smartest Guys in the Room.
His work as a writer and director includes the recent hit Client 9: The Rise and Fall of Eliot Spitzer, as well as the 2006 Oscar-nominated Enron: The Smartest Guys in the Room and the 2008 Oscar-winning Taxi to the Dark Side. Alex attended the film program at UCLA.
Credits:
Director/Producer/Writer: Alex Gibney
Producers:Trevor Birney, Alexandra Johnes, Ruth O’Reilly, Kristen Vaurio, Jedd Wider, Todd Widler
Executive Producers: Jessica Kingdon, Sheila Nevins, Lori Singer
Writer: Mark Monroe
Cinematography: Lisa Rinzler
Original Music Composer: Ivor Guest
Editor: Sloane Klevin
Production Companies: Jigsaw Productions, Wilder Film Projects, Union Editorial
Distribution: Content Media, HBO Documentary Films, HBO
Paperman a short animated film by John Kahrs
Paperman is an original seven-minute-long short animated film produced by Disney Animation.
It tells the story of a lonely young man in mid-century New York City, whose destiny takes an unexpected turn after a chance meeting with a beautiful woman on his morning commute. Convinced the girl of his dreams is gone forever, he gets a second chance when he spots her in a skyscraper window across the avenue from his office. With only his heart, imagination and a stack of papers to get her attention, his efforts are no match for what the fates have in store for him.
Director John Kahrs was the animation supervisor on Tangled, an animator on Bolt and Ratatouille, and worked on Pixar’s The Incredibles, Mike’s New Car, Monsters, Inc., Toy Story 2 and A Bug’s Life. Kahrs now gets his break as a director at Disney. 14 years of work in the animation department at Pixar, that’s paying dues! Now, I understand why this “Disney” animation film looks and feels like a “Pixar” film. It’s brilliant, polished, and elegant and, like the Simpson short, silent. Expressive muted black and white images with a slight color tint in this perfect short film dramatizes love at first sight. Tasteful, romantic and above all beautifully executed, I look forward to Kahrs’ feature film debut. A little Pixar goes a long way and this work is expressive of adult feelings that any child could enjoy. No need to dumb the story down, it works for audiences of all ages. A perfect 10.
Original music by Christophe Beck (who has 105 scoring credits) this work is produced by Kristina Reed (from Disney) and Executive Produced by Pixar’s John Lasseter. Written by Clio Chiang and Kendrelle Hoyer, it shows that “less” can be plenty. Short films don’t get better than this!
Credits:
Directed by: John Kahrs
Produced by: Kristina Reed
Executive Producer: John Lasseter
Art Direction: Jeff Tuley
Written by: Chio Chiang and Kendelle Hoyer
Music by: Christophe Beck
Film Editing: Lisa Linder
Produced by: Walt Disney Animation
Distributed by: Walt Disney Studios Motion Pictures
Running time: 7:00
Short Notes and Update:
The Invisible War is on the New York Times' and Christian Science Monitor's and Newsweek's 10 Best Films of 2012. The Gate Keepers is on the Wall Street Journal’s 10 Best Films of 2012.
Academy announces 10 animated films shortlisted for the Animation Short Film Nomination
The Short Films and Feature Animation Branch Reviewing Committee viewed all 57 eligible entries for the preliminary round of voting at screenings held in New York and Los Angeles. I’ve seen all of the films and this is one of the strongest group shortlisted in years, from the elegant Pixar/Disney film Paperman to the wildly funny Simpsons’ Daycare. These films are a treat for the eyes and mind. Stunning, moving, original, powerful and frankly amazing they will both amuse and entertain and each of the 10 films is special. The styles range from traditional animation to computer designed. A number of students made it with entries which are testimony to their vigorous programs and their talent. This is a year where handicapping is impossible.
At screenings of the short listed films, Short Films and Feature Animation Branch members have selected three to five nominees from among these 10 titles for its nominations.
The 85th Academy Awards nominations will be announced live on Thursday, January 10, 2013, at 5:30 a.m. Pst in the Academy's Samuel Goldwyn Theater.
Adam and Dog, Minkyu Lee, director (Lodge Films)
Web Link: https://vimeo.com/34849443
Length: 16 min.
Language: none
Country: USA
Combustible,Katsuhiro Otomo, director (Sunrise Inc.)
