Release calendarTop 250 moviesMost popular moviesBrowse movies by genreTop box officeShowtimes & ticketsMovie newsIndia movie spotlight
    What's on TV & streamingTop 250 TV showsMost popular TV showsBrowse TV shows by genreTV news
    What to watchLatest trailersIMDb OriginalsIMDb PicksIMDb SpotlightFamily entertainment guideIMDb Podcasts
    OscarsEmmysSan Diego Comic-ConSummer Watch GuideToronto Int'l Film FestivalSTARmeter AwardsAwards CentralFestival CentralAll events
    Born todayMost popular celebsCelebrity news
    Help centerContributor zonePolls
For industry professionals
  • Language
  • Fully supported
  • English (United States)
    Partially supported
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Watchlist
Sign in
  • Fully supported
  • English (United States)
    Partially supported
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Use app
Back
  • Biography
IMDbPro

News

Kaoru Mitsumune

Film Review: Room Laundering (2018) by Kenji Katagiri
As a landlord, there are many rules and regulations that need to be adhered to. As indicated by a suitably seedy Tomorowo Taguchi in “Room Laundering’s” carnivalesque opening scene, Japanese law requires that landlords reveal that if a previous tenant died in a property, any prospective renters must be informed as such. But, with the help of a troubled young woman, uncaring landlords can find a way round this.

Room Laundering is screening at Camera Japan

Miko (Elaiza Ikeda) saw her father die at a young age and then her mother disappear soon after. Raised by her grandmother, it wasn’t long before her only living relative was her uncle Goro (Joe Odagiri), a low-level dealer in all things of the illegal variety. With no home, Goro sends Miko to live in any apartment of the recently deceased, making the current tenant alive and well, so Goro’s clients...
See full article at AsianMoviePulse
  • 10/1/2018
  • by Andrew Thayne
  • AsianMoviePulse
Film Review: Room Laundering (2018) by Kenji Katagiri screening at Fantasia Film Festival
You have probably heard about money laundering. But what about Room Laundering? Director and writer Kenji Katagiri wants to tell you more about that in his same-titled debut film.

“Room Laundering” is part of the Asian selection at Fantasia International Film Festival

Room Laundering means to restore the reputation of an apartment. Why was the Reputation damaged? Because someone got killed or killed himself there. The Japanese law demands the landlord to inform the new tenant about the previous happenings, which will make it very hard to sell the apartment. There is a loophole, though. This information obligation lasts until the first new tenant after the incident, moves in.

And this is where the story kicks in. Miko, played by Elaiza Ikeda (“The Many Faces of Ito” 2017), is a young woman, who works as a placeholder. Whenever there is a murder room or a suicide apartment, her phone rings and she has to move in,...
See full article at AsianMoviePulse
  • 8/1/2018
  • by Alexander Knoth
  • AsianMoviePulse
Fantasia Review: ‘Room Laundering’ is a Sweetly Funny and Surreal Coming-of-Age Tale
According to Kenji Katagiri’s debut feature Room Laundering — and I have no reason to disbelieve him — Japan has a law stating that landlords must divulge whether a previous tenant died or suffered a violent crime within any newly vacated property to all prospective replacements. But while this rule makes sense considering people are sensitive to the notion of supernatural hauntings and evil spirits, lawmakers never stipulated how long before that history can be “cleaned” off the books. No one setting the duration at “x-amount of years” is an obvious oversight, but that lack of concrete interpretation allows owners to simply agree to a loose understanding hinged upon the basis of the tenants themselves. If someone moves in and leaves afterwards, whomever follows won’t technically have to know.

It’s a wild loophole that makes for a captivating premise to set a sweetly funny and surreal coming-of-age tale centered upon a twenty-year old,...
See full article at The Film Stage
  • 7/18/2018
  • by Jared Mobarak
  • The Film Stage
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.

More from this person

More to explore

Recently viewed

Please enable browser cookies to use this feature. Learn more.
Get the IMDb App
Sign in for more accessSign in for more access
Follow IMDb on social
Get the IMDb App
For Android and iOS
Get the IMDb App
  • Help
  • Site Index
  • IMDbPro
  • Box Office Mojo
  • License IMDb Data
  • Press Room
  • Advertising
  • Jobs
  • Conditions of Use
  • Privacy Policy
  • Your Ads Privacy Choices
IMDb, an Amazon company

© 1990-2025 by IMDb.com, Inc.