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News

Fabian Euresti

Images Festival 2011
The Images Festival (site) opens in Toronto today and runs through April 9. It's "the largest festival in North America for experimental and independent moving image culture, showcasing the innovative edge of international contemporary media art both on and off the screen," and we're teaming up with them to present a selection of films on your screen.

We begin with short works by Jodie Mack, who hails from the School of the Art Institute of Chicago and recently received a media arts fellowship from the Illinois Arts Council; Jorge Lorenzo's Death Match, documenting his cousin's struggle for survival; Fabian Euresti's Everybody's Nuts, an essay on California's Kern County; Sokhna Amar's poetic Pourquoi?; and Brett Bell's Sign-Off (image above), a collage of vintage 16mm Canadiana. Watch this space for more titles to be made available over the coming days.
See full article at MUBI
  • 3/31/2011
  • MUBI
2011 Images Festival: Official Lineup
The 24th annual Images Festival is once again overstuffed with experimental and avant-garde media goodness. From March 31 to April 9, Toronto will be overrun with film & video screenings, live cinema performances, artist talks, gallery installations, forum discussions and more.

The fest opens with Rivers and My Father — a documentary and fictional narrative blend that explores the family stories of filmmaker Luo Li — and ends with a live hardcore music soundtrack accompanying Todd Brown’s classic silent movie West of Zanzibar.

In between that, there are artist talks with John Gianvito, Paul Clipson, Mario Pfeifer, Beatrice Gibson, James MacSwain, Steve Reinke and others; several programs exploring the state of cinema in Africa; live cinematic performances by Andrew Lampert, Ellie Ga, Lindsay Seers, Icaro Zorbar and more.

Plus, don’t forget the experimental film & video screenings, including John Gianvito’s documentary essay Vapor Trails (Clark); and short works by Jodie Mack, Lewis Klahr,...
See full article at Underground Film Journal
  • 3/31/2011
  • by Mike Everleth
  • Underground Film Journal
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