Web Link: None available
Length: 13 min.
Language: none
Country: Japan
Dripped, Léo Verrier, director (ChezEddy)
Web Link: http://www.youtube.com/watch?v=Wk9keXSBbhY
Length: 8 min.
Language: none
Country: France
The Eagleman Stag, Mikey Please, director, and Benedict Please, music scores and sound design (Royal College of Art)
Web Link: https://vimeo.com/mikeyplease/eaglemanstag
Length: 9 min.
Language: none
Country: England
The Fall of the House of Usher, Raul Garcia, director, and Stephan Roelants, producer (Melusine Productions, R&R Communications Inc., Les Armateurs, The Big Farm)
Web Link: http://youtu.be/5So_E6yPW40
Length: 17 min.
Language: none
Country: USA
Fresh Guacamole, Pes, director (Pes)
Web Link: https://www.youtube.com/watch?v=FQMO6vjmkyI
Length: 2 min.
Language: none
Country: USA
Head over Heels, Timothy Reckart, director, and Fodhla Cronin O’Reilly, producer (National Film and Television School)
Web Link: https://vimeo.com/timr/headoverheels
Length: 10 min.
Language: none
Country: England
Maggie Simpson in The Longest Daycare, David Silverman, director (Gracie Films)
Web Link: http://youtu.be/gV-NRwLV2qU
Length: 5 min.
Language: none
Country: USA
Paperman, John Kahrs, director (Disney Animation Studios)
Web Link: https://www.youtube.com/watch?v=jsoiEpuvTeQ
*note this about the technology in this film, but not a true trailer
Length: 7 min.
Language: none
Country: USA
Tram, Michaela Pavlátová, director, and Ron Dyens, producer (Sacrebleu Productions)
Web Link: http://youtu.be/a_QT-JaDswY
Length: 7 min.
Language: none
Country: French
______________________________________________________________________
Errata
Volume 1 Issue 3 In Chasing Ice the film was edited by Davis Coombe (and not Mark Monroe); Distributor (Us) Submarine Deluxe (not National Geographic).
______________________________________________________________________________
Block Doc Workshops in Los Angeles
The International Documentary Association will be hosting Documentary Funding and Documentary Tune Up Workshops with Block on February 9/10. http://www.eventbrite.com/org/169037034
Mitchell Block specializes in conceiving, producing, marketing & distributing independent features & consulting. He is an expert in placing both completed works into distribution & working with producers to make projects fundable. He conducts regular workshops in film producing in Los Angeles and most recently in Maine, Russia and in Myanmar (Burma).
Poster Girl, produced by Block was nominated for a Documentary Academy Award and selected by the Ida as the Best Doc Short 2011. It was also nominated for two Emmy Awards and aired on HBO. He is an executive producer of the Emmy Award-winning PBS series Carrier, a 10-hour series that he conceived & co-created. Block is a graduate of Tisch School and Columbia University’s Graduate School of Business. He is a member of Academy of Motion Picture Arts & Sciences, the Television Academy, a founding member of BAFTA-la and has been teaching at USC School of Cinematic Arts since 1979. Currently Block teaches a required class in the USC Peter Stark Producing Program.
______________________________________________________________________
©2012Mwb All Rights Reserved All Rights Reserved. All information and designs on the Sites are copyrighted material owned by Block. Reproduction, dissemination, or transmission of any part of the material here without the express written consent of the owner is strictly prohibited.All other product names and marks on Block Direct, whether trademarks, service marks, or other type, and whether registered or unregistered, is the property of Block.
Join us twice weekly. Send us links to your sizzle reels and film sites.
Mea Maxima Culpa: Silence in the House of God
Directed by Alex Gibney
In Mea Maxima Culpa: Silence in the House of God, Oscar®-winning filmmaker Alex Gibney examines the abuse of power in the Catholic Church through the story of four courageous deaf men who, in the first known case of public protest, set out to expose the priest who abused them. The film follows a cover-up that winds its way from the row houses of Milwaukee, Wisconsin, through the bare ruined choirs of Ireland's churches, all the way to the highest office of the Vatican.
