Huelva’s main Competition titles, all premieres in Spain, pick up on big festival standouts that still merit further attention. Some brief details:
“Bionico’s Bachata”
Bionico’s Bachata
The film which won Morales, production house Mentes Fritas and producer and co-writer Cristián Monica a South by Southwest 2024 Audience Award. A mockumentary, shot in a box format, Biónico, an equally hopeless romantic and crack addict, battles to clean up his act and make some cash before his fiancée arrives back from rehab. A “romantic story in a hostile Caribbean city” about a “serious topic but handled via the absurd and dark comedy that we have in our culture,” Morales has told Variety.
“El Cuento del Lobo”
The latest from López Amado, a director on big Spanish TV series such as “El Principe” and “The Time In Between,” plus notable films from upscale supernatural thriller “Nos Miran” (2002), his first feature, to...
“Bionico’s Bachata”
Bionico’s Bachata
The film which won Morales, production house Mentes Fritas and producer and co-writer Cristián Monica a South by Southwest 2024 Audience Award. A mockumentary, shot in a box format, Biónico, an equally hopeless romantic and crack addict, battles to clean up his act and make some cash before his fiancée arrives back from rehab. A “romantic story in a hostile Caribbean city” about a “serious topic but handled via the absurd and dark comedy that we have in our culture,” Morales has told Variety.
“El Cuento del Lobo”
The latest from López Amado, a director on big Spanish TV series such as “El Principe” and “The Time In Between,” plus notable films from upscale supernatural thriller “Nos Miran” (2002), his first feature, to...
- 11/15/2024
- by John Hopewell and Jamie Lang
- Variety Film + TV
The unique joy of friendship is at the fore in helmers Ana Guevara and Leticia Jorge’s “Don’t You Let Me Go.”
Produced by Uruguay-based Agustina Chiarino’s Bocacha Films, the feature clinched the Noah Ephron Award at this year’s Tribeca Film Festival. It marks Guevara and Jorge’s third collaboration with Bocacha, a production company at the forefront of pan-regional co-productions. Paris-based Alpha Violet is handling international sales.
The film opens at a wake. Adela, portrayed by Chiara Hourcade, reminisces with friends there to mark the death of her best friend Elena, dead at 39. The friends and family gathered are heartfelt, polite and emotional in this most clinical and anodyne of places. “Nothing here reminds me of my sister,” remarks one.
Waves of grief hit people at different times; Adela’s strikes as she sits in her car to leave. It’s in these opening moments that the fantastical strikes.
Produced by Uruguay-based Agustina Chiarino’s Bocacha Films, the feature clinched the Noah Ephron Award at this year’s Tribeca Film Festival. It marks Guevara and Jorge’s third collaboration with Bocacha, a production company at the forefront of pan-regional co-productions. Paris-based Alpha Violet is handling international sales.
The film opens at a wake. Adela, portrayed by Chiara Hourcade, reminisces with friends there to mark the death of her best friend Elena, dead at 39. The friends and family gathered are heartfelt, polite and emotional in this most clinical and anodyne of places. “Nothing here reminds me of my sister,” remarks one.
Waves of grief hit people at different times; Adela’s strikes as she sits in her car to leave. It’s in these opening moments that the fantastical strikes.
- 11/15/2024
- by Callum McLennan
- Variety Film + TV
Griffin in Summer won the Founders Award for best U.S. narrative feature as well as two additional awards: special jury mention for new narrative director for Nicholas Colia and best screenplay in a U.S. narrative feature, which also went to Colia.
Meanwhile, Bikechess won Best International Narrative Feature, and Hacking Hate won Best Documentary Feature. Don’t You Let Me Go won the 12th annual Nora Ephron Award, and Come Closer and Witches topped the first Viewpoints Competition.
Additionally, Nnamdi Asomugha‘s The Knife won two awards: best cinematography in a U.S. narrative feature (Alejandro Mejia) and the best new narrative director award for Asomugha.
Some Rain Must Fall also won two awards.
A full list of this year’s winners follows.
More to come.
U.S. Narrative Competition
Founders Award for Best U.S. Narrative Feature: Griffin in Summer, director Nicholas Colia
Best Performance in a U.
Meanwhile, Bikechess won Best International Narrative Feature, and Hacking Hate won Best Documentary Feature. Don’t You Let Me Go won the 12th annual Nora Ephron Award, and Come Closer and Witches topped the first Viewpoints Competition.
Additionally, Nnamdi Asomugha‘s The Knife won two awards: best cinematography in a U.S. narrative feature (Alejandro Mejia) and the best new narrative director award for Asomugha.
Some Rain Must Fall also won two awards.
A full list of this year’s winners follows.
More to come.
U.S. Narrative Competition
Founders Award for Best U.S. Narrative Feature: Griffin in Summer, director Nicholas Colia
Best Performance in a U.
- 6/13/2024
- by Hilary Lewis
- The Hollywood Reporter - Movie News
Naomi Ackie, Daniel Mays, Jonathan Pryce, Henry Lloyd-Hughes and David Tennant have joined the cast of Netflix and Amblin Entertainment’s “The Thursday Murder Club,” based on Richard Osman’s novel of the same name.
According to an official logline, the series follows, “a group of friends in a retirement home who gather to solve murders for fun, but find themselves caught in a real case. The four members of the club are played by Helen Mirren (ex-spy Elizabeth), Sir Ben Kingsley (ex-psychiatrist Ibrahim) Pierce Brosnan (former union activist Ron) and Celia Imrie (ex-nurse Joyce).”
Chris Columbus serves as writer, director and producer with Jennifer Todd. Holly Bario, Jeb Brody, Eleanor Columbus and Jo Burn executive produce.
Tribeca Festival 2024 Competition Winners Include ‘Griffin in Summer,’ ‘Bikechess,’ ‘Hacking Hate’
Tribeca Festival has announced the 2024 winners of its competition categories at an awards ceremony at Racket NYC. Top awards went to “Griffin in Summer,...
According to an official logline, the series follows, “a group of friends in a retirement home who gather to solve murders for fun, but find themselves caught in a real case. The four members of the club are played by Helen Mirren (ex-spy Elizabeth), Sir Ben Kingsley (ex-psychiatrist Ibrahim) Pierce Brosnan (former union activist Ron) and Celia Imrie (ex-nurse Joyce).”
Chris Columbus serves as writer, director and producer with Jennifer Todd. Holly Bario, Jeb Brody, Eleanor Columbus and Jo Burn executive produce.
Tribeca Festival 2024 Competition Winners Include ‘Griffin in Summer,’ ‘Bikechess,’ ‘Hacking Hate’
Tribeca Festival has announced the 2024 winners of its competition categories at an awards ceremony at Racket NYC. Top awards went to “Griffin in Summer,...
- 6/13/2024
- by Jazz Tangcay, Jack Dunn, Lexi Carson and Selena Kuznikov
- Variety Film + TV
With Cannes now wrapped up, the next film festival on our radar is Tribeca, which runs its 23rd edition from June 5 to 16. One film we’re looking forward to is Don’t You Let Me Go (Agárrame fuerte), the most recent feature film by the celebrated Uruguayan directorial duo of Ana Guevara and Leticia Jorge (So Much Water), which will have its world premiere in the International Narrative Competition.
Featuring a predominantly female cast and crew, Don’t You Let Me Go follows Adela, 39, who is confronted with the sudden loss of her best friend, Elena. Standing amidst the mourners at Elena’s funeral, Adela feels disconnected from the solemn rituals, sensing the absurdity of bidding farewell to someone so dear. Consumed by shock and the looming void in her future, Adela becomes an unexpected time-traveler.
Transported to a decade earlier, Adela reunites with a vibrant Elena at a beach house,...
Featuring a predominantly female cast and crew, Don’t You Let Me Go follows Adela, 39, who is confronted with the sudden loss of her best friend, Elena. Standing amidst the mourners at Elena’s funeral, Adela feels disconnected from the solemn rituals, sensing the absurdity of bidding farewell to someone so dear. Consumed by shock and the looming void in her future, Adela becomes an unexpected time-traveler.
Transported to a decade earlier, Adela reunites with a vibrant Elena at a beach house,...
- 5/28/2024
- by Jordan Raup
- The Film Stage
Exclusive: Alpha Violet has acquired world sales rights for Uruguayan filmmaking duo Ana Guevara and Leticia Jorge’s new drama Don’t You Let Me Go, exploring themes of friendship and death.
The Paris-based company previously worked with the filmmakers on their debut film So Much Water (Tanta Agua), which world premiered in the Berlinale’s Panorama section in 2013 and was acquired by Arte for Europe and HBO for the U.S.
The new movie, which is in post-production, sees follows a woman’s journey through time to see her best friend after one of them dies.
They reconnect in a past that may not be perfect but seems more real than the unintelligible present in which death has come to soon.
The cast features Eva Dans, Chiara Hourcade and Victoria Jorge.
“Don’t You Let Me Go is totally a movie for us,” said Virginie Devesa, Alpha Violet co-founding head with Keiko Funato.
The Paris-based company previously worked with the filmmakers on their debut film So Much Water (Tanta Agua), which world premiered in the Berlinale’s Panorama section in 2013 and was acquired by Arte for Europe and HBO for the U.S.
The new movie, which is in post-production, sees follows a woman’s journey through time to see her best friend after one of them dies.
They reconnect in a past that may not be perfect but seems more real than the unintelligible present in which death has come to soon.
The cast features Eva Dans, Chiara Hourcade and Victoria Jorge.
“Don’t You Let Me Go is totally a movie for us,” said Virginie Devesa, Alpha Violet co-founding head with Keiko Funato.
- 2/16/2024
- by Melanie Goodfellow
- Deadline Film + TV
The world champion Mexican diver Diego Balleza turned to OnlyFans after lacking the financial resources to support his training for next year’s Paris Olympics.
Mexican aquatics athletes have been impacted due to the ongoing disputes between World Aquatics and Ana Guevara, the head of Mexico’s national sports commission. It resulted in a halting of monthly payments for aquatics athletes since January.
The Mexican federation president Kiril Todorov was suspended by World Athletics after the swimming federation failed to follow the governing body’s good governance standards. A commission is now in charge while new elections are held.
Lacking the funds to train, Guevara, 28, has had to find his own ways to support his training costs and other expenses.
For the 10-meter diver with a perfect physique, Balleza discovered his new source of income on OnlyFans, a platform where creators get paid for their images or videos and is known for its pornographic content.
Mexican aquatics athletes have been impacted due to the ongoing disputes between World Aquatics and Ana Guevara, the head of Mexico’s national sports commission. It resulted in a halting of monthly payments for aquatics athletes since January.
The Mexican federation president Kiril Todorov was suspended by World Athletics after the swimming federation failed to follow the governing body’s good governance standards. A commission is now in charge while new elections are held.
Lacking the funds to train, Guevara, 28, has had to find his own ways to support his training costs and other expenses.
For the 10-meter diver with a perfect physique, Balleza discovered his new source of income on OnlyFans, a platform where creators get paid for their images or videos and is known for its pornographic content.
- 6/29/2023
- by River Zhang
- Uinterview
Uruguay-based Agustina Chiarino, one of the drivers of the new Latin American cinema industry and at the forefront of pan-regional co-production, is kicking-off early projects at her recently launched production-distribution company Bocacha Films.
Chiarino attended last week’s Malaga Film Festival edition to present Pablo Solarz’s official section contender comedy “Desperté con un sueño” (“I Woke Up With a Dream”), which she produced at Mutante Cine, the Montevideo-based outfit Chiarino and editor-producer Fernando Epstein co-founded in 2011.
After “I Woke Up With a Dream,” two feature debuts are finishing production stage under the Mutante Cine brand: Vanina Spataro’s “Naufragios,” teaming with Kino Films in Argentina, and Sebastián Peña Escobar’s documentary “The Last” in partnership with Paraguay’s La Babosa Cine.
They will be “the last three movies Mutante Cine will be launching before disbanding,” Chiarino said.
Having produced more than 15 Latin American films, Chiarino is now embarking on a solo project,...
Chiarino attended last week’s Malaga Film Festival edition to present Pablo Solarz’s official section contender comedy “Desperté con un sueño” (“I Woke Up With a Dream”), which she produced at Mutante Cine, the Montevideo-based outfit Chiarino and editor-producer Fernando Epstein co-founded in 2011.
After “I Woke Up With a Dream,” two feature debuts are finishing production stage under the Mutante Cine brand: Vanina Spataro’s “Naufragios,” teaming with Kino Films in Argentina, and Sebastián Peña Escobar’s documentary “The Last” in partnership with Paraguay’s La Babosa Cine.
They will be “the last three movies Mutante Cine will be launching before disbanding,” Chiarino said.
Having produced more than 15 Latin American films, Chiarino is now embarking on a solo project,...
- 3/20/2023
- by Emiliano De Pablos
- Variety Film + TV
Seventh edition of the development scheme will include nine projects of first or second feature films.
TorinoFilmLab has unveiled its selection for FrameWork 2014.
