Since 2005, the Cannes Film Festival Critics’ Week and Mexico’s Morelia Intl. Film Festival (Ficm) have enjoyed a reciprocal relationship. Each year, a selection of short competition films from Morelia is shown in a special selection at Critics’ Week, with the features from the Cannes section screening five months later in Morelia.
The short film program is also presented in Paris shortly after the festival.
The shorts which make it to Cannes are selected by Critics’ Week artistic director Charles Tesson. Each year, Tesson attends the Mexican fest where he selects which shorts to bring back to Cannes with him. And, while Tesson often selects some of the winning films, he has complete freedom to curate the selection as he sees fit.
Since its inception in 2003 Morelia has been screening the Critics’ Week films, and in 2005, then then head of Critics’ Week Jean-Christophe Berjon attended the Mexican festival and made...
The short film program is also presented in Paris shortly after the festival.
The shorts which make it to Cannes are selected by Critics’ Week artistic director Charles Tesson. Each year, Tesson attends the Mexican fest where he selects which shorts to bring back to Cannes with him. And, while Tesson often selects some of the winning films, he has complete freedom to curate the selection as he sees fit.
Since its inception in 2003 Morelia has been screening the Critics’ Week films, and in 2005, then then head of Critics’ Week Jean-Christophe Berjon attended the Mexican festival and made...
- 5/23/2019
- by Jamie Lang
- Variety Film + TV
Six Mexican films featured at November’s Los Cabos in Progress will make the cross-Atlantic trip to participate in this year’s Cannes Film Festival Market pix-in-post initiative, Los Cabos Goes to Cannes.
The Los Cabos International Film Festival, now heading into its 7th year, aims to grow and strengthen a pan-North American cinema culture, promoting filmmakers and films from Mexico, Canada and the U.S. Los Cabos also hosts an industry platform intended to link professionals throughout the territories.
A well-rounded selection of films: Two fiction, Kyzza Terrazas’ “Bayoneta” and Fernando Frias’ “I’m No Longer Here”; two docs, Betzabé García’s “#Mickey” and Rodrigo Iturralde Álvarez and Georgina González Rodríguez’s “Finding the Werewolf”; and, notably, two animated features, “A Costume for Nicolas” from Eduardo Rivero and “Olimpia” from J. M. Cravioto, make up this year’s selected films-in-progress.
A constantly recurring theme in North American cinema, immigration...
The Los Cabos International Film Festival, now heading into its 7th year, aims to grow and strengthen a pan-North American cinema culture, promoting filmmakers and films from Mexico, Canada and the U.S. Los Cabos also hosts an industry platform intended to link professionals throughout the territories.
A well-rounded selection of films: Two fiction, Kyzza Terrazas’ “Bayoneta” and Fernando Frias’ “I’m No Longer Here”; two docs, Betzabé García’s “#Mickey” and Rodrigo Iturralde Álvarez and Georgina González Rodríguez’s “Finding the Werewolf”; and, notably, two animated features, “A Costume for Nicolas” from Eduardo Rivero and “Olimpia” from J. M. Cravioto, make up this year’s selected films-in-progress.
A constantly recurring theme in North American cinema, immigration...
- 5/13/2018
- by Jamie Lang
- Variety Film + TV
Cinema Tropical, the acclaimed New York-based organization dedicated to promoting Latin American cinema in the United States, is celebrating its 15th Anniversary with the 2016 edition of the Cinema Tropical Festival presented with the Museum of the Moving Image. Presenting six feature films from Argentina, Guatemala, Panama, Peru, and Puerto Rico, the festival will feature select winners and nominees from the 6th Annual Cinema Tropical Awards, which were announced at a special ceremony at the New York Times Company headquarters last month.
Founded in 2001 by Carlos A. Gutiérrez and Monika Wagenberg with the mission of distributing, programming and promoting what was to become the biggest boom of Latin American cinema in decades, Cinema Tropical has become the leading presenter of Latin American cinema in the United States. In its 15 years of existence, it has theatrically released 25 Latin American feature films, more than any other U.S. distributor, and has produced numerous film series with multiple cultural organizations. Through a diversity of programs and initiatives, Cinema Tropical is thriving as a dynamic and groundbreaking 501(c)(3) non-profit media arts organization experimenting in the creation of better and more effective strategies for the distribution and exhibition of foreign cinema in this country.
The Cinema Tropical Festival brings the best of contemporary Latin American cinema to New York City audiences, offering a chance to experience the dynamic and inventive film productions from the region. The opening night screening of "Mala Mala," winner of the Cinema Tropical Award for Best U.S. Latino Film, will be followed a Q&A with filmmakers Dan Sickles and Antonio Santini, and a 15th Anniversary celebration reception.
