Over a career that spanned seven decades, Pinal was a muse to director Luis Buñuel, appearing in 60s classics such as Viridiana
Silvia Pinal, an actor from Mexico’s Golden Age of cinema and muse to the director Luis Buñuel, has died aged 93.
Pinal got her start in theatre in the 1940s, working with the director Rafael Banquells – the first of her four husbands. She became a star in 1950 aged 18, when she appeared opposite two of Mexico’s biggest comedic film stars: Germán Valdés (Tin-Tan) in The King of the Neighborhood and Mario Moreno (Cantinflas) in The Doorman. In 1952 she appeared alongside heartthrob Pedro Infante in A Place Near Heaven.
Silvia Pinal, an actor from Mexico’s Golden Age of cinema and muse to the director Luis Buñuel, has died aged 93.
Pinal got her start in theatre in the 1940s, working with the director Rafael Banquells – the first of her four husbands. She became a star in 1950 aged 18, when she appeared opposite two of Mexico’s biggest comedic film stars: Germán Valdés (Tin-Tan) in The King of the Neighborhood and Mario Moreno (Cantinflas) in The Doorman. In 1952 she appeared alongside heartthrob Pedro Infante in A Place Near Heaven.
- 11/29/2024
- by Associated Press
- The Guardian - Film News
Silvia Pinal, the revered film and television actress who left an indelible mark on Mexico’s Golden Age of Cinema, has died. She was 93.
Mexico’s culture secretary, Claudia Curiel de Icaza, as well as the Asociación Nacional de Intérpretes announced Pinal’s passing on social media. The Associated Press reported that Pinal had been hospitalized for a urinary infection several days ago.
During a prolific acting and producing career that spanned seven decades, Pinal gained international fame for toplining three 1960s classics written and directed by Luis Buñuel: the Palme d’Or co-winner Viridiana (1961), The Exterminating Angel (1962) and Simon of the Desert (1965).
Pinal got her start in the theater in the late 1940s working with Cuban-born director Rafael Banquells, who would become the first of her four husbands. Her breakthrough in cinema came in 1950 when at 18 she landed back-to-back leading roles opposite two of Mexico’s biggest film stars,...
Mexico’s culture secretary, Claudia Curiel de Icaza, as well as the Asociación Nacional de Intérpretes announced Pinal’s passing on social media. The Associated Press reported that Pinal had been hospitalized for a urinary infection several days ago.
During a prolific acting and producing career that spanned seven decades, Pinal gained international fame for toplining three 1960s classics written and directed by Luis Buñuel: the Palme d’Or co-winner Viridiana (1961), The Exterminating Angel (1962) and Simon of the Desert (1965).
Pinal got her start in the theater in the late 1940s working with Cuban-born director Rafael Banquells, who would become the first of her four husbands. Her breakthrough in cinema came in 1950 when at 18 she landed back-to-back leading roles opposite two of Mexico’s biggest film stars,...
- 11/29/2024
- by John Hecht
- The Hollywood Reporter - Movie News
Mid-century Mexican films are being feted at the Film at Lincoln Center as part of a new partnership with the Locarno Film Festival. Titled Spectacle Every Day: Mexican Popular Cinema, the program spans Mexican cinema from the ’40s through the ’60s, featuring works from directors such as Roberto Gavaldón, Emilio Fernández, Julio Bracho, Alejandro Galindo, and Chano Urueta. The 22-film retrospective takes place at Flc from July 26 through August 8.
Highlights include the 4K restoration of Julio Bracho’s “Take Me in Your Arms” (1954), Alejandro Galindo’s “Wetbacks” (1955), “The Sword of Granada” (1953) which was the first 3-D film produced in Mexico, and Matilde Landeta’s sex work melodrama “Streetwalker” (1951). Landeta was one of the country’s first female directors.
The features screening as part of Spectacle Every Day: Mexican Popular Cinema have been rarely screened stateside. Some even have never before seen theatrically in the United States, per the official press release.
Highlights include the 4K restoration of Julio Bracho’s “Take Me in Your Arms” (1954), Alejandro Galindo’s “Wetbacks” (1955), “The Sword of Granada” (1953) which was the first 3-D film produced in Mexico, and Matilde Landeta’s sex work melodrama “Streetwalker” (1951). Landeta was one of the country’s first female directors.
The features screening as part of Spectacle Every Day: Mexican Popular Cinema have been rarely screened stateside. Some even have never before seen theatrically in the United States, per the official press release.
- 7/1/2024
- by Samantha Bergeson
- Indiewire
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