The seventh edition of the development scheme will include nine projects of first or second feature films, representing ten countries. The participants will work on their projects throughout two week-long workshops under the guidance of international experts.
Following these workshops, there will be a public pitch at the TorinoFilmLab meeting event, held during the 32nd Torino Film Festival. The jury will assign production awards (starting from €50,000), while an audience award (€30,000) will be given to the project most voted for by the attending decision makers.
TorinoFilmLab’s partners will also award various prizes.
The projects, formed in majority from TorinoFilmLab’s Script&Pitch programme, are:
Aleli by Ana Guevara & Leticia Jorge, producer Agustina Chiarino (Uruguay)Carbon by Michalis Konstantatos, producer Yorgos Tsourgiannis (Greece)Hunting Season by Natalia Garagiola, producer Benjamin...
TorinoFilmLab has unveiled its selection for FrameWork 2014.
The seventh edition of the development scheme will include nine projects of first or second feature films, representing ten countries. The participants will work on their projects throughout two week-long workshops under the guidance of international experts.
Following these workshops, there will be a public pitch at the TorinoFilmLab meeting event, held during the 32nd Torino Film Festival. The jury will assign production awards (starting from €50,000), while an audience award (€30,000) will be given to the project most voted for by the attending decision makers.
TorinoFilmLab’s partners will also award various prizes.
The projects, formed in majority from TorinoFilmLab’s Script&Pitch programme, are:
Aleli by Ana Guevara & Leticia Jorge, producer Agustina Chiarino (Uruguay)Carbon by Michalis Konstantatos, producer Yorgos Tsourgiannis (Greece)Hunting Season by Natalia Garagiola, producer Benjamin...
- 5/18/2014
- by ian.sandwell@screendaily.com (Ian Sandwell)
- ScreenDaily
Le Chef (France-Spain) from Daniel Cohen and Jennifer M Kroot and Bill Weber’s To Be Takei (Us) will open the 2014 RiverRun International Film Festival, while Phillippe Le Guay’s Bicycling With Molière (France) will close the festival.
Gillian Robespierre’s (Us) Obvious Child is the Centerpiece Premiere and David Gordon Green’s Joe the Southern Showcase. The festival in Winston-Salem, North Carolina, is set to run from April 4-13 and will screen 145 films, including 63 features and 82 shorts from 33 countries.
The 10 films in Narrative Competition include Pawel Pawlikowski’s Ida (Poland-Denmark), Chloe Robichaud’s Sarah Prefers To Run (Canada), Tanta Agua (Uruguay-Mexico-Netherlands-Germany) from Ana Guevara and Leticia Jorge and Andrzej Walda’s Walesa: Man Of Hope (Poland).
Documentary Competition entries include Dave Carroll’s Bending Steel (Us), Ben Cotner and Ryan White’s The Case Against 8 (Us), Marmato (Columbia-us) from Mark Grieco and Joe Berlinger’s Whitey (Us).
Special Presentations include Locke (UK) Breathe In (Us), The German Doctor...
Gillian Robespierre’s (Us) Obvious Child is the Centerpiece Premiere and David Gordon Green’s Joe the Southern Showcase. The festival in Winston-Salem, North Carolina, is set to run from April 4-13 and will screen 145 films, including 63 features and 82 shorts from 33 countries.
The 10 films in Narrative Competition include Pawel Pawlikowski’s Ida (Poland-Denmark), Chloe Robichaud’s Sarah Prefers To Run (Canada), Tanta Agua (Uruguay-Mexico-Netherlands-Germany) from Ana Guevara and Leticia Jorge and Andrzej Walda’s Walesa: Man Of Hope (Poland).
Documentary Competition entries include Dave Carroll’s Bending Steel (Us), Ben Cotner and Ryan White’s The Case Against 8 (Us), Marmato (Columbia-us) from Mark Grieco and Joe Berlinger’s Whitey (Us).
Special Presentations include Locke (UK) Breathe In (Us), The German Doctor...
- 3/4/2014
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
As the leading presenter of Latin American Cinema in the U.S. Cinema Tropical advocates for the Latino filmmaking community and honors their achievements. Cinema Tropical Awards now in its fourth edition have announced this year's nominees
The winners of the 4th Annual Cinema Tropical Awards will be announced at a special event at The New York Times Company headquarters in New York City in late January, 2014.
The nominees for this year’s Cinema Tropical Awards were selected by a nine-member jury panel from a list of Latin American and U.S. Latino feature films of a minimum of 60 minutes in length that were premiered between April 1, 2012 and March 31, 2013 (January 1, 2012 and March 31, 2013, for U.S. Latino productions). The list was culled by a nominating committee composed of 17 film professionals from Latin America, the U.S., Canada, and Europe.
The Cinema Tropical Awards are presented in partnership with Voces, Latino Heritage Network of The New York Times Company. Media Sponsors: LatAm Cinema and Remezcla. Special thanks to Mario Díaz, Andrea Betanzos, and Tatiana García.
Best Feature Film
- Gloria (Sebastián Lelio, Chile/Spain, 2013)
- No (Pablo Larraín, Chile/USA/France/Mexico, 2012)
- Post Tenebras Lux (Carlos Reygadas, Mexico/France/Germany/Netherlands, 2012)
- Tanta Agua | So Much Water (Ana Guevara and Leticia Jorge, Uruguay/Germany/Mexico, 2013)
- VIolA (Matías Piñeiro, Argentina, 2012)
Best Director, Feature Film
- Sebastián Silva, Crystal Fairy (Chile, 2013)
- Pablo Larraín, No (Chile/USA/France/Mexico, 2012)
- Carlos Reygadas, Post Tenebras Lux (Mexico/ France/ Germany/ Netherlands, 2012)
-Ana Guevara and Leticia Jorge, Tanta Agua | So Much Water
(Uruguay/ Germany/ Mexico, 2013)
- Matías Piñeiro, Viola (Argentina, 2012)
Best Documentary Film
- El Alcalde | The Mayor (Emiliano Altuna, Carlos F. Rossini, Diego Osorno, Mexico, 2012)
- La Chica Del Sur | The Girl from the South (José Luis García, Argentina, 2012)
- La Gente Del RÍO | The River People (Martín Benchimol and Pablo Aparo, Argentina, 2012)
- El Huaso (Carlo Guillermo Proto, Chile/Canada, 2012)
- El Otro DÍA | The Other Day (Ignacio Agüero, Chile, 2012)
Best Director, Documentary Film
- José Luis García, La Chica Del Sur | The Girl from the South (Argentina, 2012)
- Priscilla Padilla, La Eterna Noche De Las Doce Lunas | The Eternal Night of the Twelve Moons (Colombia, 2013)
- Martín Benchimol, Pablo Aparo, La Gente Del RÍO | The River People (Argentina, 2012)
- Mercedes Moncada, Palabras MÁGICAS (Para Romper Un Encantamiento) | Magic Words (Breaking a Spell) (Mexico/Guatemala, 2012)
- Ignacio Agüero, El Otro DÍA | The Other Day (Chile, 2012)
Best First Film
- Carne De Perro | Dog Flesh (Fernando Guzzoni, Chile/France/Germany, 2012)
- El Limpiador | The Cleaner (Adrián Saba, Peru, 2012)
- Melaza | Molasses (Carlos Díaz Lechuga, Cuba/France/Panama, 2012)
- Tanta Agua | So Much Water (Ana Guevara and Leticia Jorge, Uruguay/Germany/Mexico, 2013)
- Los Salvajes | The Wild Ones (Alejandro Fadel, Argentina, 2012)
Best U.S. Latino Film
- American Promise (Joe Brewster and Michèle Stephenson, USA, 2013)
- Filly Brown (Youssef Delara and Michael D. Olmos, USA, 2012)
- Mosquita Y Mari (Aurora Guerrero, USA, 2012)
- Reportero (Bernardo Ruiz, USA, 2012)
- Wonder Women! The Untold Story Of American Superheroines (Kristy Guevara-Flanagan, USA, 2012)
2013 Jury:
Chris Allen, founder and director, UnionDocs; Melissa Anderson, film critic, Artforum; Beth Janson, executive director, Tribeca Film Institute; Daniel Loría, overseas editor, BoxOffice; Mike Maggiore, programmer, Film Forum; Paco de Onís, filmmaker; Anita Reher, executive director, Robert Flaherty Film Seminar; Julia Solomonoff, filmmaker; Maria-Christina Villaseñor, film curator and writer.
2013 Nominating Committee:
Cecilia Barrionuevo, programmer, Mar del Plata Film Festival, Argentina; Raúl Camargo, programmer, Valdivia Film Festival, Chile; John Campos Gómez, director, Transcinema Film Festival, Peru; Inti Cordera, director, DocsDF Film Festival, Mexico; Christine Davila, programmer, Sundance, Los Angeles Film Festival, Ambulante USA; Eugenio del Bosque, director, Cine Las Américas, USA; Raciel del Toro, Cinergia, Costa Rica; Vanessa Erazo, film programmer and journalist, indieWIRE/LatinoBuzz, Remezcla, USA; Lisa Franek, programmer, San Diego Latino Film Festival, USA; Robert A. Gomez, film journalist, Cinemathon, Venezuela; Jaie Laplante, director, Miami Film Festival, USA; Agustín Mango, film journalist, Hollywood Reporter, Argentina; Jim Mendiola, programmer, CineFestival, San Antonio, USA; Luis Ortiz, director, Latino Public Broadcasting, USA; Rafael Sampaio, programmer, Sao Paulo Latin American Film Festival, Brazil; Eva Sangiorgi, programmer, Ficunam, Mexico; Gerwin Tamsma, programmer, Rotterdam Film Festival, Netherlands.
The winners of the 4th Annual Cinema Tropical Awards will be announced at a special event at The New York Times Company headquarters in New York City in late January, 2014.
The nominees for this year’s Cinema Tropical Awards were selected by a nine-member jury panel from a list of Latin American and U.S. Latino feature films of a minimum of 60 minutes in length that were premiered between April 1, 2012 and March 31, 2013 (January 1, 2012 and March 31, 2013, for U.S. Latino productions). The list was culled by a nominating committee composed of 17 film professionals from Latin America, the U.S., Canada, and Europe.
The Cinema Tropical Awards are presented in partnership with Voces, Latino Heritage Network of The New York Times Company. Media Sponsors: LatAm Cinema and Remezcla. Special thanks to Mario Díaz, Andrea Betanzos, and Tatiana García.
Best Feature Film
- Gloria (Sebastián Lelio, Chile/Spain, 2013)
- No (Pablo Larraín, Chile/USA/France/Mexico, 2012)
- Post Tenebras Lux (Carlos Reygadas, Mexico/France/Germany/Netherlands, 2012)
- Tanta Agua | So Much Water (Ana Guevara and Leticia Jorge, Uruguay/Germany/Mexico, 2013)
- VIolA (Matías Piñeiro, Argentina, 2012)
Best Director, Feature Film
- Sebastián Silva, Crystal Fairy (Chile, 2013)
- Pablo Larraín, No (Chile/USA/France/Mexico, 2012)
- Carlos Reygadas, Post Tenebras Lux (Mexico/ France/ Germany/ Netherlands, 2012)
-Ana Guevara and Leticia Jorge, Tanta Agua | So Much Water
(Uruguay/ Germany/ Mexico, 2013)
- Matías Piñeiro, Viola (Argentina, 2012)
Best Documentary Film
- El Alcalde | The Mayor (Emiliano Altuna, Carlos F. Rossini, Diego Osorno, Mexico, 2012)
- La Chica Del Sur | The Girl from the South (José Luis García, Argentina, 2012)
- La Gente Del RÍO | The River People (Martín Benchimol and Pablo Aparo, Argentina, 2012)
- El Huaso (Carlo Guillermo Proto, Chile/Canada, 2012)
- El Otro DÍA | The Other Day (Ignacio Agüero, Chile, 2012)
Best Director, Documentary Film
- José Luis García, La Chica Del Sur | The Girl from the South (Argentina, 2012)
- Priscilla Padilla, La Eterna Noche De Las Doce Lunas | The Eternal Night of the Twelve Moons (Colombia, 2013)
- Martín Benchimol, Pablo Aparo, La Gente Del RÍO | The River People (Argentina, 2012)
- Mercedes Moncada, Palabras MÁGICAS (Para Romper Un Encantamiento) | Magic Words (Breaking a Spell) (Mexico/Guatemala, 2012)
- Ignacio Agüero, El Otro DÍA | The Other Day (Chile, 2012)
Best First Film
- Carne De Perro | Dog Flesh (Fernando Guzzoni, Chile/France/Germany, 2012)
- El Limpiador | The Cleaner (Adrián Saba, Peru, 2012)
- Melaza | Molasses (Carlos Díaz Lechuga, Cuba/France/Panama, 2012)
- Tanta Agua | So Much Water (Ana Guevara and Leticia Jorge, Uruguay/Germany/Mexico, 2013)
- Los Salvajes | The Wild Ones (Alejandro Fadel, Argentina, 2012)
Best U.S. Latino Film
- American Promise (Joe Brewster and Michèle Stephenson, USA, 2013)
- Filly Brown (Youssef Delara and Michael D. Olmos, USA, 2012)
- Mosquita Y Mari (Aurora Guerrero, USA, 2012)
- Reportero (Bernardo Ruiz, USA, 2012)
- Wonder Women! The Untold Story Of American Superheroines (Kristy Guevara-Flanagan, USA, 2012)
2013 Jury:
Chris Allen, founder and director, UnionDocs; Melissa Anderson, film critic, Artforum; Beth Janson, executive director, Tribeca Film Institute; Daniel Loría, overseas editor, BoxOffice; Mike Maggiore, programmer, Film Forum; Paco de Onís, filmmaker; Anita Reher, executive director, Robert Flaherty Film Seminar; Julia Solomonoff, filmmaker; Maria-Christina Villaseñor, film curator and writer.
