Title: Clandestine Childhood Director: Benjamín Ávila Starring: Natalia Oreiro, Ernesto Alterio, César Troncoso, Teo Gutiérrez Romero, Cristina Banegas, Douglas Simon, Violeta Palukas, Marcelo Mininno, Mayana Neiva. When abuse of power and violence take over, the crossroads between ideals and the safeguard of your loved ones is inevitable. The Argentinian director, Benjamín Ávila, was inspired by his personal infancy in the making of this historical film, set during the “Dirty War,” the time of state terrorism in Argentina. ‘Clandestine Childhood’ portrays the story of a married couple of Montoneros (the organisation fighting against the Military Junta ruling the country) living in Cuba with their two children, who manage, through the help [ Read More ]
The post Clandestine Childhood Movie Review appeared first on Shockya.com.
The post Clandestine Childhood Movie Review appeared first on Shockya.com.
- 4/24/2013
- by Chiara Spagnoli Gabardi
- ShockYa
Clandestine Childhood
Directed by Benjamín Ávila
Argentina, 2011
Philadelphia Film Festival
Benjamín Ávila’s debut feature is a fine balance of youthful longing and militant resistance.
Ernesto (Teo Gutiérrez Romero) has two names. One name – Ernesto – is for his schoolmates, but he goes by Juan at home. His parents also have two names. Horacio goes by Daniel (César Troncoso) and Cristina by Charo (Natalia Oreiro). It’s Argentina in 1979, and five years after Perón’s death, Horacio, Cristina and charismatic Uncle Beto (Ernesto Alterio) continue the fight against the existing regime through violent tactics.
Using a mixed-media strategy where moments of extreme violence are depicted through graphic animations, Ávila’s film keeps the focus firmly on Juan and his budding relationship with a classmate’s sister, María (Violeta Palukas).
Romero’s surprisingly tender and mature performance recalls the two great Ana Torrent roles from the 1970s in Spirit of the Beehive and Cria Cuervos.
Directed by Benjamín Ávila
Argentina, 2011
Philadelphia Film Festival
Benjamín Ávila’s debut feature is a fine balance of youthful longing and militant resistance.
Ernesto (Teo Gutiérrez Romero) has two names. One name – Ernesto – is for his schoolmates, but he goes by Juan at home. His parents also have two names. Horacio goes by Daniel (César Troncoso) and Cristina by Charo (Natalia Oreiro). It’s Argentina in 1979, and five years after Perón’s death, Horacio, Cristina and charismatic Uncle Beto (Ernesto Alterio) continue the fight against the existing regime through violent tactics.
Using a mixed-media strategy where moments of extreme violence are depicted through graphic animations, Ávila’s film keeps the focus firmly on Juan and his budding relationship with a classmate’s sister, María (Violeta Palukas).
Romero’s surprisingly tender and mature performance recalls the two great Ana Torrent roles from the 1970s in Spirit of the Beehive and Cria Cuervos.
- 1/17/2013
- by Neal Dhand
- SoundOnSight
Clandestine Childhood
Directed by Benjamín Ávila
Argentina, 2011
Philadelphia Film Festival
Benjamín Ávila’s debut feature is a fine balance of youthful longing and militant resistance.
Ernesto (Teo Gutiérrez Romero) has two names. One name – Ernesto – is for his schoolmates, but he goes by Juan at home. His parents also have two names. Horacio goes by Daniel (César Troncoso) and Cristina by Charo (Natalia Oreiro). It’s Argentina in 1979, and five years after Perón’s death, Horacio, Cristina and charismatic Uncle Beto (Ernesto Alterio) continue the fight against the existing regime through violent tactics.
Using a mixed-media strategy where moments of extreme violence are depicted through graphic animations, Ávila’s film keeps the focus firmly on Juan and his budding relationship with a classmate’s sister, María (Violeta Palukas).
Romero’s surprisingly tender and mature performance recalls the two great Ana Torrent roles from the 1970s in Spirit of the Beehive and Cria Cuervos.
Directed by Benjamín Ávila
Argentina, 2011
Philadelphia Film Festival
Benjamín Ávila’s debut feature is a fine balance of youthful longing and militant resistance.
Ernesto (Teo Gutiérrez Romero) has two names. One name – Ernesto – is for his schoolmates, but he goes by Juan at home. His parents also have two names. Horacio goes by Daniel (César Troncoso) and Cristina by Charo (Natalia Oreiro). It’s Argentina in 1979, and five years after Perón’s death, Horacio, Cristina and charismatic Uncle Beto (Ernesto Alterio) continue the fight against the existing regime through violent tactics.
Using a mixed-media strategy where moments of extreme violence are depicted through graphic animations, Ávila’s film keeps the focus firmly on Juan and his budding relationship with a classmate’s sister, María (Violeta Palukas).
Romero’s surprisingly tender and mature performance recalls the two great Ana Torrent roles from the 1970s in Spirit of the Beehive and Cria Cuervos.
- 10/30/2012
- by Neal Dhand
- SoundOnSight
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.