The festival will feature the U.S. premiere of the Tiger Award winner "Videophilia (and Other Viral Syndromes") by Juan Daniel F. Molero, which became the first Peruvian film ever to receive the top prize at the Rotterdam Film Festival, with the filmmaker in attendance. The lineup also includes the New York premieres of Juan Schnitman’s debut feature "The Fire," winner of the Best Film Award at the Transylvania Film Festival, and Abner Benaim’s "Invasión," Panama’s first film to be submitted for the Best Foreign Language Oscar.
From Guatemala, Best First Film winner and recipient of the Silver Bear Alfred Bauer Prize at the 2015 Berlinale, Jayro Bustamante’s "Ixcanul" will screen on Saturday. The Argentine film "Jauja" by Lisandro Alonso starring Viggo Mortensen, and winner of the Cinema Tropical for Best Latin American Film of the Year, will close out the Festival on Sunday evening.
Other winners at the Cinema Tropical included "Invasion" (Panama) for Best Documentary Film, "Ixcanul" (Guatemala) for Best First Film "Mala Mala" for Best U.S. Latino Film, Pablo Larraín ("The Club," Chile) for Best Director, Feature Film, and Betzabé García ("Kings of Nowhere," Mexico) for Best Director, Documentary.
Schedule:
"Mala Mala"
(Dan Sickles and Antonio Santini, USA/Puerto Rico, color, 87 min. In Spanish and English with English subtitles)
Winner Best U.S. Latino Film – Cinema Tropical Awards The critically acclaimed Mala Mala explores the intimate moments, performances, friendships and activism of trans identifying people, drag queens and others who defy typical gender identities in Puerto Rico. The film features Ivana, an activist; Soraya, an older sex-change pioneer; Sandy, a prostitute looking to make a change; and Samantha and Paxx, both of whom struggle with the quality of medical resources available to assist in their transition. Hailed as “Sensitive and thoughtful” by the New York Times and winner of the audience award for documentary film at the Tribeca Film Festival, Mala Mala affirms that the quest to find oneself can be both difficult and beautiful. A Strand Releasing release. Q&A with filmmakers, reception to follow.
Friday, February 26, 7:00pm
"Invasion"
(Invasión, Abner Benaim, Panama/Argentina, 2014, 93 min. In Spanish with English subtitles) New York Premiere Winner, Best Documentary – Cinema Tropical Awards Using reenactments and interviews, filmmaker Abner Benaim documents the collective memory -as well as the selective amnesia- of his fellow Panamanians around the 1989 U.S. invasion to overthrow General Manuel Noriega. The lives of the people of the Central American nation were deeply shaken by the American military incursion. Invasion–Panama’s first film to be submitted for the Best Foreign Language Oscar– is a witty and engaging documentary that talks about the perils of sovereignty, democracy and endangered virtues of today’s ultra-capitalist world. The film not only explores the mechanisms in which memory is turned into history, but holds a mirror to the present to show how the recent past shapes the current Panama.
Saturday, February 27, 12:30pm
"Ixcanul"
(Jayro Bustamante, Guatemala/France, 2015, 93 min. In Kaqchikel and Spanish with English subtitles)
Winner, Best First Film – Cinema Tropical Awards
Winner of the Berlinale’s Silver Bear Alfred Bauer Prize–the top honor ever won by a Central American film– Ixcanul marks the auspicious debut of Guatemalan filmmaker Jayro Bustamante. The film follows María (played by María Mercedes Coroy), a 17-year-old Mayan girl who lives and works in a coffee plantation that sits at the base of an active volcano in Guatemala. Although Maria dreams of going to the 'big city,' her condition as an indigenous woman does not permit her to change her destiny, and an arranged wedding is waiting for her. A snake bite forces her to go out into the modern world where her life is saved, but at a steep price. Ixcanul is a beautiful and poignant meditation on the clash between tradition and modernity. A Kino Lorber release.
Saturday, February 27, 3:00pm
"The Fire"
(El incendio, Juan Schnitman, Argentina, 2015, 95 min. In Spanish with English subtitles) New York Premiere Nominated, Best First Film – Cinema Tropical Awards On the way to closing the contract on their first home, Lucía and Marcelo withdraw a hundred thousand dollars in cash from their bank. The seller can’t make it to the signing and it gets postponed to the next day. Frustrated, they head back to their old place and put the money away. The next 24 hours will unveil the true nature of their love, the crisis they are in, and the violence within themselves. “A riveting chamber piece of subtle shifts and evenhanded power struggles (Variety), Schnitman’s debut feature film was the winner of the Best Film Award at the Transylvania Film Festival.
Saturday, February 27, 5:00pm
"Videophilia (And Other Viral Syndromes)"
(Videofilia (y otros síndromes virales), Juan Daniel F. Molero, Peru/USA, 2015, color, 102 min. In Spanish with English subtitles) U.S. Premiere Nominated, Best First Film – Cinema Tropical Awards The first Peruvian film to ever win the Tiger Award at the Rotterdam Film Festival, Videophilia (and Other Viral Syndromes) follows Luz, a teenage misfit from Lima who meets online Junior, a weird slacker who is obsessed with conspiracy theories, Mayan prophecies of the end of the world, and underground porn. They try to hook up in the real life but supernatural events start to unfold to guide their destinies. Set in Lima, Juan Daniel F. Molero’s exhilarating debut fiction film is a playful mashup of internet cafes, slackers, not-so-innocent schoolgirls, amateur porn, Google Glass, acid trips and guinea pigs as extras in an exorcism.