2013 Nominating Committee:
Cecilia Barrionuevo, programmer, Mar del Plata Film Festival, Argentina; Raúl Camargo, programmer, Valdivia Film Festival, Chile; John Campos Gómez, director, Transcinema Film Festival, Peru; Inti Cordera, director, DocsDF Film Festival, Mexico; Christine Davila, programmer, Sundance, Los Angeles Film Festival, Ambulante USA; Eugenio del Bosque, director, Cine Las Américas, USA; Raciel del Toro, Cinergia, Costa Rica; Vanessa Erazo, film programmer and journalist, indieWIRE/LatinoBuzz, Remezcla, USA; Lisa Franek, programmer, San Diego Latino Film Festival, USA; Robert A. Gomez, film journalist, Cinemathon, Venezuela; Jaie Laplante, director, Miami Film Festival, USA; Agustín Mango, film journalist, Hollywood Reporter, Argentina; Jim Mendiola, programmer, CineFestival, San Antonio, USA; Luis Ortiz, director, Latino Public Broadcasting, USA; Rafael Sampaio, programmer, Sao Paulo Latin American Film Festival, Brazil; Eva Sangiorgi, programmer, Ficunam, Mexico; Gerwin Tamsma, programmer, Rotterdam Film Festival, Netherlands.
- 1/8/2014
- by Sydney Levine
- Sydney's Buzz
Now that a new year is upon us let's reflect back on 2013. Something like a year in Latino film. Latin American filmmakers continued to kill it on the international film festival circuit. Chile, in particular, has been conquering the world one film festival award at a time.
Sadly, American Latino filmmakers were mostly absent from big name festivals like Sundance, Toronto, Berlin, and Cannes. Normally, the major Latino film festivals in New York, Los Angeles, Chicago, and San Diego offer a home to these overlooked films. The surprising collapse of the New York International Latino Film Festival this past summer and with the Los Angeles Latino International Film Festival barely recovering from financial difficulties, the exhibition of American Latino indies remains in a precarious position.
Still, there is much to celebrate. Starting in the early part of the year, at Sundance, Chilean director Sebastian Silva joined a very elite club of filmmakers -- those who have premiered two films at the same festival. His mescaline-fueled odyssey Crystal Fairy won the World Cinema Dramatic Directing Award and the psychological thriller Magic, Magic starring Michael Cera went on to play Director's Fortnight in Cannes.
The Berlinale, in February, brought the much anticipated world premiere of Sebastian Lelio's fourth film Gloria and the charming Uruguayan family comedy Tanta Agua. Cementing 2013 as the year of Chile, actress Paulina Garcia won the Silver Bear for her dazzling and dynamic performance as a middle-aged divorcee in Gloria.
Mid-year, Mexican filmmakers took Cannes by storm again, winning the Best Director prize for the second year in a row. In 2013, the victor was Amat Escalante for his feature film Heli. The year prior Carlos Reygadas took home the prize for Post Tenebras Lux.
In the fall, Toronto spoiled us with Latin American riches. The gargantuan fest showcased more than 300 films from 70 different countries including the Mexican documentary El Alcalde, Venezuela's Pelo Malo (Bad Hair), Peruvian black comedy El Mudo (The Mute), the Brazilian drama O lobo atras da porta (A Wolf at the Door), and the world premiere of Fernando Eimbcke's Club Sandwich. Costa Rica made a first-time appearance at the Toronto Film Festival with Por las plumas (All About the Feathers) and the Dominican Republic showcased Cristo Rey.
Over Labor Day weekend, Eugenio Derbez, a Mexican actor most Americans had never heard of released his sleeper hit Instructions Not Included. Totally ignored by mainstream film critics, the Spanish-language family comedy went on to shatter box office records. It beat out Woody Allen's Blue Jasmine and critical darling 12 Years a Slave making it the top grossing indie film of the year. It also became the highest grossing Spanish-language film ever in the United States. A few weeks later, when Instructions opened in Derbez's home country, it became the most-watched Mexican film of all time.
Despite being snubbed by the Academy Awards (no Latin American productions made the shortlist for Best Foreign Language Film), Latino films ended the year on a high note. The triumph of our films abroad coupled with a Spanish-language box office hit at home bodes well for the Latino films of 2014.
In case you were living under a rock this past year and missed it all, we've got you covered. Thankfully, there are professionals who get paid to keep track of what Latino movies are receiving accolades, have the most buzz, and got picked up for distribution. LatinoBuzz went straight to the experts, film programmers, to ask, "What are your top 5 Latino films of 2013?"
Christine Davila, Director of Ambulante California
There is no shortage of original and compelling Us Latino writer/directors working across different genres out there, and this list proves it. These confident artists have captured fresh and mighty perspectives far too underrepresented, and they are storming through the cluster neck of homogeneity that continues to reign in film content.
Water & Power (Richard Montoya, USA)
Los Wild Ones (Elise Salomon, USA)
Delusions of Grandeur (Iris Almaraz, Gustavo Ramos, USA)
Sleeping with the Fishes (Nicole Gomez Fisher, USA)
The House that Jack Built (Henry Barrial, USA)
Marcela Goglio, Programmer at the Film Society of Lincoln Center
No special criteria in these choices, just some of the many accomplished Latin American films that, in my opinion, create universes or make statements in beautiful, original and/or powerful ways.
Viola (Matias Pineiro, Argentina)
El alcalde (Emiliano Altuna/Carlos Rossini/Diego Osorno, Mexico)
La eterna noche de las doce lunas (Priscilla Padilla, Colombia)
El futuro (Alicia Scherson, Chile)
Gloria (Sebastian Lelio, Chile)
Carlos A. Gutierrez, Co-founder and Executive Director of Cinema Tropical
For practical purposes, my list features five Latin American films (my area of expertise) that I highly recommend, and that screened in the U.S. in 2013 (in alphabetical order):
El Alcalde / The Mayor (Carlos F. Rossini, Emiliano Altuna and Diego Osorno, Mexico)
El otro dia / The Other Day (Ignacio Aguero, Chile)
Los mejores temas / Greatest Hits (Nicolas Pereda, Mexico)
Tanta Agua / So Much Water (Ana Guevara and Leticia Jorge, Uruguay)
Viola (Matias Pineiro, Argentina)
Lucho Ramirez, Founder & Executive Director of Cine+Mas Sf, presenter of the Cm San Francisco Latino Film Festival
There are so many works by Latino and Latin American filmmakers that merit the public and the tastemaker's attention. Compiling a list of 5 is difficult for me as a festival director because each film that we program is beloved. In addition, there are the other films I see at other fests or at theaters, particularly the bigger ones replete with distribution, celebrity, and marketing budgets. It's hard for independent, quality films to break through and that's part of the reason I seek those out. I believe there is an audience for artisanal films with substance, creativity, and diversity.
I went on memory for this list. Included are films that I saw this year that really stuck with me long after watching them. What's important to me is seeing images of Latinos by Latinos on the screen. This doesn't mean sanitized. Bless Me, Ultima is an important literary work. It was a huge accomplishment to get this on the screen for all us non-readers. Sex, Love, & Salsa packs all the punch of a big romantic comedy in very local and Latino way; Tlatelolco is a historical drama that's really well done, revisiting a chaotic time in Mexico's history but interpreted in a narrow sliver of a relationship that can't be; Porcelain Horse mixes sex, drugs, and rich-kid problems and really does something different with a crime-drama; Delusions of Grandeuer is purely Latino hipster fun.
Bless Me, Ultima (Carl Franklin, USA)
Sex, Love, & Salsa (Adrian Manzano, USA)
Tlatelolco, Summer of 68 (Carlos Bolado, Mexico)
Porcelain Horse (Javier Andrade, Ecuador)
Delusions of Grandeur (Iris Almaraz, Gustavo Ramos, USA)
Glenn Heath Jr., Artistic Director of the San Diego Latino Film Festival
De Jueves a Domingo is a fascinating and subtext-heavy debut from director Dominga Sotomayor Castillo about a family road trip that could be the beginning of the end. In Viola Shakespeare is reinvented, it's art house cinema meets the off-note pacing of jazz. My Sister's Quinceañera is an honest and poignant look at the complexities of family and identity in small town America. Aqui y Alla is riveting in its acute understanding of how the mundane adds up to something grand. Fecha de Caducidad is dark comedy at its finest.
De Jueves a Domingo (Dominga Sotomayor Castillo, Chile)
Viola (Matias Pineiro, Argentina)
My Sister's Quinceanera (Aaron Douglas Johnston, USA)
Aqui y Alla (Antonio Mendez Esparza, Mexico)
Fecha de Caducidad (Kenya Marquez , Mexico)
Diana Vargas, Artistic Director at the Havana Film Festival New York
In Gloria Paulina Garcia's performance is unforgettable and the way the director talks about the middle life crisis of a woman that seems unremarkable until she finds out she can make her own choices and maybe to be single is not that bad, haha. La Sirga portrays the crude reality of the Colombian conflict without showing explicit violence, through impeccable cinematography. In a cinema verite style, La jaula de oro shows 3 Guatemalan adolescents experiencing the harshness of the journey of those who want to immigrate to U.S. 7 Cajas, the biggest Paraguayan box office hit, is as entertaining as well done. With an impeccable screenplay and Guarani dialogues, the film shows a country that usually don't have a strong representation in the festivals around the world. Sibila de Teresa Arredondo (Chile). Sibila Arguedas is the widow of one of the most iconic public figures in Peruvian literature. She's also Chilean and a political prisoner, accused of being a Sendero Luminoso collaborator. This documentary made by Sibila's niece brings to light one of the most fascinating, enimagtic and contradictory characters of the last century.
Gloria (Sebastian Lelio, Chile)
La Sirga (William Vega, Colombia).
La jaula de oro (Diego Quemada-Diez, Mexico)
7 Cajas (Tana Schembori, Juan Carlos Maneglia, Paraguay)
Sibila (Teresa Arredondo, Chile)
Juan Caceres, Director of Programming at the New York International Latino Film Festival
2013 was a great year for Latin American films. Ecuador, Panama, Guatemala and Paraguay, countries with no real infrastructure for filmmaking, all were present in festivals. Chile in particular showed no sign of slowing down their own presence on the festival circuit, taking home prizes at the major festivals. I think it's no coincidence that they share this wonderful genuine camaraderie where there is a support system that includes producing each others projects to simply rooting for one another when it comes to award nominations (you can go to all their Fb pages and occasionally they have each others films as their cover pics! It's uber dope). It's as real as it gets and I think it's something lacking here in the Us. So my list is the Chilean films you should not miss.
Gloria, (Sebastian Lelio, Chile)
No (Pablo Larrain, Chile)
Il Futuro / The Future (Alicia Scherson, Chile)
El verano de los peces voladores / The Summer of Flying Fish (Marcela Said, Chile)
Las cosas como son / Things The Way They Are (Fernando Lavanderos, Chile)
Marlene Dermer, Director/Programmer at the Los Angeles Latino International Film Festival
It has been really hard to narrow it to five I have to say. I find Latino cinema and its creators in a wonderful period. It’s alive and beats like a heart. There is so much talent in our communities and they are doing some of the most interesting work in world cinema. It's thought provoking or personal and universal. It's also tough to include U.S. works with Latin American work because there are many more countries and many with support. This year in our festival we had the largest showcase of U.S.A. films which was very exciting to see. As a programmer for 22 years I find it stimulating to discover all these new voices coming up in our community and truly sharing the screens at festivals and theaters around the world. There is a new generation in every country, that is very exciting and promising for the future of cinema, our community and the audio visual world.
Club Sandwich (Fernando Eimbcke, Mexico)
Pelo Malo (Mariana Rondón, Venezuela)
Gloria (Sebastian Lelio, Chile)
O lobo atras da porta (Fernando Coimbra, Brazil)
Tanta Agua / So Much Water (Ana Guevara and Leticia Jorge, Uruguay)
Written by Vanessa Erazo. LatinoBuzz is a weekly feature on SydneysBuzz that highlights Latino indie talent and upcoming trends in Latino film with the specific objective of presenting a broad range of Latino voices. Follow @LatinoBuzz on Twitter and Facebook.