Like Woodward and Bernstein covering the story of Watergate, Gibney uses the keyhole of the first known protest against clerical sexual abuse in the Us to show that the Pope knew (or should have known) that there is wide spread child abuse within the ranks of Catholic priests, not just in the U.S. but worldwide. Not exactly a pretty picture. This powerful, beautifully crafted film builds a case that screams out for reform of an institution that, like our military, is run by men with little or no outside supervision. One feels that like Nixon after the proven Watergate charges, the Pope should resign along with others who have allowed this outrageous behavior and its cover up to be so institutionalized.
Gibney’s films have a logical clarity that reinforces their intelligence. Smart, clear and wrenchingly powerful they explore institutions and the people who are part of them. From governors to prison guards he shows little patience for lies and incompetence. The chain he establishes in Maxima Culpa links the victims to the priests to their supervisors and on to Rome to the office formally run by the man who is now the Pope. What can you say? They knew, they had to know, the links are compelling. Why would this institution shelter these men (and women) who were abusing children and in some cases adults? Who would tolerate this behavior? Why would the Church tolerate this behavior? Yet the cover up continues.
In a year of films dealing with institutions, such as government officials slowly trying to find a cure for HIV/AIDS, or the military dealing with women being abused, or the Israel army ignoring the rights of the provocative Palestinians or even government failures to act on global warming, this is the best and it should be one of the nominees.
The Filmmaker
Alex Gibney is the founder of Jigsaw Productions. An Oscar, Emmy, and Grammy Award-winning producer, he is well known for producing one of the highest grossing documentaries of all time, Enron: The Smartest Guys in the Room.
His work as a writer and director includes the recent hit Client 9: The Rise and Fall of Eliot Spitzer, as well as the 2006 Oscar-nominated Enron: The Smartest Guys in the Room and the 2008 Oscar-winning Taxi to the Dark Side. Alex attended the film program at UCLA.
Credits:
Director/Producer/Writer: Alex Gibney
Producers:Trevor Birney, Alexandra Johnes, Ruth O’Reilly, Kristen Vaurio, Jedd Wider, Todd Widler
Executive Producers: Jessica Kingdon, Sheila Nevins, Lori Singer
Writer: Mark Monroe
Cinematography: Lisa Rinzler
Original Music Composer: Ivor Guest
Editor: Sloane Klevin
Production Companies: Jigsaw Productions, Wilder Film Projects, Union Editorial
Distribution: Content Media, HBO Documentary Films, HBO
Paperman a short animated film by John Kahrs
Paperman is an original seven-minute-long short animated film produced by Disney Animation.
It tells the story of a lonely young man in mid-century New York City, whose destiny takes an unexpected turn after a chance meeting with a beautiful woman on his morning commute. Convinced the girl of his dreams is gone forever, he gets a second chance when he spots her in a skyscraper window across the avenue from his office. With only his heart, imagination and a stack of papers to get her attention, his efforts are no match for what the fates have in store for him.
Director John Kahrs was the animation supervisor on Tangled, an animator on Bolt and Ratatouille, and worked on Pixar’s The Incredibles, Mike’s New Car, Monsters, Inc., Toy Story 2 and A Bug’s Life. Kahrs now gets his break as a director at Disney. 14 years of work in the animation department at Pixar, that’s paying dues! Now, I understand why this “Disney” animation film looks and feels like a “Pixar” film. It’s brilliant, polished, and elegant and, like the Simpson short, silent. Expressive muted black and white images with a slight color tint in this perfect short film dramatizes love at first sight. Tasteful, romantic and above all beautifully executed, I look forward to Kahrs’ feature film debut. A little Pixar goes a long way and this work is expressive of adult feelings that any child could enjoy. No need to dumb the story down, it works for audiences of all ages. A perfect 10.
Original music by Christophe Beck (who has 105 scoring credits) this work is produced by Kristina Reed (from Disney) and Executive Produced by Pixar’s John Lasseter. Written by Clio Chiang and Kendrelle Hoyer, it shows that “less” can be plenty. Short films don’t get better than this!
Credits:
Directed by: John Kahrs
Produced by: Kristina Reed
Executive Producer: John Lasseter
Art Direction: Jeff Tuley
Written by: Chio Chiang and Kendelle Hoyer
Music by: Christophe Beck
Film Editing: Lisa Linder
Produced by: Walt Disney Animation
Distributed by: Walt Disney Studios Motion Pictures
Running time: 7:00
Short Notes and Update:
The Invisible War is on the New York Times' and Christian Science Monitor's and Newsweek's 10 Best Films of 2012. The Gate Keepers is on the Wall Street Journal’s 10 Best Films of 2012.
