Not even a week after Florian Habicht’s documentary about Britpop outfit Pulp is released, comes a sweet drama from first time filmmakers Stewart Alexander and Kerry Skinner, that shares the same name of the band’s signature hit. However that is where similarities end, as this ensemble piece instead bears comparisons to Ed Blum’s 2006 endeavour, Scenes of a Sexual Nature.
Set on a London common, predominantly across one day – we delve into the lives of various people, some passing through, some staying for the afternoon. We meet the widowed Ian (Iarla McGowan) and his young daughter, the pregnant Jenny – played by co-director Skinner, the alcoholic Harry, played by other director Alexander, and elderly couple Derrick (Sam Kelly) and Pam (Diana Payan), to name just a few. Each character with their own respective problems, but as the day turns to night, the varying narratives combine, and blend in to one another.
Set on a London common, predominantly across one day – we delve into the lives of various people, some passing through, some staying for the afternoon. We meet the widowed Ian (Iarla McGowan) and his young daughter, the pregnant Jenny – played by co-director Skinner, the alcoholic Harry, played by other director Alexander, and elderly couple Derrick (Sam Kelly) and Pam (Diana Payan), to name just a few. Each character with their own respective problems, but as the day turns to night, the varying narratives combine, and blend in to one another.
- 6/9/2014
- by Stefan Pape
- HeyUGuys.co.uk
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