Carolina's death leaves Damián and her forbidden love story unfinished, as they never get the chance to be together. Vicente's greed leads to a fatal confrontation with Carolina and Damián, ultimately resulting in Carolina's death. The shocking revelation that Raquel is the one who shot Carolina adds a layer of betrayal and revenge to the complex storyline.
Caer en tentación is a Mexican telenovela that ended on February 11, 2018, and the finale resolved some of the biggest questions of the show while leaving other storylines ambiguous. First premiering on September 18, 2017, Caer en tentación only ran for one season, but in the 102 episodes that arrived weekly, an exciting, romantic, and deadly story is told. The soap opera follows two couples, Raquel Cohen (Silvia Navarro) and Damián Becker (Gabriel Soto), and Carolina Rivas (Adriana Louvier) and Santiago Álvarado (Carlos Ferro). Due to a fender bender, their lives become entangled in ways they could never have guessed.
Caer en tentación is a Mexican telenovela that ended on February 11, 2018, and the finale resolved some of the biggest questions of the show while leaving other storylines ambiguous. First premiering on September 18, 2017, Caer en tentación only ran for one season, but in the 102 episodes that arrived weekly, an exciting, romantic, and deadly story is told. The soap opera follows two couples, Raquel Cohen (Silvia Navarro) and Damián Becker (Gabriel Soto), and Carolina Rivas (Adriana Louvier) and Santiago Álvarado (Carlos Ferro). Due to a fender bender, their lives become entangled in ways they could never have guessed.
- 1/3/2024
- by Zachary Moser
- ScreenRant
There are lost-at-sea thrillers that make a virtue of the leanness of their narratives. J.C. Chandor’s “All Is Lost,” Wolfgang Fischer’s “Styx” and Chris Kentis’ legitimately traumatizing “Open Water” (not to mention Alfonso Cuarón’s “Gravity” if we switch in space for ocean) all spun gripping tales of survival — or not — using minimal dialogue and very little character backstory. But the pitfalls of this less-is-more approach are laid bare in and stereotypes. In its familiarity, “Submersible” at least appropriately evokes such a sinking feeling.
We’re engulfed in the action immediately, when the film opens, as the rickety, makeshift sub codenamed “Guadalupe” is already mid-crisis. Its crew of three — secretive pseudo-captain Felix (Leynar Gómez), quiet, older engine maintenance guy Kleber (Carlos Valencia) and jittery, crazy-eyed wild card Aquiles (José Restrepo) — scrabble about the squalid, listing interior and decide in desperation to redistribute the weight on board by shifting their precious cargo around.
We’re engulfed in the action immediately, when the film opens, as the rickety, makeshift sub codenamed “Guadalupe” is already mid-crisis. Its crew of three — secretive pseudo-captain Felix (Leynar Gómez), quiet, older engine maintenance guy Kleber (Carlos Valencia) and jittery, crazy-eyed wild card Aquiles (José Restrepo) — scrabble about the squalid, listing interior and decide in desperation to redistribute the weight on board by shifting their precious cargo around.
- 12/8/2021
- by Jessica Kiang
- Variety Film + TV
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