Coming Next from Spain, a showcase of five series, unspooled at Series Mania on March 21 just after a Spanish series, “Wrong Side of the Tracks” from Mediaset España and Alea Media, had scored 149.6 million watching hours in three weeks on Netflix for Seasons 1 and 2.
That platform connection and power of Spanish series threaded most of the series and much of the commentary at Tuesday’s Next from Spain, supported by Audiiovisual from Spain.
At least in terms of titles now ready to hit the market, there’s little sign as yet of platform pullback in Spain. Rather, it remains a ground zero in the streamer wars.
2023 will see the release of 70 new Spanish scripted series and 27 returning seasons of titles such as “Elite” “Rapa” “30 Coins” and “Veneno,” presenter Irene Jiménez, at Audiovisual 451, told a Next From Spain audience.
Of these new titles, 36% will be produced by linear TV broadcasters,...
That platform connection and power of Spanish series threaded most of the series and much of the commentary at Tuesday’s Next from Spain, supported by Audiiovisual from Spain.
At least in terms of titles now ready to hit the market, there’s little sign as yet of platform pullback in Spain. Rather, it remains a ground zero in the streamer wars.
2023 will see the release of 70 new Spanish scripted series and 27 returning seasons of titles such as “Elite” “Rapa” “30 Coins” and “Veneno,” presenter Irene Jiménez, at Audiovisual 451, told a Next From Spain audience.
Of these new titles, 36% will be produced by linear TV broadcasters,...
- 3/24/2023
- by John Hopewell and Callum McLennan
- Variety Film + TV
The battle for success on the new drama series scene is the battle for talent, led by screenwriters. Following, portraits of Spanish TV scribes or creators, sometimes writing teams, who’ve made an impact, or look set to do so:
Fran Araujo
2022 was Araujo’s year. He co-wrote Berlin Competition’s “One Night, One Day” and “Rapa,” Movistar+’s biggest 2022 bow. “Offworld,” a collective series he coordinated, was a Variety’s International TV Show of the Year. An iconoclast – “if I do the same thing, I get bored,” he says – who tears up the rule book.
Aina Clotet
Best known for acting, winning at Malaga for “The Wild Ones,” but a driving force as co-creator, director and star behind “This Is Not Sweden” a €1.5 million grant recipient and groundbreaking Spain-Scandinavia-Germany co-pro, turning on a couple who think they’ve found a model lifestyle. But “there are no guarantees,” says Clotet.
Fran Araujo
2022 was Araujo’s year. He co-wrote Berlin Competition’s “One Night, One Day” and “Rapa,” Movistar+’s biggest 2022 bow. “Offworld,” a collective series he coordinated, was a Variety’s International TV Show of the Year. An iconoclast – “if I do the same thing, I get bored,” he says – who tears up the rule book.
Aina Clotet
Best known for acting, winning at Malaga for “The Wild Ones,” but a driving force as co-creator, director and star behind “This Is Not Sweden” a €1.5 million grant recipient and groundbreaking Spain-Scandinavia-Germany co-pro, turning on a couple who think they’ve found a model lifestyle. But “there are no guarantees,” says Clotet.
- 2/20/2023
- by John Hopewell and Pablo Sandoval
- Variety Film + TV
“20,000 Species Of Bees”
(Estíbaliz Urresola)
A Berlin competition contender and, like “Alcarràs,” redolently grounded – unspooling in a Basque Country village – and yet a big-issue drama. Catalonia’s Inicia Films (“La Maternal”) and Basque Country’s Gariza Films (“Nora) produce.
Sales: Luxbox
“Anqa”
(Helin Celik)
Selected for Forum, a doc feature produced by Barcelona’s Kepler Mission Film and Vienna-based Kurd Celik. The harrowing story of three Jordanian women survivors of male violence.
“The Beasts”
(Rodrigo Sorogoyen)
A stylish feminist Western, set in modern deep Galicia, which, breaking out in France and Spain, rates with “Alcarràs” as the standout Spanish film of 2022.
Sales: Latido Films
“The Chauffeur’S Son”
(Isaki Lacuesta)
From “Elite’s” Zeta Studios, chosen for Co-Pro Series and bidding to become the series debut as writer-director of Lacuesta (“Between Two Waters”), a searing portrait of the perverse collusion of politics and media, exemplified by the real life...
(Estíbaliz Urresola)
A Berlin competition contender and, like “Alcarràs,” redolently grounded – unspooling in a Basque Country village – and yet a big-issue drama. Catalonia’s Inicia Films (“La Maternal”) and Basque Country’s Gariza Films (“Nora) produce.
Sales: Luxbox
“Anqa”
(Helin Celik)
Selected for Forum, a doc feature produced by Barcelona’s Kepler Mission Film and Vienna-based Kurd Celik. The harrowing story of three Jordanian women survivors of male violence.
“The Beasts”
(Rodrigo Sorogoyen)
A stylish feminist Western, set in modern deep Galicia, which, breaking out in France and Spain, rates with “Alcarràs” as the standout Spanish film of 2022.
Sales: Latido Films
“The Chauffeur’S Son”
(Isaki Lacuesta)
From “Elite’s” Zeta Studios, chosen for Co-Pro Series and bidding to become the series debut as writer-director of Lacuesta (“Between Two Waters”), a searing portrait of the perverse collusion of politics and media, exemplified by the real life...
- 2/16/2023
- by John Hopewell and Douglas Wilson
- Variety Film + TV
Barcelona-based indie studio Filmax is hailing into Content Americas selling the semi-autobiographical series “Selftape,” made by members of a new generation of women TV writers and directors now building in Spain.
Described as fiction with autobiographical overtones, the series revolves around the real-life Spanish actresses and sisters, Joana Vilapuig and Mireia Vilapuig who, in a personal touch, found fame as teen actresses in “The Red Band Society,” one of Filmax’s most successful TV productions ever. A decade on, now 27 and 25, they are now figuring out how to move their careers forward and trying to find their place in the film-tv industry and life in a present which is far from certain. That sums up the malaise of much of their generation.
The sisters co-wrote the series with Ivan Mercadé, Carlos Robisco (“Lucky Strike”) and Clara Esparrach (“Three Days of Christmas”).
Bàrbara Farré directs. Her credits include the award-winning short...
Described as fiction with autobiographical overtones, the series revolves around the real-life Spanish actresses and sisters, Joana Vilapuig and Mireia Vilapuig who, in a personal touch, found fame as teen actresses in “The Red Band Society,” one of Filmax’s most successful TV productions ever. A decade on, now 27 and 25, they are now figuring out how to move their careers forward and trying to find their place in the film-tv industry and life in a present which is far from certain. That sums up the malaise of much of their generation.
The sisters co-wrote the series with Ivan Mercadé, Carlos Robisco (“Lucky Strike”) and Clara Esparrach (“Three Days of Christmas”).
Bàrbara Farré directs. Her credits include the award-winning short...
- 1/23/2023
- by Liza Foreman
- Variety Film + TV
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