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A gentle stillness revives itself at the end and beginning of every breath, its vibrancy tangible when tuned into its frequency at each precise moment. It is a calmness, a small measure of peace, seldom found under the neon buzz of a megacity such as Tokyo or any given metropolis around the globe wherever the urban frenzy is ceaseless. Life far removed from time's boorish grasp – its frantic march toward the inevitable, its relentless demand for toil and progress – finds a gentler purpose: an opportunity for spiritual detoxification, a glimmer of strength to face the past head-on. For lurking in the periphery, obscured by shadow, are the ghosts and demons in constant pursuit, and no amount of running can keep them at bay forever. In “Side by Side”, Chihiro Ito painstakingly curates this serene tapestry in which Kentaro Sakaguchi's Miyama eschews his trauma and makes his escape.

Side by Side...