Sadly, American Latino filmmakers were mostly absent from big name festivals like Sundance, Toronto, Berlin, and Cannes. Normally, the major Latino film festivals in New York, Los Angeles, Chicago, and San Diego offer a home to these overlooked films. The surprising collapse of the New York International Latino Film Festival this past summer and with the Los Angeles Latino International Film Festival barely recovering from financial difficulties, the exhibition of American Latino indies remains in a precarious position.
Still, there is much to celebrate. Starting in the early part of the year, at Sundance, Chilean director Sebastian Silva joined a very elite club of filmmakers -- those who have premiered two films at the same festival. His mescaline-fueled odyssey Crystal Fairy won the World Cinema Dramatic Directing Award and the psychological thriller Magic, Magic starring Michael Cera went on to play Director's Fortnight in Cannes.
The Berlinale, in February, brought the much anticipated world premiere of Sebastian Lelio's fourth film Gloria and the charming Uruguayan family comedy Tanta Agua. Cementing 2013 as the year of Chile, actress Paulina Garcia won the Silver Bear for her dazzling and dynamic performance as a middle-aged divorcee in Gloria.
Mid-year, Mexican filmmakers took Cannes by storm again, winning the Best Director prize for the second year in a row. In 2013, the victor was Amat Escalante for his feature film Heli. The year prior Carlos Reygadas took home the prize for Post Tenebras Lux.
In the fall, Toronto spoiled us with Latin American riches. The gargantuan fest showcased more than 300 films from 70 different countries including the Mexican documentary El Alcalde, Venezuela's Pelo Malo (Bad Hair), Peruvian black comedy El Mudo (The Mute), the Brazilian drama O lobo atras da porta (A Wolf at the Door), and the world premiere of Fernando Eimbcke's Club Sandwich. Costa Rica made a first-time appearance at the Toronto Film Festival with Por las plumas (All About the Feathers) and the Dominican Republic showcased Cristo Rey.
Over Labor Day weekend, Eugenio Derbez, a Mexican actor most Americans had never heard of released his sleeper hit Instructions Not Included. Totally ignored by mainstream film critics, the Spanish-language family comedy went on to shatter box office records. It beat out Woody Allen's Blue Jasmine and critical darling 12 Years a Slave making it the top grossing indie film of the year. It also became the highest grossing Spanish-language film ever in the United States. A few weeks later, when Instructions opened in Derbez's home country, it became the most-watched Mexican film of all time.
Despite being snubbed by the Academy Awards (no Latin American productions made the shortlist for Best Foreign Language Film), Latino films ended the year on a high note. The triumph of our films abroad coupled with a Spanish-language box office hit at home bodes well for the Latino films of 2014.
In case you were living under a rock this past year and missed it all, we've got you covered. Thankfully, there are professionals who get paid to keep track of what Latino movies are receiving accolades, have the most buzz, and got picked up for distribution. LatinoBuzz went straight to the experts, film programmers, to ask, "What are your top 5 Latino films of 2013?"
Christine Davila, Director of Ambulante California
There is no shortage of original and compelling Us Latino writer/directors working across different genres out there, and this list proves it. These confident artists have captured fresh and mighty perspectives far too underrepresented, and they are storming through the cluster neck of homogeneity that continues to reign in film content.
Water & Power (Richard Montoya, USA)
Los Wild Ones (Elise Salomon, USA)
Delusions of Grandeur (Iris Almaraz, Gustavo Ramos, USA)
Sleeping with the Fishes (Nicole Gomez Fisher, USA)
The House that Jack Built (Henry Barrial, USA)
Marcela Goglio, Programmer at the Film Society of Lincoln Center
No special criteria in these choices, just some of the many accomplished Latin American films that, in my opinion, create universes or make statements in beautiful, original and/or powerful ways.
Viola (Matias Pineiro, Argentina)
El alcalde (Emiliano Altuna/Carlos Rossini/Diego Osorno, Mexico)
La eterna noche de las doce lunas (Priscilla Padilla, Colombia)
El futuro (Alicia Scherson, Chile)
Gloria (Sebastian Lelio, Chile)
Carlos A. Gutierrez, Co-founder and Executive Director of Cinema Tropical
For practical purposes, my list features five Latin American films (my area of expertise) that I highly recommend, and that screened in the U.S. in 2013 (in alphabetical order):
El Alcalde / The Mayor (Carlos F. Rossini, Emiliano Altuna and Diego Osorno, Mexico)
El otro dia / The Other Day (Ignacio Aguero, Chile)
Los mejores temas / Greatest Hits (Nicolas Pereda, Mexico)
Tanta Agua / So Much Water (Ana Guevara and Leticia Jorge, Uruguay)
Viola (Matias Pineiro, Argentina)
Lucho Ramirez, Founder & Executive Director of Cine+Mas Sf, presenter of the Cm San Francisco Latino Film Festival
There are so many works by Latino and Latin American filmmakers that merit the public and the tastemaker's attention. Compiling a list of 5 is difficult for me as a festival director because each film that we program is beloved. In addition, there are the other films I see at other fests or at theaters, particularly the bigger ones replete with distribution, celebrity, and marketing budgets. It's hard for independent, quality films to break through and that's part of the reason I seek those out. I believe there is an audience for artisanal films with substance, creativity, and diversity.
I went on memory for this list. Included are films that I saw this year that really stuck with me long after watching them. What's important to me is seeing images of Latinos by Latinos on the screen. This doesn't mean sanitized. Bless Me, Ultima is an important literary work. It was a huge accomplishment to get this on the screen for all us non-readers. Sex, Love, & Salsa packs all the punch of a big romantic comedy in very local and Latino way; Tlatelolco is a historical drama that's really well done, revisiting a chaotic time in Mexico's history but interpreted in a narrow sliver of a relationship that can't be; Porcelain Horse mixes sex, drugs, and rich-kid problems and really does something different with a crime-drama; Delusions of Grandeuer is purely Latino hipster fun.
Bless Me, Ultima (Carl Franklin, USA)
Sex, Love, & Salsa (Adrian Manzano, USA)
Tlatelolco, Summer of 68 (Carlos Bolado, Mexico)
Porcelain Horse (Javier Andrade, Ecuador)
Delusions of Grandeur (Iris Almaraz, Gustavo Ramos, USA)
Glenn Heath Jr., Artistic Director of the San Diego Latino Film Festival
De Jueves a Domingo is a fascinating and subtext-heavy debut from director Dominga Sotomayor Castillo about a family road trip that could be the beginning of the end. In Viola Shakespeare is reinvented, it's art house cinema meets the off-note pacing of jazz. My Sister's Quinceañera is an honest and poignant look at the complexities of family and identity in small town America. Aqui y Alla is riveting in its acute understanding of how the mundane adds up to something grand. Fecha de Caducidad is dark comedy at its finest.
De Jueves a Domingo (Dominga Sotomayor Castillo, Chile)
Viola (Matias Pineiro, Argentina)
My Sister's Quinceanera (Aaron Douglas Johnston, USA)
Aqui y Alla (Antonio Mendez Esparza, Mexico)
Fecha de Caducidad (Kenya Marquez , Mexico)
Diana Vargas, Artistic Director at the Havana Film Festival New York
In Gloria Paulina Garcia's performance is unforgettable and the way the director talks about the middle life crisis of a woman that seems unremarkable until she finds out she can make her own choices and maybe to be single is not that bad, haha. La Sirga portrays the crude reality of the Colombian conflict without showing explicit violence, through impeccable cinematography. In a cinema verite style, La jaula de oro shows 3 Guatemalan adolescents experiencing the harshness of the journey of those who want to immigrate to U.S. 7 Cajas, the biggest Paraguayan box office hit, is as entertaining as well done. With an impeccable screenplay and Guarani dialogues, the film shows a country that usually don't have a strong representation in the festivals around the world. Sibila de Teresa Arredondo (Chile). Sibila Arguedas is the widow of one of the most iconic public figures in Peruvian literature. She's also Chilean and a political prisoner, accused of being a Sendero Luminoso collaborator. This documentary made by Sibila's niece brings to light one of the most fascinating, enimagtic and contradictory characters of the last century.
Gloria (Sebastian Lelio, Chile)
La Sirga (William Vega, Colombia).
La jaula de oro (Diego Quemada-Diez, Mexico)
7 Cajas (Tana Schembori, Juan Carlos Maneglia, Paraguay)
Sibila (Teresa Arredondo, Chile)
Juan Caceres, Director of Programming at the New York International Latino Film Festival
2013 was a great year for Latin American films. Ecuador, Panama, Guatemala and Paraguay, countries with no real infrastructure for filmmaking, all were present in festivals. Chile in particular showed no sign of slowing down their own presence on the festival circuit, taking home prizes at the major festivals. I think it's no coincidence that they share this wonderful genuine camaraderie where there is a support system that includes producing each others projects to simply rooting for one another when it comes to award nominations (you can go to all their Fb pages and occasionally they have each others films as their cover pics! It's uber dope). It's as real as it gets and I think it's something lacking here in the Us. So my list is the Chilean films you should not miss.
Gloria, (Sebastian Lelio, Chile)
No (Pablo Larrain, Chile)
Il Futuro / The Future (Alicia Scherson, Chile)
El verano de los peces voladores / The Summer of Flying Fish (Marcela Said, Chile)
Las cosas como son / Things The Way They Are (Fernando Lavanderos, Chile)
Marlene Dermer, Director/Programmer at the Los Angeles Latino International Film Festival
It has been really hard to narrow it to five I have to say. I find Latino cinema and its creators in a wonderful period. It’s alive and beats like a heart. There is so much talent in our communities and they are doing some of the most interesting work in world cinema. It's thought provoking or personal and universal. It's also tough to include U.S. works with Latin American work because there are many more countries and many with support. This year in our festival we had the largest showcase of U.S.A. films which was very exciting to see. As a programmer for 22 years I find it stimulating to discover all these new voices coming up in our community and truly sharing the screens at festivals and theaters around the world. There is a new generation in every country, that is very exciting and promising for the future of cinema, our community and the audio visual world.
Club Sandwich (Fernando Eimbcke, Mexico)
Pelo Malo (Mariana Rondón, Venezuela)
Gloria (Sebastian Lelio, Chile)
O lobo atras da porta (Fernando Coimbra, Brazil)
Tanta Agua / So Much Water (Ana Guevara and Leticia Jorge, Uruguay)
Written by Vanessa Erazo. LatinoBuzz is a weekly feature on SydneysBuzz that highlights Latino indie talent and upcoming trends in Latino film with the specific objective of presenting a broad range of Latino voices. Follow @LatinoBuzz on Twitter and Facebook.
- 1/1/2014
- by Vanessa Erazo
- Sydney's Buzz
Steve McQueen’s 12 Years A Slave to open festival; director Peter Greenaway to receive Visionary Award.Scroll down for full line-up
Steve McQueen’s historic drama 12 Years a Slave is to open the Stockholm International Film Festival (Nov 6-17) and is nominated in the Stockholm Xxiv Competition.
Starring Chiwetel Ejiofor, the drama about free black man kidnapped from his family and sold into slavery in the 1850s debuted at Telluride and has received positive reactions throughout its festival tour of Toronto, New York and London among others.
It will be released in Sweden on Dec 20 by Ab Svensk Filmindustri.
Screenwriter John Ridley, who will be present during the festival, is nominated for the Aluminum Horse in the category Best Script.
McQueen’s Hunger won Best Directorial Debut at Stockholm in 2008.
Line-up
The 24th Siff includes more than 180 films from more than 50 countries.
As previously announced, the spotlight of this year’s festival is freedom but Chinese artist...
Steve McQueen’s historic drama 12 Years a Slave is to open the Stockholm International Film Festival (Nov 6-17) and is nominated in the Stockholm Xxiv Competition.
Starring Chiwetel Ejiofor, the drama about free black man kidnapped from his family and sold into slavery in the 1850s debuted at Telluride and has received positive reactions throughout its festival tour of Toronto, New York and London among others.
It will be released in Sweden on Dec 20 by Ab Svensk Filmindustri.
Screenwriter John Ridley, who will be present during the festival, is nominated for the Aluminum Horse in the category Best Script.
McQueen’s Hunger won Best Directorial Debut at Stockholm in 2008.
Line-up
The 24th Siff includes more than 180 films from more than 50 countries.
As previously announced, the spotlight of this year’s festival is freedom but Chinese artist...
- 10/22/2013
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
After being cancelled last year, sadly, for lack of funding, the Latino International Film Festival (Laliff) returns stronger than ever to treat audiences to some of the best cinematic works, of all lengths and genres, created by Latino American filmmakers in their native countries or by Latino creators here in the U.S. This 16th edition of the festival will run from Thursday October 10th to Monday October 14th, and showcases a varied compilation of films from 14 Latin filmmaking countries.
"We are very excited and honored to have this record breaking number of Premieres presented at Laliff," said Marlene Dermer, Co-founder/Executive Director/Programmer of Laliff. "16 years and it keeps getting better because of the films." added co-founder Edward James Olmos.