Academy announces 10 animated films shortlisted for the Animation Short Film Nomination
The Short Films and Feature Animation Branch Reviewing Committee viewed all 57 eligible entries for the preliminary round of voting at screenings held in New York and Los Angeles. I’ve seen all of the films and this is one of the strongest group shortlisted in years, from the elegant Pixar/Disney film Paperman to the wildly funny Simpsons’ Daycare. These films are a treat for the eyes and mind. Stunning, moving, original, powerful and frankly amazing they will both amuse and entertain and each of the 10 films is special. The styles range from traditional animation to computer designed. A number of students made it with entries which are testimony to their vigorous programs and their talent. This is a year where handicapping is impossible.
At screenings of the short listed films, Short Films and Feature Animation Branch members have selected three to five nominees from among these 10 titles for its nominations.
The 85th Academy Awards nominations will be announced live on Thursday, January 10, 2013, at 5:30 a.m. Pst in the Academy's Samuel Goldwyn Theater.
Adam and Dog, Minkyu Lee, director (Lodge Films)
Web Link: https://vimeo.com/34849443
Length: 16 min.
Language: none
Country: USA
Combustible,Katsuhiro Otomo, director (Sunrise Inc.)
Web Link: None available
Length: 13 min.
Language: none
Country: Japan
Dripped, Léo Verrier, director (ChezEddy)
Web Link: http://www.youtube.com/watch?v=Wk9keXSBbhY
Length: 8 min.
Language: none
Country: France
The Eagleman Stag, Mikey Please, director, and Benedict Please, music scores and sound design (Royal College of Art)
Web Link: https://vimeo.com/mikeyplease/eaglemanstag
Length: 9 min.
Language: none
Country: England
The Fall of the House of Usher, Raul Garcia, director, and Stephan Roelants, producer (Melusine Productions, R&R Communications Inc., Les Armateurs, The Big Farm)
Web Link: http://youtu.be/5So_E6yPW40
Length: 17 min.
Language: none
Country: USA
Fresh Guacamole, Pes, director (Pes)
Web Link: https://www.youtube.com/watch?v=FQMO6vjmkyI
Length: 2 min.
Language: none
Country: USA
Head over Heels, Timothy Reckart, director, and Fodhla Cronin O’Reilly, producer (National Film and Television School)
Web Link: https://vimeo.com/timr/headoverheels
Length: 10 min.
Language: none
Country: England
Maggie Simpson in The Longest Daycare, David Silverman, director (Gracie Films)
Web Link: http://youtu.be/gV-NRwLV2qU
Length: 5 min.
Language: none
Country: USA
Paperman, John Kahrs, director (Disney Animation Studios)
Web Link: https://www.youtube.com/watch?v=jsoiEpuvTeQ
*note this about the technology in this film, but not a true trailer
Length: 7 min.
Language: none
Country: USA
Tram, Michaela Pavlátová, director, and Ron Dyens, producer (Sacrebleu Productions)
Web Link: http://youtu.be/a_QT-JaDswY
Length: 7 min.
Language: none
Country: French
______________________________________________________________________
Errata
Volume 1 Issue 3 In Chasing Ice the film was edited by Davis Coombe (and not Mark Monroe); Distributor (Us) Submarine Deluxe (not National Geographic).
______________________________________________________________________________
Block Doc Workshops in Los Angeles
The International Documentary Association will be hosting Documentary Funding and Documentary Tune Up Workshops with Block on February 9/10. http://www.eventbrite.com/org/169037034
Mitchell Block specializes in conceiving, producing, marketing & distributing independent features & consulting. He is an expert in placing both completed works into distribution & working with producers to make projects fundable. He conducts regular workshops in film producing in Los Angeles and most recently in Maine, Russia and in Myanmar (Burma).
Poster Girl, produced by Block was nominated for a Documentary Academy Award and selected by the Ida as the Best Doc Short 2011. It was also nominated for two Emmy Awards and aired on HBO. He is an executive producer of the Emmy Award-winning PBS series Carrier, a 10-hour series that he conceived & co-created. Block is a graduate of Tisch School and Columbia University’s Graduate School of Business. He is a member of Academy of Motion Picture Arts & Sciences, the Television Academy, a founding member of BAFTA-la and has been teaching at USC School of Cinematic Arts since 1979. Currently Block teaches a required class in the USC Peter Stark Producing Program.
