A music supervisor has a big job, as defined by the TV Academy: She or he “creatively contributes to the story, character development and overall narrative of the program by engaging in song selection, guiding original song creation and production, overseeing on-camera music performances… contributing to the creation of a unique music aesthetic.”
This year’s five nominees reflect those ideals:
Frankie Pine, music supervisor for “Daisy Jones & The Six,” was hired five years ago; she was even part of the casting process for the rise-and-fall story of a ’70s rock band. “It was all-encompassing,” she says, “being able to do every aspect of music to help create that authenticity.”
Pine submitted episode 8, which depicts the band touring the U.S. “We had all those on-cameras. Everything was done to playback,” she reports, “but everything was also recorded live,” providing multiple options during post-production.
The choice of non-Daisy Jones...
This year’s five nominees reflect those ideals:
Frankie Pine, music supervisor for “Daisy Jones & The Six,” was hired five years ago; she was even part of the casting process for the rise-and-fall story of a ’70s rock band. “It was all-encompassing,” she says, “being able to do every aspect of music to help create that authenticity.”
Pine submitted episode 8, which depicts the band touring the U.S. “We had all those on-cameras. Everything was done to playback,” she reports, “but everything was also recorded live,” providing multiple options during post-production.
The choice of non-Daisy Jones...
- 8/25/2023
- by Jon Burlingame
- Variety Film + TV
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