This year's diverse selection of 62 works includes 28 features, 11 documentaries, and 23 shorts, which represent an eclectic mosaic of styles, subject matters, and experiences. The festival will close with the special presentation of the Mexican box-office smash hit Nosotros los Nobles, directed by Gary Alazraki, followed by an after party sponsored by Cine Latino. The list of films include the Guatemalan feature Polvo by Julio Hernandez or the Argentinian La Paz by Santiago Loza Directorial debuts like Water & Power by Richard Montoya, based off his acclaimed play by the same name, compelling documentaries like Narco Cultura and Gimme the Power, among many others.
For more information, single tickets, and festival passes click Here
This year's Laliff films are as follows (in alphabetical order):
Amor Cronico , Jorge Perugorria, 83 min
Country: Cuba
Premiere: West Coast
A Puerta FRÍA , Xavi Puebla, 80 min
Country: Spain
Premiere: USA
A Truth In Silence , Jonathan Salemi, 4:23 min
Country: USA
Premiere: World
Bordando La Frontera (Embroidering The Border) , Rene Rhi, 27 min
Country: Mexico/ USA
Captive Radio , Lauren Rosenfeld, 23 min
Country: USA/ Colombia
Premiere: Los Angeles
Carne De Perro (Dog's Flesh) , Fernando Guzzoni, 81min
Country: Chile
Premiere: Los Angeles
Catch , David Henrie, 10 min
Country: USA
Premiere: World
Cement Suitcase , Rick Castañeda, 94 min
Country: USA
Close Your Eyes , Sonia Malfa, 14:32 min
Country: USA
Con La Pata Quebrada (Barefoot In The Kitchen) , Diego Galán, 83 min
Country: Spain
Premiere: U.S.
Defectuosos (Defective) , Gabriela Martínez Garza & Jon Fernández López, 8 min
Country: Mexico
Dentro De Uno (Inside Oneself) , Salvador Aguirre, 8 min
Country: Mexico
Desert Road Kill , Michael Carreño, 16:57 min
Country: USA
Detained In The Desert , Iliana Sosa, 80 min
Country: USA
Premiere: World
Dragon Day , Jeffrey Travis, 95 min
Country:usa/Mexico
Premiere: World
Dreamer , Jesse Salmeron, 93 min
Country: USA
El Alcalde (The Mayor) , Emiliano Altuna, 80 min
Country: Mexico
Premiere: Los Angeles
El Cocodrillo , Steve Acevedo, 15 min
Country: USA
El Doctor , Heather de Michele, 11:24 min
Country: USA
El Jazz (Jazz) , Andrés Peralta, 10:30 min
Country: Mexico
Esther En Alguna Parte (Esther Somewhere) , Gerardo Chijona, 95 min
Country: Cuba
Premiere: World
Gimme The Power , Olallo Rubio, 101min
Country: Mexico
Greencard Warriors , Miriam Kruishoop, 91min
Country: USA
Premiere: World
Homebound , Fanny Veliz, 105 min
Country: USA
¡Huelga! (Strike) , Skeets McGrew, 57:32 min
Country: USA
Interstate , Camille Stochitch, 19:56 min
Country: USA
Premiere: World
JARDĺN De Amapolas (Field Of Amapolas) , Juan Carlos Melo Guevara, 86min
Country: Colombia
Premiere: World
Justice For My Sister , Kimberly Bautista, 69 min
Country: USA
Premiere: Los Angeles
Kill The Dictator (El Teniente Amado) , Félix Limardo, 90 min
Country: Dominican Republic
Premiere: West Coast
La Calle Estereo (The Stereo Street) , Santiago León Cuellar, 30min
Country: Colombia
La Paz , Santiago Loza, 73 min
Country: Argentina
Premiere: Los Angeles
La Piscina (The Swimming Pool) , Carlos Machado Quintela, 66 min
Country: Cuba
Premiere: Los Angeles
Las Tardes De Tintico (Tintico's Afternoons) , Alejandro García Caballero, 8:30 min
Country: Mexico
Llegar A Ti (To Reach You) , Alejandro Torres Rezzio, 8 min
Country: USA
Lo Azul Del Cielo , Juan Alfredo Uribe, 112min La
Country: Colombia
Premiere: Los Angeles
Maestra , Catherine Murphy, 33 min
Country: USA/ Cuba
Meu Pais (My Country) , André Ristum, 84min
Country: Brazil
Premiere: Los Angeles
Miradas MÚLTIPLES (La MÁQUINA Loca) / (Multiple Perspectives (The Crazy Machine) , Emilio Maillé, 90 min
Country: France/ Mexico
Muerte De Una Ama De Casa (Death Of A Housewife) , Marisé Samitier, 27 min
Country: Spain
Narco Cultura , Shaul Schwarz, 102 min
Country: USA
Premiere: West Coast
Ni Un Hombre MÁS (Iguana Stew) , Martin Salinas, 83 min
Country: Argentina
Premiere: West Coast
Nosotros Los Nobles (The Noble Family) , Gaz Alazraki, 95 min
Country: Mexico
Premiere: Los Angeles
O Afinador (The Tuner) , Fernando Camargo & Matheus Parizi, 15 min
Country: Brazil
Premiere: Los Angeles
Our Boys , Leonardo Ricagni, 88 min
Country: USA
Premiere: World
Pablo , Richard Goldgewicht, 93 min
Country: USA / Brazil
Premiere: Los Angeles
Phoenix , Stefano Capuzzi Lapietra, 13 min
Country: Brazil
Premiere: West Coast
Polvo (Dust) , Julio Hernández Cordón, 80 min
Country: Guatemala/Spain/Chile/Germany
Premiere: Los Angeles
Ponchao , Josh Crook, 85 min
Country: Dominican Republic
Premiere: World
POTOSÍ , Alfredo Castruita, 120min
Country: Mexico
Premiere: USA
Princesas Rojas (Red Princesses) , Laura Astorga Carrera, 100 min
Country: Costa Ria/ Venezuela/ Nicaragua
Premiere: Los Angeles
Rebel , Maria Agui Carter, 75 min
Country: USA
Premiere: Los Angeles
Sleeping With The Fishes , Nicole Gómez Fisher, 101 min
Country: USA
Stand & Deliver , Ramón Menéndez, 102 min Special Screening - 25Th Anniversary
Tanta Agua , Ana Guevara & Leticia Jorge, 102 min
Country: Urugua/ Mexico/ Netherlands/ Germany
Premiere: West Coast
Tierra De Sangre , James Katz, 106 min
Country: Chile
Premiere: North American
The Graduates (Los Graduados) , Bernardo Ruiz, 60 minYOUTH Program
Country: USA
The Price We Pay , Jesse Garcia, 7:24 min
Country: USA
Premiere: World Premiere
The Shooting Star Salesman , Kico Velarde, 20 min
Country: USA
Water & Power , Richard Montoya, 87 minOpera Prima
Country: USA
We Women Warriors (Tejiendo Sabiduria) , Nicole Karsin, 82 min
Country:usa/Colombia
Your Father's Daughter , Carlos Bernard, 15:20 min
Country: USA
Premiere: World
Zero Hour , Dan Carillo Levy, 7:20 min
Country: USA/Mexico...
"We are very excited and honored to have this record breaking number of Premieres presented at Laliff," said Marlene Dermer, Co-founder/Executive Director/Programmer of Laliff. "16 years and it keeps getting better because of the films." added co-founder Edward James Olmos.
This year's diverse selection of 62 works includes 28 features, 11 documentaries, and 23 shorts, which represent an eclectic mosaic of styles, subject matters, and experiences. The festival will close with the special presentation of the Mexican box-office smash hit Nosotros los Nobles, directed by Gary Alazraki, followed by an after party sponsored by Cine Latino. The list of films include the Guatemalan feature Polvo by Julio Hernandez or the Argentinian La Paz by Santiago Loza Directorial debuts like Water & Power by Richard Montoya, based off his acclaimed play by the same name, compelling documentaries like Narco Cultura and Gimme the Power, among many others.
For more information, single tickets, and festival passes click Here
This year's Laliff films are as follows (in alphabetical order):
Amor Cronico , Jorge Perugorria, 83 min
Country: Cuba
Premiere: West Coast
A Puerta FRÍA , Xavi Puebla, 80 min
Country: Spain
Premiere: USA
A Truth In Silence , Jonathan Salemi, 4:23 min
Country: USA
Premiere: World
Bordando La Frontera (Embroidering The Border) , Rene Rhi, 27 min
Country: Mexico/ USA
Captive Radio , Lauren Rosenfeld, 23 min
Country: USA/ Colombia
Premiere: Los Angeles
Carne De Perro (Dog's Flesh) , Fernando Guzzoni, 81min
Country: Chile
Premiere: Los Angeles
Catch , David Henrie, 10 min
Country: USA
Premiere: World
Cement Suitcase , Rick Castañeda, 94 min
Country: USA
Close Your Eyes , Sonia Malfa, 14:32 min
Country: USA
Con La Pata Quebrada (Barefoot In The Kitchen) , Diego Galán, 83 min
Country: Spain
Premiere: U.S.
Defectuosos (Defective) , Gabriela Martínez Garza & Jon Fernández López, 8 min
Country: Mexico
Dentro De Uno (Inside Oneself) , Salvador Aguirre, 8 min
Country: Mexico
Desert Road Kill , Michael Carreño, 16:57 min
Country: USA
Detained In The Desert , Iliana Sosa, 80 min
Country: USA
Premiere: World
Dragon Day , Jeffrey Travis, 95 min
Country:usa/Mexico
Premiere: World
Dreamer , Jesse Salmeron, 93 min
Country: USA
El Alcalde (The Mayor) , Emiliano Altuna, 80 min
Country: Mexico
Premiere: Los Angeles
El Cocodrillo , Steve Acevedo, 15 min
Country: USA
El Doctor , Heather de Michele, 11:24 min
Country: USA
El Jazz (Jazz) , Andrés Peralta, 10:30 min
Country: Mexico
Esther En Alguna Parte (Esther Somewhere) , Gerardo Chijona, 95 min
Country: Cuba
Premiere: World
Gimme The Power , Olallo Rubio, 101min
Country: Mexico
Greencard Warriors , Miriam Kruishoop, 91min
Country: USA
Premiere: World
Homebound , Fanny Veliz, 105 min
Country: USA
¡Huelga! (Strike) , Skeets McGrew, 57:32 min
Country: USA
Interstate , Camille Stochitch, 19:56 min
Country: USA
Premiere: World
JARDĺN De Amapolas (Field Of Amapolas) , Juan Carlos Melo Guevara, 86min
Country: Colombia
Premiere: World
Justice For My Sister , Kimberly Bautista, 69 min
Country: USA
Premiere: Los Angeles
Kill The Dictator (El Teniente Amado) , Félix Limardo, 90 min
Country: Dominican Republic
Premiere: West Coast
La Calle Estereo (The Stereo Street) , Santiago León Cuellar, 30min
Country: Colombia
La Paz , Santiago Loza, 73 min
Country: Argentina
Premiere: Los Angeles
La Piscina (The Swimming Pool) , Carlos Machado Quintela, 66 min
Country: Cuba
Premiere: Los Angeles
Las Tardes De Tintico (Tintico's Afternoons) , Alejandro García Caballero, 8:30 min
Country: Mexico
Llegar A Ti (To Reach You) , Alejandro Torres Rezzio, 8 min
Country: USA
Lo Azul Del Cielo , Juan Alfredo Uribe, 112min La
Country: Colombia
Premiere: Los Angeles
Maestra , Catherine Murphy, 33 min
Country: USA/ Cuba
Meu Pais (My Country) , André Ristum, 84min
Country: Brazil
Premiere: Los Angeles
Miradas MÚLTIPLES (La MÁQUINA Loca) / (Multiple Perspectives (The Crazy Machine) , Emilio Maillé, 90 min
Country: France/ Mexico
Muerte De Una Ama De Casa (Death Of A Housewife) , Marisé Samitier, 27 min
Country: Spain
Narco Cultura , Shaul Schwarz, 102 min
Country: USA
Premiere: West Coast
Ni Un Hombre MÁS (Iguana Stew) , Martin Salinas, 83 min
Country: Argentina
Premiere: West Coast
Nosotros Los Nobles (The Noble Family) , Gaz Alazraki, 95 min
Country: Mexico
Premiere: Los Angeles
O Afinador (The Tuner) , Fernando Camargo & Matheus Parizi, 15 min
Country: Brazil
Premiere: Los Angeles
Our Boys , Leonardo Ricagni, 88 min
Country: USA
Premiere: World
Pablo , Richard Goldgewicht, 93 min
Country: USA / Brazil
Premiere: Los Angeles
Phoenix , Stefano Capuzzi Lapietra, 13 min
Country: Brazil
Premiere: West Coast
Polvo (Dust) , Julio Hernández Cordón, 80 min
Country: Guatemala/Spain/Chile/Germany
Premiere: Los Angeles
Ponchao , Josh Crook, 85 min
Country: Dominican Republic
Premiere: World
POTOSÍ , Alfredo Castruita, 120min
Country: Mexico
Premiere: USA
Princesas Rojas (Red Princesses) , Laura Astorga Carrera, 100 min
Country: Costa Ria/ Venezuela/ Nicaragua
Premiere: Los Angeles
Rebel , Maria Agui Carter, 75 min
Country: USA
Premiere: Los Angeles
Sleeping With The Fishes , Nicole Gómez Fisher, 101 min
Country: USA
Stand & Deliver , Ramón Menéndez, 102 min Special Screening - 25Th Anniversary
Tanta Agua , Ana Guevara & Leticia Jorge, 102 min
Country: Urugua/ Mexico/ Netherlands/ Germany
Premiere: West Coast
Tierra De Sangre , James Katz, 106 min
Country: Chile
Premiere: North American
The Graduates (Los Graduados) , Bernardo Ruiz, 60 minYOUTH Program
Country: USA
The Price We Pay , Jesse Garcia, 7:24 min
Country: USA
Premiere: World Premiere
The Shooting Star Salesman , Kico Velarde, 20 min
Country: USA
Water & Power , Richard Montoya, 87 minOpera Prima
Country: USA
We Women Warriors (Tejiendo Sabiduria) , Nicole Karsin, 82 min
Country:usa/Colombia
Your Father's Daughter , Carlos Bernard, 15:20 min
Country: USA
Premiere: World
Zero Hour , Dan Carillo Levy, 7:20 min
Country: USA/Mexico...