______________________________________________________________________
©2012Mwb All Rights Reserved All Rights Reserved. All information and designs on the Sites are copyrighted material owned by Block. Reproduction, dissemination, or transmission of any part of the material here without the express written consent of the owner is strictly prohibited.All other product names and marks on Block Direct, whether trademarks, service marks, or other type, and whether registered or unregistered, is the property of Block.
- 1/3/2013
- by Mitchell Block
- Sydney's Buzz
Attached to Disney’s highly anticipated Wreck-It Ralph will be the equally anticipated black-and-white animated short, Paperman.
The film blends hand-drawn animation with computer graphics using a groundbreaking technique that Disney, themselves, developed – so definitely something to get excited about.
The studio has released seven first look images (three stills, four pieces of concept art) to give us a taste of what to expect, and they are expectedly beautiful.
“A charming period romance, “Paperman” follows a young man who runs into the woman of his dreams as he’s getting on the train. They share a “missed connection,” only to discover that the woman works in the building across the street from him. Thus begins an elaborate wooing process involving paper airplanes.”
John Kahrs makes his directorial debut, having previously worked on the likes of Monsters, Inc. and The Incredibles, with a story from Clio Chiang and Kendelle Hoyer, part...
The film blends hand-drawn animation with computer graphics using a groundbreaking technique that Disney, themselves, developed – so definitely something to get excited about.
The studio has released seven first look images (three stills, four pieces of concept art) to give us a taste of what to expect, and they are expectedly beautiful.
“A charming period romance, “Paperman” follows a young man who runs into the woman of his dreams as he’s getting on the train. They share a “missed connection,” only to discover that the woman works in the building across the street from him. Thus begins an elaborate wooing process involving paper airplanes.”
John Kahrs makes his directorial debut, having previously worked on the likes of Monsters, Inc. and The Incredibles, with a story from Clio Chiang and Kendelle Hoyer, part...
- 7/3/2012
- by Kenji Lloyd
- HeyUGuys.co.uk
DreamWorks Animation’s Kung Fu Panda 2 picked up 12 nominations for the 39th Annual Annie Awards — announced today by the International Animated Film Society, Asifa-Hollywood — including Best Animated Feature and Best Director. DreamWorks’ Puss in Boots and Paramount’s Rango won nine nods, and Pixar’s Cars 2 earned seven. Steven Spielberg’s motion-capture The Adventures of Tintin won five nods, including Best Feature; the last animated film built from performances by live actors to earn a nod for the top prize at the Annies was 2006′s Monster House.
Curiously, Cars 2 did not earn nominations for director John Lasseter,...
Curiously, Cars 2 did not earn nominations for director John Lasseter,...
- 12/5/2011
- by Adam B. Vary
- EW - Inside Movies
Editor's note: This review was originally published as a Los Angeles Film Festival review on June 27, 2011.
Writers: Stephen J. Anderson (story), Clio Chiang (story), Don Dougherty (story), Don Hall (story), Brian Kesinger (story), Nicole Mitchell (story), Jeremy Spears (story), A.A. Milne ("Winnie the Pooh" works), Ernest Shepard ("Winnie the Pooh" works), Paul Briggs (additional story material), Chris Ure (additional story material)
Directors: Stephen J. Anderson, Don Hall
Cast: Jim Cummings, John Cleese, Jack Boulter, Bud Luckey, Travis Oates, Craig Ferguson, Tom Kenny, Kristen Anderson-Lopez
Read more on Laff 2011 Review: Winnie The Pooh...
Writers: Stephen J. Anderson (story), Clio Chiang (story), Don Dougherty (story), Don Hall (story), Brian Kesinger (story), Nicole Mitchell (story), Jeremy Spears (story), A.A. Milne ("Winnie the Pooh" works), Ernest Shepard ("Winnie the Pooh" works), Paul Briggs (additional story material), Chris Ure (additional story material)
Directors: Stephen J. Anderson, Don Hall
Cast: Jim Cummings, John Cleese, Jack Boulter, Bud Luckey, Travis Oates, Craig Ferguson, Tom Kenny, Kristen Anderson-Lopez
Read more on Laff 2011 Review: Winnie The Pooh...
