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Olivier Marguerit

‘Emily in Paris’ Season 4 Soundtrack: ‘Dancing In The Moonlight’ & More
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While Mindy (Ashley Park) and co. gear up for the Eurovision Song contest in Season 4 of Emily in Paris, they have some time to practice their numbers. Whether it be a French rendition of a popular song, or the English hit itself, they often perform crowd-pleasers.

The soundtrack to Emily in Paris features many French artists that back the hustle and bustle of Emily’s life. Find all the songs featured in Season 4 of Emily in Paris below:

Episode 1: Break Point

“Swan Lake, Op. 20, Spanish Dance” by Tchaichovsky “Chat Dans La Nuit” by Dopamoon (feat. Romain Muller) “Love Is in the Air” by John Paul Young “Encore” by Dopamoon x Napkey “Paris Yeye Girl” by Bea Parks and Jack Lake “Visions” by Tample “Bollide” by Warner Chappell Music Group “Off” by Les Filles and Christopher “Café Bombon” by Sergey Kolosov, Ross Gidney “3 Bikinis” by David C [French Dance Version] “Memories” by...
See full article at Deadline Film + TV
  • 9/12/2024
  • by Dessi Gomez
  • Deadline Film + TV
Dominik Moll’s ‘The Night Of The 12th’ & Albert Serra’s ‘Pacification’ Lead Prizes At French Lumière Awards
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Dominik Moll’s The Night of The 12th has won best film at the 28th edition of France’s Lumière Awards in Paris on Monday evening.

The investigative drama, which was nominated in six categories, also won Best Screenplay.

The film, which debuted in the Cannes Film Festival’s non-competitive Cannes Première section, stars Bastien Bouillon as a police detective who becomes obsessed with a case involving a complex female murder victim.

Best director went to Albert Serra for French Polynesia-set drama Pacification. The feature also clinched two other prizes: Best Actor for Benoît Magimal and Best Cinematography for Artur Tort.

Virginie Efira won Best Actress for her performance in Rebecca Zlotowski’s Other People’s Children about the challenge of navigating the stepmother role.

Nadia Tereszkiewicz won Best Female Revelation for her performance in Forever Young and Dimitri Doré, Best Male Revelation for Bruno Reidal.

Alice Diop clinched best documentary category for We,...
See full article at Deadline Film + TV
  • 1/16/2023
  • by Melanie Goodfellow
  • Deadline Film + TV
‘The Night Of The 12th’ Leads Nominations In France’s Lumière Awards
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Dominik Moll’s The Night of The 12th, which world premiered in Cannes in May, has topped the nominations for the 28th edition of France’s Lumière Awards.

The awards are voted on by members of the international press corp hailing from 36 countries based in France.

The Night Of The 12th was nominated in six categories including best film, director and screenplay. The film debuted in the Cannes Film Festival’s non competitive Cannes Première section.

The investigative drama is Moll’s seventh feature. It stars Bastien Bouillon, with support from Bouli Lanners, as a police detective who becomes obsessed with a case involving a complex female murder victim.

Other multi-nominated titles include Albert Serra’s French Polynesia-set drama Pacification five nominations.

Four films received four nominations each: Alice Diop’s Saint-Omer; Rebecca Zlotowski’s Other People’s Children; Louis Garrel’s The Innocent and Gaspar Noé’s Vortex.

Diop,...
See full article at Deadline Film + TV
  • 12/15/2022
  • by Melanie Goodfellow
  • Deadline Film + TV
‘My Best Part’ Review: An All Too Twee Character Study Tug-of-War Between Melancholy and Jealousy
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To say “My Best Part,” the directorial debut of “Call My Agent” assistant Nicolas Maury, revels in cringe-worthy moments is, perhaps, an understatement. The opening moments alone find a bowl-cut-sporting Jérémie (Maury) flummoxed by the very straightforward Gps directions spouted at him by his phone. Jérémie, you see, is a bit of a mess. A lot of a mess, actually. And, faced with the prospect of going left, the camera swivels alongside him, letting us take this frail waif of an adult man head on.

It’s such a laughable, nothing of a crisis — especially for someone on his way to group therapy, where he hopes to curb the gnawing jealousy that’s eroding the relationship with his dashing boyfriend — that you instantly know what Maury is grappling with. Here’s the kind of melancholy young man who might find himself at home in a late-19th-century sentimental German tale,...
See full article at Variety Film + TV
  • 3/1/2022
  • by Manuel Betancourt
  • Variety Film + TV
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.

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