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‘Summer of Soul,’ ‘The Story of Looking’ to Bookend Sheffield Doc/Fest
Image
The 2021 Sheffield Doc/Fest will open with the European premiere of Ahmir “Questlove” Thompson’s “Summer of Soul” and close with the world premiere of Mark Cousins’ “The Story of Looking.”

“Summer of Soul (…Or When The Revolution Could Not Be Televised)” explores the 1969 Harlem Cultural Festival, which celebrated African American music and culture, and promoted Black pride and unity.

“The Story of Looking” is a fresh look into the world’s complexities, contradictions and beauty. Cousins will also be in conversation, live-streamed from Sheffield, about his personal relationship to film and images.

Both films will also simultaneously premiere in cinemas around the U.K.

“We’re honored to premiere our film on the closing night of Sheffield’s acclaimed Doc/Fest,” Cousins said. “We hope it will send audiences and delegates back out into the world with hearts aglow and fresh eyes.”

“We wanted to open and close with...
See full article at Variety Film + TV
  • 4/22/2021
  • by Naman Ramachandran
  • Variety Film + TV
Questlove’s ‘Summer Of Soul’ to open Sheffield Doc/Fest 2021
Image
World premiere of Mark Cousins’ ‘The Story Of Looking’ will close the UK documentary festival.

Ahmir “Questlove” Thompson’s Summer Of Soul (…Or When The Revolution Could Not Be Televised) will open the UK’s Sheffield Doc/Fest 2021 (June 4-13). The festival has united with UK cinemas for the first time to simultaneously premiere the documentary.

The festival will close with the world premiere of Mark Cousins’ The Story Of Looking, which will also debut simultaneously at several partner cinemas around the UK, including London’s BFI Southbank, Glasgow Film Theatre and Home in Manchester.

This year’s Doc/Fest...
See full article at ScreenDaily
  • 4/22/2021
  • by Michael Rosser
  • ScreenDaily
Valentina Herszage in Kill Me Please (2015)
'Neon Bull' triumphs in Rio
Valentina Herszage in Kill Me Please (2015)
The sensorial cinema of Gabriel Mascaro, who turned the life of a group of cowhands into a poetic experience in Neon Bull (Boi Neon), was the big winner at the 17th edition of Rio de Janeiro’s International Film Festival.

The allegory of the recent economic transformations in Brazil received four Redentor awards on Tuesday night: best film, best screenplay, best cinematography and best supporting actress for Alyne Santana.

Previously the film screened in Venice, where it won the Orizzonti special jury prize, and Toronto.

The best director prize was shared between Ives Rosenfeld’s Hopefuls (Aspirantes), a journey of a young amateur football player, and Anita Rocha da Silveira’s Kill Me Please (Mate-Me Por Favor), a teen horror film set at a school in Barra de Tijuca. Both works are first features.

The jury headed by the director and cinematographer Walter Carvalho also celebrated Hopefuls with a best actor prize for Ariclenes Barroso and a...
See full article at ScreenDaily
  • 10/13/2015
  • by elaineguerini@terra.com.br (Elaine Guerini)
  • ScreenDaily
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