- 10/10/2013
- by Carlos Aguilar
- Sydney's Buzz
Browse all the sections of the 57th London Film Festival (Oct 9-20) including the galas, competition titles and individual sections.
Alphabetical list of titles by section including feature premiere status
Wp = Wp
Ep = European Premiere
IP = International Premiere
UK = UK Premiere
Gala’s
Opening Night
Captain Phillips, Paul Greengrass (Us) Ep
Closing Night
Saving Mr Banks, John Lee Hancock (Us/UK) Ep
Philomena, Stephen Frears (UK) UK12 Years A Slave, Steve Mcqueen (UK) EPGravity, Alfonso Cuaron (Us) UKInside Llewyn Davis, Ethan Coen, Joel Coen (Us) UKLabor Day, Jason Reitman (Us) EPThe Invisible Woman, Ralph Fiennes (UK), EPThe Epic Of Everest, John Noel (UK) WPBlue Is The Warmest Colour, Abdellatif Kechiche (France) UKNight Moves, Kelly Reichardt (Us) UKStranger By The Lake, Alain Guiraudie (France) UKDon Jon, Joseph Gordon-Levitt (Us) UKMystery Road, Ivan Sen (Australia) UKOnly Lovers Left Alive, Jim Jarmusch (Us) UKNebraska, Alexander Payne (Us) UKWe Are The Best!, Lukas Moodysson (Sweden) EPFoosball 3D, Juan Jose Campanella (Argentina...
Alphabetical list of titles by section including feature premiere status
Wp = Wp
Ep = European Premiere
IP = International Premiere
UK = UK Premiere
Gala’s
Opening Night
Captain Phillips, Paul Greengrass (Us) Ep
Closing Night
Saving Mr Banks, John Lee Hancock (Us/UK) Ep
Philomena, Stephen Frears (UK) UK12 Years A Slave, Steve Mcqueen (UK) EPGravity, Alfonso Cuaron (Us) UKInside Llewyn Davis, Ethan Coen, Joel Coen (Us) UKLabor Day, Jason Reitman (Us) EPThe Invisible Woman, Ralph Fiennes (UK), EPThe Epic Of Everest, John Noel (UK) WPBlue Is The Warmest Colour, Abdellatif Kechiche (France) UKNight Moves, Kelly Reichardt (Us) UKStranger By The Lake, Alain Guiraudie (France) UKDon Jon, Joseph Gordon-Levitt (Us) UKMystery Road, Ivan Sen (Australia) UKOnly Lovers Left Alive, Jim Jarmusch (Us) UKNebraska, Alexander Payne (Us) UKWe Are The Best!, Lukas Moodysson (Sweden) EPFoosball 3D, Juan Jose Campanella (Argentina...
- 9/4/2013
- ScreenDaily
Cannes titles including Heli and La jaula de oro among titles to compete in Horizontes Latinos at the 61st San Sebastian Festival
The programme of Horizontes Latinos at the 61st San Sebastian Festival has been revealed, including 11 productions from Argentina, Mexico, Chile, Brazil and Uruguay. All have either competed or been presented at major international festivals, but have not yet been screened released in Spain.
Diego Quemada-Díez’s La Jaula De Oro will open the section.
The selected films will compete for the Horizontes Award, to be decided by a specific jury and carrying $47,000 (€35,000), of which $13,000 (€10,000) will go to the director of the winning film and the remaining amount to the distributor in Spain.
Horizontes Latinos
Anina
Alfredo Soderguit (Uruguay-Colombia)
First work from the illustrator and animator Alfredo Soderguit, starring the 10-year-old Anina, whose palindromic name brings mockery from her schoolmates, and particularly Yisel, a girl she calls “the elephant”. Anina loses her patience and the two...
The programme of Horizontes Latinos at the 61st San Sebastian Festival has been revealed, including 11 productions from Argentina, Mexico, Chile, Brazil and Uruguay. All have either competed or been presented at major international festivals, but have not yet been screened released in Spain.
Diego Quemada-Díez’s La Jaula De Oro will open the section.
The selected films will compete for the Horizontes Award, to be decided by a specific jury and carrying $47,000 (€35,000), of which $13,000 (€10,000) will go to the director of the winning film and the remaining amount to the distributor in Spain.
Horizontes Latinos
Anina
Alfredo Soderguit (Uruguay-Colombia)
First work from the illustrator and animator Alfredo Soderguit, starring the 10-year-old Anina, whose palindromic name brings mockery from her schoolmates, and particularly Yisel, a girl she calls “the elephant”. Anina loses her patience and the two...
- 8/27/2013
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
For more than a decade, the annual Latin Alternative Music Conference (Lamc) has brought together the musical innovators and genre-benders at the forefront of a musical movement known simply as Latin alternative. It is a catch-all term, not a genre in itself. Some sing indie pop in Spanish while others take Latin beats like cumbia, regional Mexican music, or salsa and remix them with hip-hop, punk, electronica and everything in between.
The conference, organized by Los Angeles-based Nacional Records, took over NYC this past week and was a sweaty, sweltering marathon of acoustic showcases, electro-cumbia light shows, rainy SummerStage performances, and out-of-control dance parties. The long standing conference is a testament to the vitality of the Latino independent music scene.
Although the mainstream is still catching up to this “new” musical movement, Latino filmmakers have already tapped into this vast musical resource. Aurora Guerrero, director of Mosquita y Mari, told LatinoBuzz in a previous interview that, “I’m constantly on SoundCloud or Remezcla looking to see what new music is being produced by Latino artists. I’m not interested in producing soundtracks or scores that have been recycled in U.S. Latino films throughout the years. I’m looking for music that’s cutting-edge and contemporary.” Her film, a thoughtful portrait of two teenage Chicanas living in Los Angeles, is set to the music of local ska bands, the melancholy vocals of Carla Morrison, and other genre-remixing Latino artists.
The marriage of Latino independent music with Latino independent film seems natural. Both try to “hop borders” as Jon Pareles wrote in the New York Times and exist out of a desire to reach beyond the cultural boundaries in which they currently reside. It’s also a mutually beneficial relationship. Filmmakers deal with lower fees versus trying to license more commercial music while providing much-needed exposure to up-and-coming bands.
By happenstance Latinbeat, the Film Society of Lincoln Center’s week-long showcase of Latin American independent films, overlapped with Lamc over the weekend. It was a Lindie (a.k.a. Latino indie) takeover.
Latinbeat runs through Sunday, July 21 and there is still a ton to see. Here are the highlights.
Viola
Matías Piñeiro | 2012 | 65 mins
Wednesday, July 17 and Thursday, July 18 at 11:15am 1:45pm 4:15pm 6:45pm 9:30pm
A web of romantic intrigue and revelation is delicately unraveled in this dazzling riff on Shakespeare’s Twelfth Night. Screening with Rosalinda (Matías Piñeiro, 2010, 43m).
Tanta Agua (So Much Water)
Ana Guevara | Leticia Jorge | 2013 | 100 mins
Filmmakers in person for Q&A. Thursday, July 18 at 8:30pm | Saturday, July 20 at 2:30pm
A divorced father’s vacation with his two children is marred by a storm that keep the three cooped up together as he desperately tries to remain enthusiastic and not let anything ruin their plans.
The Tears
Pablo Delgado Sanchez | 2012 | 66 mins
Filmmaker in person for Q&A. Thursday, July 18 at 6:30pm | Saturday, July 20 at 5:00pm
A camping trip in the woods becomes a painful but ultimately healing rite of passage for two brothers who are struggling to cope with their disturbing family environment in Sanchez’s taut, suspenseful debut feature.
Bring Me the Head of the Machine Gun Woman
Ernesto Díaz Espinoza | 2013 | 75 mins
Filmmaker in person for Q&A. Saturday, July 20 at 9:30pm | Sunday, July 21 at 8:30pm
This exuberant tribute to Peckinpah’s similarly titled 1974 film combines the plot of a Western with a video game aesthetic and structure in the story of a nerdy DJ who must undertake an action-packed mission to save his own life.
Magical Words (Breaking a Spell)
Mercedes Moncada | 2012 | 83 mins
Filmmaker in person for Q&A. Friday, July 19 at 6:30pm | Sunday, July 21 at 1:30pm
Moncada crafts a poignant and engaging personal perspective on her native Nicaragua from the 1979 Sandinista revolution through to modern times, weaving herself into the story at every historic step.
Written by Juan Caceres and Vanessa Erazo, LatinoBuzz is a weekly feature on SydneysBuzz that highlights Latino indie talent and upcoming trends in Latino film with the specific objective of presenting a broad range of Latino voices. Follow @LatinoBuzz on Twitter and Facebook.
The conference, organized by Los Angeles-based Nacional Records, took over NYC this past week and was a sweaty, sweltering marathon of acoustic showcases, electro-cumbia light shows, rainy SummerStage performances, and out-of-control dance parties. The long standing conference is a testament to the vitality of the Latino independent music scene.
Although the mainstream is still catching up to this “new” musical movement, Latino filmmakers have already tapped into this vast musical resource. Aurora Guerrero, director of Mosquita y Mari, told LatinoBuzz in a previous interview that, “I’m constantly on SoundCloud or Remezcla looking to see what new music is being produced by Latino artists. I’m not interested in producing soundtracks or scores that have been recycled in U.S. Latino films throughout the years. I’m looking for music that’s cutting-edge and contemporary.” Her film, a thoughtful portrait of two teenage Chicanas living in Los Angeles, is set to the music of local ska bands, the melancholy vocals of Carla Morrison, and other genre-remixing Latino artists.
The marriage of Latino independent music with Latino independent film seems natural. Both try to “hop borders” as Jon Pareles wrote in the New York Times and exist out of a desire to reach beyond the cultural boundaries in which they currently reside. It’s also a mutually beneficial relationship. Filmmakers deal with lower fees versus trying to license more commercial music while providing much-needed exposure to up-and-coming bands.
By happenstance Latinbeat, the Film Society of Lincoln Center’s week-long showcase of Latin American independent films, overlapped with Lamc over the weekend. It was a Lindie (a.k.a. Latino indie) takeover.
Latinbeat runs through Sunday, July 21 and there is still a ton to see. Here are the highlights.
Viola
Matías Piñeiro | 2012 | 65 mins
Wednesday, July 17 and Thursday, July 18 at 11:15am 1:45pm 4:15pm 6:45pm 9:30pm
A web of romantic intrigue and revelation is delicately unraveled in this dazzling riff on Shakespeare’s Twelfth Night. Screening with Rosalinda (Matías Piñeiro, 2010, 43m).
Tanta Agua (So Much Water)
Ana Guevara | Leticia Jorge | 2013 | 100 mins
Filmmakers in person for Q&A. Thursday, July 18 at 8:30pm | Saturday, July 20 at 2:30pm
A divorced father’s vacation with his two children is marred by a storm that keep the three cooped up together as he desperately tries to remain enthusiastic and not let anything ruin their plans.
The Tears
Pablo Delgado Sanchez | 2012 | 66 mins
Filmmaker in person for Q&A. Thursday, July 18 at 6:30pm | Saturday, July 20 at 5:00pm
A camping trip in the woods becomes a painful but ultimately healing rite of passage for two brothers who are struggling to cope with their disturbing family environment in Sanchez’s taut, suspenseful debut feature.
Bring Me the Head of the Machine Gun Woman
Ernesto Díaz Espinoza | 2013 | 75 mins
Filmmaker in person for Q&A. Saturday, July 20 at 9:30pm | Sunday, July 21 at 8:30pm
This exuberant tribute to Peckinpah’s similarly titled 1974 film combines the plot of a Western with a video game aesthetic and structure in the story of a nerdy DJ who must undertake an action-packed mission to save his own life.
