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Maria Roveran

News

Maria Roveran

Strand Releasing Takes U.S. Rights to Italian Lgbt Drama ‘Mom+Mom’ (Exclusive)
Rome-based sales company Coccinelle Film has closed U.S. deals on two new Italian Lgbt titles, confirming the international appeal of what is becoming a small but significant local cinema sub-genre.

Strand Releasing has taken North American rights to “Mom+Mom,” about two southern Italian women who struggle to have a child together because of a local law that forbids gays and lesbians to adopt or have babies.

The U.K. rights for “Mom+Mom” have been picked up by Lgbt specialty distributor Tla Releasing, while its sister company Optimale has picked up the pic for France.

Produced by prominent shingle Bibi Film – which recently made Netflix’s first Italian movie, gangster pic “The Ruthless” – “Mom+Mom” features Linda Caridi (“Antonia”) and Maria Roveran (“These Days”) as the couple who with great difficulty raise money to go to Barcelona for artificial insemination.

Breaking Glass Pictures, which is run by industry...
See full article at Variety Film + TV
  • 5/3/2019
  • by Nick Vivarelli
  • Variety Film + TV
These Days (2016)
Questi Giorni (These Days) Movie Review (Venice Film Festival 2016)
These Days (2016)
Title: Questi Giorni (These Days) Director: Giuseppe Piccioni Starring: Margherita Buy, Marta Gastini, Maria Roveran, Laura Adriani, Caterina Le Caselle, Filippo Timi, Sergio Rubini. Giuseppe Piccioni is known in Italy for being an auteur who is engaged with grasping his country’s social trends, depicting marginal human figures that are detached from the world, and traverse tormented love affairs. Questi Giorni (These Days) is a road trip. It’s the story of four teenage girlfriends who – as the genre imposes – will venture on a journey that is also meant to be a spiritual one. Caterina (Marta Gastini), is moving to Belgrade and will be accompanied by three of her old [ Read More ]

The post Questi Giorni (These Days) Movie Review (Venice Film Festival 2016) appeared first on Shockya.com.
See full article at ShockYa
  • 9/8/2016
  • by Chiara Spagnoli Gabardi
  • ShockYa
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