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Bruno Tracq

‘C’mon C’mon’ Takes Golden Frog And Audience Award At Camerimage — Complete Winners List
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Mike Mills’ A24 film C’mon C’mon triumphed at the 2021 EnergaCamerimage Film Festival, celebrating the art of cinematography—claiming its high honor, the Golden Frog, along with its Audience Award.

Cinematographer Robbie Ryan’s Golden Frog win gives him new momentum as a 2022 Oscar contender, on the heels of his first nomination in 2019 for his work on Yorgos Lanthimos’ The Favourite. While only handful of past winners since the festival’s founding in 1993 have gone on to secure the Best Cinematography Oscar, 12 of 30 have nabbed nominations. And over the last eight years, 5 winners have gone on to nominations—most recently, Joshua James Richards with Nomadland, and Lawrence Sher with Joker.

In Mills’ film, which opened in theaters across North America yesterday, Joaquin Phoenix plays Johnny, a radio journalist whose latest project has him interviewing children across the U.S. about the state of affairs in the world. Johnny forges a tenuous...
See full article at Deadline Film + TV
  • 11/20/2021
  • by Matt Grobar
  • Deadline Film + TV
‘C’mon C’mon’ Wins Top Prize for Cinematography at EnergaCamerimage Film Festival
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Life on the road and fantasy worlds held sway at the 29th edition of the EnergaCamerimage International Film Festival on Saturday, winning big after a week of scaled down but enthusiastic industry events, seminars and screenings celebrating cinematography.

“C’mon C’mon,” shot by Robbie Ryan and directed by Mike Mills, won this year’s Golden Frog. The film, which tells the story of a radio journalist driving between American cities with his nine-year-old nephew Jesse, enchanted jurors with its black-and-white imagery, one of several top contenders in monochrome.

Ryan, praised for his “precise and humble eye” and “cinema that touches the soul,” accepted via video from a film set in Hungary, calling “C’mon C’mon” a “small film,” made just prior to the Covid pandemic by a crew “traveling around like a circus.”

Buzz built early on during the fest for Joel Coen’s “The Tragedy of Macbeth,” shot by Bruno Delbonnel,...
See full article at Variety Film + TV
  • 11/20/2021
  • by Will Tizard
  • Variety Film + TV
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