Magical Words (Breaking a Spell)
Mercedes Moncada | 2012 | 83 mins
Filmmaker in person for Q&A. Friday, July 19 at 6:30pm | Sunday, July 21 at 1:30pm
Moncada crafts a poignant and engaging personal perspective on her native Nicaragua from the 1979 Sandinista revolution through to modern times, weaving herself into the story at every historic step.
Written by Juan Caceres and Vanessa Erazo, LatinoBuzz is a weekly feature on SydneysBuzz that highlights Latino indie talent and upcoming trends in Latino film with the specific objective of presenting a broad range of Latino voices. Follow @LatinoBuzz on Twitter and Facebook.
- 7/17/2013
- by Vanessa Erazo
- Sydney's Buzz
The debut feature of India’s Anand Gandhi adds to prizes won in Dubai and Tokyo.
This year’s Transilvania International Film Festival (Tiff) came to a close at the weekend in Cluj-Napoca with the awarding of the main prize, the Transilvania Trophy, to Indian feature debutant Anand Gandhi’s Ship Of Theseus.
The Competition Jury - comprising directors Cristi Puiu and György Pálfi, UK producer Lynda Myles, German actress Franziska Petri and Tribeca’s Artistic Director Frédéric Boyer - said Ship Of Theseus was evidence of “a new major talent of world cinema”.
The film’s also won the Best Cinematography Award for the work of DoP Pankaj Kumar.
Both prizes were accepted in Cluj on their behalf by the film’s Hungarian sound designer Gabor Erdelyi who spoke about the shoot as being a life-changing experience.
Fortissimo Films is handling international sales.
The Best Directing Award went to Japan’s Rikiya Imaizumi for I Catch...
This year’s Transilvania International Film Festival (Tiff) came to a close at the weekend in Cluj-Napoca with the awarding of the main prize, the Transilvania Trophy, to Indian feature debutant Anand Gandhi’s Ship Of Theseus.
The Competition Jury - comprising directors Cristi Puiu and György Pálfi, UK producer Lynda Myles, German actress Franziska Petri and Tribeca’s Artistic Director Frédéric Boyer - said Ship Of Theseus was evidence of “a new major talent of world cinema”.
The film’s also won the Best Cinematography Award for the work of DoP Pankaj Kumar.
Both prizes were accepted in Cluj on their behalf by the film’s Hungarian sound designer Gabor Erdelyi who spoke about the shoot as being a life-changing experience.
Fortissimo Films is handling international sales.
The Best Directing Award went to Japan’s Rikiya Imaizumi for I Catch...
- 6/10/2013
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
Anand Gandhi’s Ship of Theseus has been selected to compete at the 12th edition of the Transylvania International Film Festival, the biggest film event in Romania.
The festival to be held from May 31-June 9 has a competition reserved for first and second features. The 2013 edition is focused on first time directors – 10 of the competition titles belong to directors making their feature length directorial debut.
“A complex and ambitious film brings us the famous Indian playwright Anand Gandhi – Ship of Theseus, a meditation on identity, justice, beauty, death, via three characters: an experimental photographer, a monk and a broker,” as mentioned on the official website of the festival.
The 12 titles in competition:
In A Bedroom (Tomasz Wasilewski) – Poland
Ship of Theseus (Anand Gandhi) – India
Made in Ash (Iveta Grófová) – Slovakia
A Hijacking (Tobias Lindholm) – Denmark
Northwest (Michael Noer) – Denmark
Call Girl (Mikael Marcimain) – Sweden
So Much Water (Ana Guevara, Leticia Jorge...
The festival to be held from May 31-June 9 has a competition reserved for first and second features. The 2013 edition is focused on first time directors – 10 of the competition titles belong to directors making their feature length directorial debut.
“A complex and ambitious film brings us the famous Indian playwright Anand Gandhi – Ship of Theseus, a meditation on identity, justice, beauty, death, via three characters: an experimental photographer, a monk and a broker,” as mentioned on the official website of the festival.
The 12 titles in competition:
In A Bedroom (Tomasz Wasilewski) – Poland
Ship of Theseus (Anand Gandhi) – India
Made in Ash (Iveta Grófová) – Slovakia
A Hijacking (Tobias Lindholm) – Denmark
Northwest (Michael Noer) – Denmark
Call Girl (Mikael Marcimain) – Sweden
So Much Water (Ana Guevara, Leticia Jorge...
- 5/1/2013
- by NewsDesk
- DearCinema.com
Geetu Mohan Das’ Liars’ Dice is one among the ten projects selected for the Summer 2012 grants from Global Film Initiative (Gfi).
Liars’ Dice is the story of a young mother from a remote Himalayan village who hires an aggressive, petty gambler to find her husband, who’s been out of touch for months after leaving for work in Delhi.
“The Global Film Initiative is a U.S.-based international arts organization specializing in cultural diplomacy, education and literacy through film. Established in 2002, it has awarded numerous grants to filmmakers in emerging nations around the world, and promoted community arts and education through distribution and exhibition of its signature world cinema series, Global Lens. All proceeds from Global Lens directly support filmmakers and are reinvested in the Granting Program and other philanthropic programs of the Initiative,” reads the official statement of Gfi.
Miss Lovely by Ashim Ahluwalia is among the earlier Indian recipients of the grant.
Liars’ Dice is the story of a young mother from a remote Himalayan village who hires an aggressive, petty gambler to find her husband, who’s been out of touch for months after leaving for work in Delhi.
“The Global Film Initiative is a U.S.-based international arts organization specializing in cultural diplomacy, education and literacy through film. Established in 2002, it has awarded numerous grants to filmmakers in emerging nations around the world, and promoted community arts and education through distribution and exhibition of its signature world cinema series, Global Lens. All proceeds from Global Lens directly support filmmakers and are reinvested in the Granting Program and other philanthropic programs of the Initiative,” reads the official statement of Gfi.
Miss Lovely by Ashim Ahluwalia is among the earlier Indian recipients of the grant.
- 10/9/2012
- by NewsDesk
- DearCinema.com
Films in Progress is a program of aid to Latin American film running twice yearly, organized by the San Sebastian International Film Festival and the Rencontres Cinémas d'Amérique Latine in Toulouse. This edition a total of 94 film entries were received from 16 countries: Argentina, Bolivia, Brazil, Chile, Colombia, Costa Rica, Cuba, Ecuador, France, Germany, Italy, Mexico, Peru, Spain, Uruguay and Venezuela. Six films have been selected to participate in Films in Progress 22 on September 25 and 26 at the 60th edition of the San Sebastian International Film Festival.
This year's titles are: Asalto a la Fábrica de Caloventores (Argentina) by Estanislao Buisel; De Menor(Brazil) by Caru Alves de Souza; Gloria (Chile) by Sebastián Lelio, who already participated at the San Sebastian Festival with the film La Sagrada Familia (2005) in the Horizontes Latinos section; Las Horas Muertas (Mexico - Spain - France) by Aarón Fernández; Las Niñas Quispe (Chile - France - Argentina) by Sebastián Sepúlveda; and Tanta Agua (Uruguay) by Ana Guevara and Leticia Jorge, a film also selected for the last edition of Films in Progress 21 at the Rencontres Cinémas d'Amérique Latine in Toulouse.
The following awards will be granted at Films in Progress 22:
Films in Progress Industry Award: the companies Daniel Goldstein S.L., Deluxe Spain, Dolby Iberia, Imasblue, Kodak (División de Cine Profesional), Laserfilm Cine y Video, Nephilim Producciones, No Problem Sonido and Vértigo Films will assume the post-production of a film until obtaining a 35mm copy subtitled in English and its distribution in Spain.
Norteado-Films in Progress Award: The production companies Film Tank, Tiburón Producciones, Imcine Conaculta, McCormick de México and Idn, will present Usd 5,000 to one of the films selected for Films in Progress 22 by way of acknowledgement for the awards granted to Norteando in 2008, thanks to which they were able to complete and distribute the film. In addition, the Films in Progress movies will have the option to international diffusion in the Instituto Cervantes world network.
Films in Progress enjoys the support of the following companies and institutions: Cine Sin Fronteras (Csf), Daniel Goldstein S.L., Deluxe Spain, Dolby Iberia, Film Tank, Idn, Imasblue, Imcine Conaculta, Instituto Cervantes, Kodak (División de Cine Profesional), Laserfilm Cine y Video, McCormick de México, Media Mundus, Nephilim Producciones, No Problem Sonido, Programa Ibermedia, Tiburón Films, Vértigo Films, and the collaboration of Caisse Centrale D'Activités Sociales (Ccas), Centre National du Cinéma et de l'Image Animée (Cnc), CinÉ +, Cinéfondation, Commune Image, Confédération Internationale des Cinémas d'Art et Essai (Cicae), Conseil Général de la Haute Garonne, Conseil Régional Midi-Pyrénées, Crous de Toulouse, Eaux Vives, École Supérieure d'Audiovisuel (Esav), EP2C - Postproduction Training Programme, Europa Distribution, Firefly, La Trame, Mactari, Mairie de Toulouse, Marché du Film, Signis and Titra Tvs
Selection
Asalto A La FÁBrica De Caloventores
Estanislao Buisel Quintana (Argentina) All sorts of new things are happening to Julio: a love affair, a new job and a project with an old friend. His project is to make a photonovel; watching him, we closely follow the development of an audiovisual narration process. Love is love, and his new job sales assistant in a bookshop. Julio soon realises that it's very easy to steal there and he starts taking whatever he can. This complicates the relationship with his girlfriend, with his project and with his job.
De Menor / Underage (Underage)
Caru Alves de Souza (Brazil) Helena, a young attorney, has the custody of her teenage brother, Caio. Her daily routine is now about raising her brother and doing her job in the Juvenile Court at Santos, Brazil, where she works as a public defender for children and adolescents who have broken the law. The harmony of their relationship is put to the test when Caio commits a serious crime and Helena is landed with the responsibility of defending him from the accusations.
Gloria
Sebastián Lelio (Chile) Gloria is a lively, attractive 58 year-old Chilean woman about to enter a new phase of her life; old age. She is a great talker, lots of fun and always stands out from the others. Her days revolve around her work, an active social life, and doing what she can for her two children from a failed marriage. She pines for another chance at love, but her relationships never prosper. On this journey, she will find the courage to confront the challenge of aging and the advantages of doing so alone, proudly, with her head held high and without losing the smile that defines her as a woman.
Las Horas Muertas / The Empty Hours (The Empty Hours)
Aarón Fernández (Mexico-spain-france) Sebastian, 17, takes over his uncle's motel on the desolate tropical coast of Veracruz single-handed. Miranda, 35, a local estate agent, occasionally uses the motel to meet Mario, her lover. Mario is always late for their amorous escapades, and Miranda has to wait for him. During these intervals, Sebastian and Miranda gradually grow closer to one another, even if they know that at the end of the day whatever happens between them can never last.
Las NiÑAs Quispe
Sebastián Sepúlveda (Chile-france-argentina) Based on a true story occurring in 1974, the film tells the tale of the sisters Justa, Lucia and Luciana Quispe, shepherds from the altiplano who lead a lonely life. Their recent mourning for the death of a sister and news arriving from the outside plague them with existential doubts that will relentlessly drive them to a tragic end.
Tanta Agua / So Much Water (So Much Water)
Ana Guevara, Leticia Jorge (Uruguay-mexico-the Netherlands) Lucia is 14, but looks younger. She's thin and has the body of a child. Her parents are divorced; she and her brother live with their mother. Their father Alberto, a chiropractor, only sees his kids occasionally. He rents a cabin at the hot springs. The holiday is going to be short and it looks as if it's about to rain. Their hearts sink on arrival. It's forbidden to use the pools because of an electric storm. Alberto tries to keep them amused and make good of their disastrous family break, but the harder he tries the worse it gets.
This year's titles are: Asalto a la Fábrica de Caloventores (Argentina) by Estanislao Buisel; De Menor(Brazil) by Caru Alves de Souza; Gloria (Chile) by Sebastián Lelio, who already participated at the San Sebastian Festival with the film La Sagrada Familia (2005) in the Horizontes Latinos section; Las Horas Muertas (Mexico - Spain - France) by Aarón Fernández; Las Niñas Quispe (Chile - France - Argentina) by Sebastián Sepúlveda; and Tanta Agua (Uruguay) by Ana Guevara and Leticia Jorge, a film also selected for the last edition of Films in Progress 21 at the Rencontres Cinémas d'Amérique Latine in Toulouse.
The following awards will be granted at Films in Progress 22:
Films in Progress Industry Award: the companies Daniel Goldstein S.L., Deluxe Spain, Dolby Iberia, Imasblue, Kodak (División de Cine Profesional), Laserfilm Cine y Video, Nephilim Producciones, No Problem Sonido and Vértigo Films will assume the post-production of a film until obtaining a 35mm copy subtitled in English and its distribution in Spain.
Norteado-Films in Progress Award: The production companies Film Tank, Tiburón Producciones, Imcine Conaculta, McCormick de México and Idn, will present Usd 5,000 to one of the films selected for Films in Progress 22 by way of acknowledgement for the awards granted to Norteando in 2008, thanks to which they were able to complete and distribute the film. In addition, the Films in Progress movies will have the option to international diffusion in the Instituto Cervantes world network.