- 7/15/2011
- by Allison Loring
- GordonandtheWhale
Reviewed by Khia Beauchesne
(June 2011)
Directed by: Stephen Anderson and Don Hall
Written by: Stephen Anderson, Clio Chiang, Don Dougherty, Don Hall, Kendelle Hoyer, Brian Kesinger, Nicole Mitchell and Jeremy Spears
Featuring the voices of: John Cleese, Jim Cummings, Bud Luckey, Craig Ferguson, Jack Boulter, Travis Oates, Kristen Anderson-Lopez, Wyatt Dean Hall, Tom Kenny and Huell Howser
Winnie the Pooh is one of the most popular Disney characters in the world, second only to Mickey Mouse. As a result, directors Stephen Anderson and Don Hall admittedly found making the latest “Winnie the Pooh” film both exciting and daunting. But the stress and pressure of doing so led the meticulous filmmakers to create a modern masterpiece of the classic tale.
“Winnie the Pooh” blends the classic story line with subtle yet effective modern touches. The film opens with Pooh (Jim Cummings) waking up with a rumble in his tummy and no “hunny” in the house.
(June 2011)
Directed by: Stephen Anderson and Don Hall
Written by: Stephen Anderson, Clio Chiang, Don Dougherty, Don Hall, Kendelle Hoyer, Brian Kesinger, Nicole Mitchell and Jeremy Spears
Featuring the voices of: John Cleese, Jim Cummings, Bud Luckey, Craig Ferguson, Jack Boulter, Travis Oates, Kristen Anderson-Lopez, Wyatt Dean Hall, Tom Kenny and Huell Howser
Winnie the Pooh is one of the most popular Disney characters in the world, second only to Mickey Mouse. As a result, directors Stephen Anderson and Don Hall admittedly found making the latest “Winnie the Pooh” film both exciting and daunting. But the stress and pressure of doing so led the meticulous filmmakers to create a modern masterpiece of the classic tale.
“Winnie the Pooh” blends the classic story line with subtle yet effective modern touches. The film opens with Pooh (Jim Cummings) waking up with a rumble in his tummy and no “hunny” in the house.
- 7/4/2011
- by admin
- Moving Pictures Magazine
Reviewed by Khia Beauchesne
(June 2011)
Directed by: Stephen Anderson and Don Hall
Written by: Stephen Anderson, Clio Chiang, Don Dougherty, Don Hall, Kendelle Hoyer, Brian Kesinger, Nicole Mitchell and Jeremy Spears
Featuring the voices of: John Cleese, Jim Cummings, Bud Luckey, Craig Ferguson, Jack Boulter, Travis Oates, Kristen Anderson-Lopez, Wyatt Dean Hall, Tom Kenny and Huell Howser
Winnie the Pooh is one of the most popular Disney characters in the world, second only to Mickey Mouse. As a result, directors Stephen Anderson and Don Hall admittedly found making the latest “Winnie the Pooh” film both exciting and daunting. But the stress and pressure of doing so led the meticulous filmmakers to create a modern masterpiece of the classic tale.
“Winnie the Pooh” blends the classic story line with subtle yet effective modern touches. The film opens with Pooh (Jim Cummings) waking up with a rumble in his tummy and no “hunny” in the house.
(June 2011)
Directed by: Stephen Anderson and Don Hall
Written by: Stephen Anderson, Clio Chiang, Don Dougherty, Don Hall, Kendelle Hoyer, Brian Kesinger, Nicole Mitchell and Jeremy Spears
Featuring the voices of: John Cleese, Jim Cummings, Bud Luckey, Craig Ferguson, Jack Boulter, Travis Oates, Kristen Anderson-Lopez, Wyatt Dean Hall, Tom Kenny and Huell Howser
Winnie the Pooh is one of the most popular Disney characters in the world, second only to Mickey Mouse. As a result, directors Stephen Anderson and Don Hall admittedly found making the latest “Winnie the Pooh” film both exciting and daunting. But the stress and pressure of doing so led the meticulous filmmakers to create a modern masterpiece of the classic tale.
“Winnie the Pooh” blends the classic story line with subtle yet effective modern touches. The film opens with Pooh (Jim Cummings) waking up with a rumble in his tummy and no “hunny” in the house.
- 7/4/2011
- by admin
- Moving Pictures Network
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.