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News

Lauren O'Neil

Drake's Face Plastered On Wheelchair Signs In Toronto In Nod to Degrassi Character, Mastermind Speaks Out On Meme
Toronto residents are getting a special throwback of a beloved Degrassi character these days. Pictures of Drake's face — who starred as Jimmy Brooks on the Canadian TV series — are being plastered on wheelchair signs in the Canadian city. The stunt went viral on Tuesday, Sept. 9. The cutouts of Drake grinning have been posted on a variety of wheelchair signs outside buildings and on street poles. Journalist Lauren O'Neil, 28, spoke to Us Weekly about starting the fun with her 30-year-old advertising boyfriend last week, [...]...
See full article at Us Weekly
  • 9/10/2014
  • Us Weekly
Photo Flash: First Look at Frank Langella & More in King Lear at Bam
Three time Tony Award-winning, Oscar nominated Broadway and film star Frank Langella plays King Lear at the Harvey Theater at Bam Brooklyn Academy Of Music in New York, joined by Sebastian Armesto, Max Bennett, Denis Conway, Isabella Laughland, Catherine McCormack, Harry Melling, Lauren O'Neil and Steven Pacey. The production runs now through February 9, 2014. BroadwayWorld brings you a first look at the cast in action below...
See full article at BroadwayWorld.com
  • 1/8/2014
  • by BWW News Desk
  • BroadwayWorld.com
King Lear – review
Minerva, Chichester

This return to star-driven Shakespeare has in Frank Langella a commanding Lear still driven by a craving for love

We are used to director's Shakespeare. This production, which plays 32 performances in Chichester before moving to Brooklyn, is unequivocally actor's Shakespeare. It is staged with great clarity by Angus Jackson as a timeless moral fable. But what impresses is the spellbinding power of that fine American actor, Frank Langella, best known in Britain as the disintegrating president inFrost/Nixon, who plays Lear and wins.

Langella has that mysterious quality known as "weight". It is not merely that he is tall, has a voice that could be heard in Bognor Regis and is more oak than ash: it is that he has an authority that compels our attention. This is palpable from the start when he needs help ascending the steps of Robert Innes Hopkins's set, which looks like a...
See full article at The Guardian - Film News
  • 11/11/2013
  • by Michael Billington
  • The Guardian - Film News
Constellations; Travelling Light; Man in the Middle – review
Royal Court; Lyttelton; Theatre503, London

Every now and then the Royal Court does this. It throws up a small-cast, depth-charge production that makes bigger dramas look over-stuffed and under-nourished. It did so metaphysically with Caryl Churchill's A Number and emotionally with Mike Bartlett's Cock. It has done so again with Nick Payne's wiry new play.

Constellations is a love story that investigates ideas about time. Or it's a look at theories about time that takes the form of a love story. It tells us that we may have no such thing as free will, but leaves its audience to make up its own mind. Following the lead given 14 years ago by Michael Frayn's Copenhagen, in which a scientific theory is demonstrated in the structure of the play that discusses it, Constellations embodies its doubts and questions. It quizzes the notion of destiny by giving alternative versions...
See full article at The Guardian - Film News
  • 1/22/2012
  • by Susannah Clapp
  • The Guardian - Film News
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