Films in Progress enjoys the support of the following companies and institutions: Cine Sin Fronteras (Csf), Daniel Goldstein S.L., Deluxe Spain, Dolby Iberia, Film Tank, Idn, Imasblue, Imcine Conaculta, Instituto Cervantes, Kodak (División de Cine Profesional), Laserfilm Cine y Video, McCormick de México, Media Mundus, Nephilim Producciones, No Problem Sonido, Programa Ibermedia, Tiburón Films, Vértigo Films, and the collaboration of Caisse Centrale D'Activités Sociales (Ccas), Centre National du Cinéma et de l'Image Animée (Cnc), CinÉ +, Cinéfondation, Commune Image, Confédération Internationale des Cinémas d'Art et Essai (Cicae), Conseil Général de la Haute Garonne, Conseil Régional Midi-Pyrénées, Crous de Toulouse, Eaux Vives, École Supérieure d'Audiovisuel (Esav), EP2C - Postproduction Training Programme, Europa Distribution, Firefly, La Trame, Mactari, Mairie de Toulouse, Marché du Film, Signis and Titra Tvs
Selection
Asalto A La FÁBrica De Caloventores
Estanislao Buisel Quintana (Argentina) All sorts of new things are happening to Julio: a love affair, a new job and a project with an old friend. His project is to make a photonovel; watching him, we closely follow the development of an audiovisual narration process. Love is love, and his new job sales assistant in a bookshop. Julio soon realises that it's very easy to steal there and he starts taking whatever he can. This complicates the relationship with his girlfriend, with his project and with his job.
De Menor / Underage (Underage)
Caru Alves de Souza (Brazil) Helena, a young attorney, has the custody of her teenage brother, Caio. Her daily routine is now about raising her brother and doing her job in the Juvenile Court at Santos, Brazil, where she works as a public defender for children and adolescents who have broken the law. The harmony of their relationship is put to the test when Caio commits a serious crime and Helena is landed with the responsibility of defending him from the accusations.
Gloria
Sebastián Lelio (Chile) Gloria is a lively, attractive 58 year-old Chilean woman about to enter a new phase of her life; old age. She is a great talker, lots of fun and always stands out from the others. Her days revolve around her work, an active social life, and doing what she can for her two children from a failed marriage. She pines for another chance at love, but her relationships never prosper. On this journey, she will find the courage to confront the challenge of aging and the advantages of doing so alone, proudly, with her head held high and without losing the smile that defines her as a woman.
Las Horas Muertas / The Empty Hours (The Empty Hours)
Aarón Fernández (Mexico-spain-france) Sebastian, 17, takes over his uncle's motel on the desolate tropical coast of Veracruz single-handed. Miranda, 35, a local estate agent, occasionally uses the motel to meet Mario, her lover. Mario is always late for their amorous escapades, and Miranda has to wait for him. During these intervals, Sebastian and Miranda gradually grow closer to one another, even if they know that at the end of the day whatever happens between them can never last.
Las NiÑAs Quispe
Sebastián Sepúlveda (Chile-france-argentina) Based on a true story occurring in 1974, the film tells the tale of the sisters Justa, Lucia and Luciana Quispe, shepherds from the altiplano who lead a lonely life. Their recent mourning for the death of a sister and news arriving from the outside plague them with existential doubts that will relentlessly drive them to a tragic end.
Tanta Agua / So Much Water (So Much Water)
Ana Guevara, Leticia Jorge (Uruguay-mexico-the Netherlands) Lucia is 14, but looks younger. She's thin and has the body of a child. Her parents are divorced; she and her brother live with their mother. Their father Alberto, a chiropractor, only sees his kids occasionally. He rents a cabin at the hot springs. The holiday is going to be short and it looks as if it's about to rain. Their hearts sink on arrival. It's forbidden to use the pools because of an electric storm. Alberto tries to keep them amused and make good of their disastrous family break, but the harder he tries the worse it gets.
- 8/29/2012
- by Sydney Levine
- Sydney's Buzz
Six films from Argentina, Brazil, Colombia, Mexico and Uruguay participated in the 21st edition of Films in Progress at the Rencontres Cinémas d’Amérique Latine in Toulouse, jointly organized with the San Sebastian Festival. The second part of this twice yearly rendezvous will take the shape of Films in Progress 22 at San Sebastian this coming September. A total of 118 films were received for Films in Progress 21.
The Selected Films
Cores (Isa:kinoosfera Films)
Brazil
Director: Francisco García
Cast: Pedro di Pietro, Simone Iliescu, Acaüa Sol.
A tale of friendship and let down between three young friends in Sao Paulo as Brazil undergoes its strong economic upsurge. Despite the odd feeling that things could actually change, the meaning of life disappears on those days when «all that is solid melts into the air».
El Lugar Del Hijo
Uruguay - Argentina
Director: Manuel Nieto.
Cast: Felipe Dieste, Alejandro Urdampilleta, Roxana Cabrera, Leonor Courtoisie, Germán de Silva.
Learning that his father has died in an inland town, a student sets out to the funeral. There he discovers that his father has left him an indebted estate and a house inhabited by his mistress, who has no intention of moving out and obliges the young boy to share. A tale of losing one’s roots and personal reconstruction; a metaphor on the inherited country and the youngsters who will eventually have to take charge of that inheritance.
Halley
Mexico
Director: Sebastián Hofmann
Cast: Alberto Trujillo, Lourdes Trueba
Alberto is dead and can no longer pretend otherwise. A degenerative disease makes his decomposition increasingly more noticeable. No make-up or perfume can disguise his condition. He leaves his job to fade into the boundaries of his death, but not before striking up an unusual friendship with Luly, manager of the gym at which he works as a night watchman.
La Sirga (Isa:tiburon)
Colombia - France – Mexico
Director: William Vega
Cast: Joghis Arias, Julio Cesar Roble, David Guacas, Heraldo Romero, Floralba Achicanoy
Alicia feels lost. The memory of war clings to her mind in a terrifying rumble. Thrown off her land by armed conflict, she tries to build a new life at “La Sirga”, a rundown boarding house on the shore of a large lagoon high up in the Andes mountain range. The place is owned by Oscar, her only surviving relative, an unsociable, solitary old man. There, in a miry, unstable beach, Alicia tries to plant new roots, until her fears and the threat of war reappear once again.
Tanta Agua (Isa:control Z Films)
Uruguay – Mexico - Holland
Directors: Ana Guevara and Leticia Jorge
Cast: Néstor Guzzini, Malú Chouza, Joaquín Castiglioni
Family holidays where nothing goes as planned. A tale set in a half-empty thermal spa lashed by constant rain where the only thing they can do is stay together.
Villegas (Isa:cine-sud Promotion)
Argentina – Holland – France
Director: Gonzalo Tobal
Cast: Esteban Lamothe, Esteban Bigliardi.
Reunited after several years, cousins Esteban and Pipa travel by car to their grandfather’s funeral in Villegas, the small inland town where they grew up together. Their return becomes an intense emotional journey marked by reunions, the weight of the past and the end of an era.
Films in Progress 21 in Toulouse carried the following awards :
Films in Progress Award Toulouse, in which several entities collaborate: Cnc (Centre National du Cinéma et de l’Image Animée) will contribute with a grant towards the completion of a project, carrying €10,000 for post-production work in France. MacTari will provide sound mixing services worth €15,000. Titra Tvs: will provide the subtitling for a first copy of the winning film. Caisse Centrale D’ActivitÉS Sociales Du Personnel Des Industries Electriques Et Gazieres (Ccas) will provide 5 weeks’ accommodation to the winning director in order that he or she may secure post-production or promotion of the film in France. Eaux Vives will coordinate post-production of the winning film, during four weeks and for an equivalent worth of €8,600. Firefly will provide the use of a suite of Firefly software tools for colour correction of the winning film. Commune Image will provide a film theatre equipped with a Christie Dlp Cinema projector with real-time viewing on an 8-metre screen and a Firefly Cinema calibration console for digital post-production in HD, 2K or 4K, for an equivalent worth of €17,000, or a similar service for 10 days in an image editing room for an equivalent worth of €10,000. Special CinÉ + in Progress Award, granted by the CinÉ + TV channel, worth €15,000, which guarantees purchase of the winning film by the channel and broadcast on television following release of the film in France.
European Distributors and Exhibitors Award: Europa Distribution undertakes to promote the winning film among its network of 110 members and particularly among the 35 European distributor members of the Europa Distribution International (Edi) project. Cicae (Confédération Internationale des Cinémas d’Art et Essai) will provide aid to diffusion of the winning film by distributing related information to the 2,000 Cicae member cinemas, thereby creating awareness of the film among distribution companies and boosting its circulation.
The Selected Films
Cores (Isa:kinoosfera Films)
Brazil
Director: Francisco García
Cast: Pedro di Pietro, Simone Iliescu, Acaüa Sol.
A tale of friendship and let down between three young friends in Sao Paulo as Brazil undergoes its strong economic upsurge. Despite the odd feeling that things could actually change, the meaning of life disappears on those days when «all that is solid melts into the air».
El Lugar Del Hijo
Uruguay - Argentina
Director: Manuel Nieto.
Cast: Felipe Dieste, Alejandro Urdampilleta, Roxana Cabrera, Leonor Courtoisie, Germán de Silva.
Learning that his father has died in an inland town, a student sets out to the funeral. There he discovers that his father has left him an indebted estate and a house inhabited by his mistress, who has no intention of moving out and obliges the young boy to share. A tale of losing one’s roots and personal reconstruction; a metaphor on the inherited country and the youngsters who will eventually have to take charge of that inheritance.
Halley
Mexico
Director: Sebastián Hofmann
Cast: Alberto Trujillo, Lourdes Trueba
Alberto is dead and can no longer pretend otherwise. A degenerative disease makes his decomposition increasingly more noticeable. No make-up or perfume can disguise his condition. He leaves his job to fade into the boundaries of his death, but not before striking up an unusual friendship with Luly, manager of the gym at which he works as a night watchman.
La Sirga (Isa:tiburon)
Colombia - France – Mexico
Director: William Vega
Cast: Joghis Arias, Julio Cesar Roble, David Guacas, Heraldo Romero, Floralba Achicanoy
Alicia feels lost. The memory of war clings to her mind in a terrifying rumble. Thrown off her land by armed conflict, she tries to build a new life at “La Sirga”, a rundown boarding house on the shore of a large lagoon high up in the Andes mountain range. The place is owned by Oscar, her only surviving relative, an unsociable, solitary old man. There, in a miry, unstable beach, Alicia tries to plant new roots, until her fears and the threat of war reappear once again.
Tanta Agua (Isa:control Z Films)
Uruguay – Mexico - Holland
Directors: Ana Guevara and Leticia Jorge
Cast: Néstor Guzzini, Malú Chouza, Joaquín Castiglioni
Family holidays where nothing goes as planned. A tale set in a half-empty thermal spa lashed by constant rain where the only thing they can do is stay together.
Villegas (Isa:cine-sud Promotion)
Argentina – Holland – France
Director: Gonzalo Tobal
Cast: Esteban Lamothe, Esteban Bigliardi.
Reunited after several years, cousins Esteban and Pipa travel by car to their grandfather’s funeral in Villegas, the small inland town where they grew up together. Their return becomes an intense emotional journey marked by reunions, the weight of the past and the end of an era.
Films in Progress 21 in Toulouse carried the following awards :
Films in Progress Award Toulouse, in which several entities collaborate: Cnc (Centre National du Cinéma et de l’Image Animée) will contribute with a grant towards the completion of a project, carrying €10,000 for post-production work in France. MacTari will provide sound mixing services worth €15,000. Titra Tvs: will provide the subtitling for a first copy of the winning film. Caisse Centrale D’ActivitÉS Sociales Du Personnel Des Industries Electriques Et Gazieres (Ccas) will provide 5 weeks’ accommodation to the winning director in order that he or she may secure post-production or promotion of the film in France. Eaux Vives will coordinate post-production of the winning film, during four weeks and for an equivalent worth of €8,600. Firefly will provide the use of a suite of Firefly software tools for colour correction of the winning film. Commune Image will provide a film theatre equipped with a Christie Dlp Cinema projector with real-time viewing on an 8-metre screen and a Firefly Cinema calibration console for digital post-production in HD, 2K or 4K, for an equivalent worth of €17,000, or a similar service for 10 days in an image editing room for an equivalent worth of €10,000. Special CinÉ + in Progress Award, granted by the CinÉ + TV channel, worth €15,000, which guarantees purchase of the winning film by the channel and broadcast on television following release of the film in France.
European Distributors and Exhibitors Award: Europa Distribution undertakes to promote the winning film among its network of 110 members and particularly among the 35 European distributor members of the Europa Distribution International (Edi) project. Cicae (Confédération Internationale des Cinémas d’Art et Essai) will provide aid to diffusion of the winning film by distributing related information to the 2,000 Cicae member cinemas, thereby creating awareness of the film among distribution companies and boosting its circulation.
- 4/21/2012
- by SydneyLevine
- Sydney's Buzz
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