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Shôji Matsui

Our House (2022)
Film Review: Our House (2017) by Yui Kiyohara
Our House (2022)
A finger pokes a small hole through a fusuma (Japanese-style sliding door). A girl bends down and peeks through the hole. She sees something. A woman notices a hole on one of the fusuma in the apartment. Bewildered by this, she moves closer to the door and tries to see through the small crack if there is anything on the other side. Coincidence? Or is there a larger mystery behind the doors?

“Our House” will be screening at Film at Lincoln Center starting on Sept. 15th

This is the intricate world created by young director Yui Kiyohara in her master thesis film. Graduated from Tokyo University of Arts, Kiyohara won the Grand Prix at Pia Film Festival, Japan's most important film festival dedicated to independent filmmaking. Mentored by auteurs like Kiyoshi Kurosawa and Nobuhiro Suwa (Suwa and producer Shoji Matsui served as the advisors for “Our House”), Kiyohara invokes the...
See full article at AsianMoviePulse
  • 9/5/2023
  • by I-Lin Liu
  • AsianMoviePulse
Film Review: Our House (2017) by Yui Kiyohara
A finger pokes a small hole through a fusuma (Japanese-style sliding door). A girl bends down and peeks through the hole. She sees something. A woman notices a hole on one of the fusuma in the apartment. Bewildered by this, she moves closer to the door and tries to see through the small crack if there is anything on the other side. Coincidence? Or is there a larger mystery behind the doors?

Our House is screening at Japannual Festival

This is the intricate world created by young director Yui Kiyohara (清原唯) in her master thesis film. Graduated from Tokyo University of Arts, Kiyohara won the Grand Prix at Pia Film Festival, Japan’s most important film festival dedicated to independent filmmaking. Mentored by auteurs like Kiyoshi Kurosawa and Nobuhiro Suwa (Suwa and producer Shoji Matsui served as the advisors for “Our House”), Kiyohara invokes the unknown within an ordinary world...
See full article at AsianMoviePulse
  • 10/7/2018
  • by I-Lin Liu
  • AsianMoviePulse
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