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A Still From Sara: Woman In The Shadows(Photo Credit –Netflix)

A few days back, we made our readers aware of a lesser-known Netflix series, Dept. Q. With new films and shows from around the world landing on Netflix every week, deciding on your next binge-watch becomes a time-consuming affair. We understand this what-to-watch dilemma, so we have made it our mission to spot underrated gems that often fly under the radar. Today, we give you another overlooked series that deserves your attention. It’s an Italian show called Sara: Woman in the Shadows. Read on to learn what it’s about, who should watch it, and why it might be your next binge-watch.

Sara: Woman In The Shadows – Plot & Cast

Based on Maurizio de Giovanni’s crime novels, the series follows the story of the titular protagonist Sara Morozzi (played by Teresa Saponangelo), a former secret agent living a peaceful life.

Adapted from Maurizio de Giovanni’s crime thriller novels, “The Investigations of Sara,” Netflix’s latest series, Sara: Woman in the Shadows, is much more than your average espionage caper. Revolving around a former intelligence agent whose life after retirement gets entangled in personal and professional ties following a family tragedy, the series is gritty and grounded in its treatment of spy-thriller narrative elements, topical in its exploration of contemporary first-world country political zeitgeist, and measured and composed in its delineation of emotional connections. A number of themes, like deep-rooted corruption in authoritative powers, the role of women in the profession of espionage, and politicians exploiting xenophobic tendencies of the masses to assume power, are juggled in the condensed narrative spanning six episodes. While the premise of the series is simple, the storyline itself is connected with several subplots that tie in past events as well—and reasonably, require a simplified delineation.

Massimiliano Gallo, Margherita Buy and Marina Confalone lead the cast of this Paco Cinematografica and Amazon Prime Video production, co-produced by Poland. A chaotic, dysfunctional family with all its conflicts, misunderstandings and silences forms the basis of Alessandro Gassmann’s latest feature film Il silenzio grande, on which shooting wrapped this Friday. Following on from Razzabastarda and The Prize, the well-known actor is once again stepping behind the camera, this time with a screenplay based on the homonymous stage production by Maurizio De Giovanni, which has been adapted for the big screen by the very same De Giovanni, together with Andrea Ozza and Gassmann. The story is as follows: once a luxurious home and now a creaking old mansion straight out of the pages of a ghost story, Villa Primic has been put up for sale. It was a painful decision, made by Signora Primic (Rose) and supported by Massimiliano and.