Q&A with filmmaker
Saturday, February 27, 7:00pm
"Jauja"
(Lisandro Alonso, Argentina/Denmark/France/Mexico, 2014, color, 108 min. In Danish and Spanish with English subtitles) Winner Best Fiction Film – Cinema Tropical Awards An astonishingly beautiful and gripping Western starring Viggo Mortensen, Jauja begins in a remote outpost in Patagonia during the late 1800s. Captain Gunnar Dinesen has come from abroad with his fifteen year-old daughter to take an engineering job with the Argentine army. Being the only female in the area, Ingeborg creates quite a stir among the men. She falls in love with a young soldier, and one night they run away together. When Dinesen realizes what has happened, he decides to venture into enemy territory, against his men’s wishes, to find the young couple. Featuring a superb performance from Mortensen, Jauja (the name suggests a fabled city of riches sought by European explorers) is the story of a man’s desperate search for his daughter, a solitary quest that takes him to a place beyond time, where the past vanishes and the future has no meaning. A Cinema Guild release.
Sunday, February 28, 4:30pm...
Founded in 2001 by Carlos A. Gutiérrez and Monika Wagenberg with the mission of distributing, programming and promoting what was to become the biggest boom of Latin American cinema in decades, Cinema Tropical has become the leading presenter of Latin American cinema in the United States. In its 15 years of existence, it has theatrically released 25 Latin American feature films, more than any other U.S. distributor, and has produced numerous film series with multiple cultural organizations. Through a diversity of programs and initiatives, Cinema Tropical is thriving as a dynamic and groundbreaking 501(c)(3) non-profit media arts organization experimenting in the creation of better and more effective strategies for the distribution and exhibition of foreign cinema in this country.
The Cinema Tropical Festival brings the best of contemporary Latin American cinema to New York City audiences, offering a chance to experience the dynamic and inventive film productions from the region. The opening night screening of "Mala Mala," winner of the Cinema Tropical Award for Best U.S. Latino Film, will be followed a Q&A with filmmakers Dan Sickles and Antonio Santini, and a 15th Anniversary celebration reception.
The festival will feature the U.S. premiere of the Tiger Award winner "Videophilia (and Other Viral Syndromes") by Juan Daniel F. Molero, which became the first Peruvian film ever to receive the top prize at the Rotterdam Film Festival, with the filmmaker in attendance. The lineup also includes the New York premieres of Juan Schnitman’s debut feature "The Fire," winner of the Best Film Award at the Transylvania Film Festival, and Abner Benaim’s "Invasión," Panama’s first film to be submitted for the Best Foreign Language Oscar.
From Guatemala, Best First Film winner and recipient of the Silver Bear Alfred Bauer Prize at the 2015 Berlinale, Jayro Bustamante’s "Ixcanul" will screen on Saturday. The Argentine film "Jauja" by Lisandro Alonso starring Viggo Mortensen, and winner of the Cinema Tropical for Best Latin American Film of the Year, will close out the Festival on Sunday evening.
Other winners at the Cinema Tropical included "Invasion" (Panama) for Best Documentary Film, "Ixcanul" (Guatemala) for Best First Film "Mala Mala" for Best U.S. Latino Film, Pablo Larraín ("The Club," Chile) for Best Director, Feature Film, and Betzabé García ("Kings of Nowhere," Mexico) for Best Director, Documentary.
Schedule:
"Mala Mala"
(Dan Sickles and Antonio Santini, USA/Puerto Rico, color, 87 min. In Spanish and English with English subtitles)
Winner Best U.S. Latino Film – Cinema Tropical Awards The critically acclaimed Mala Mala explores the intimate moments, performances, friendships and activism of trans identifying people, drag queens and others who defy typical gender identities in Puerto Rico. The film features Ivana, an activist; Soraya, an older sex-change pioneer; Sandy, a prostitute looking to make a change; and Samantha and Paxx, both of whom struggle with the quality of medical resources available to assist in their transition. Hailed as “Sensitive and thoughtful” by the New York Times and winner of the audience award for documentary film at the Tribeca Film Festival, Mala Mala affirms that the quest to find oneself can be both difficult and beautiful. A Strand Releasing release. Q&A with filmmakers, reception to follow.
Friday, February 26, 7:00pm
"Invasion"
(Invasión, Abner Benaim, Panama/Argentina, 2014, 93 min. In Spanish with English subtitles) New York Premiere Winner, Best Documentary – Cinema Tropical Awards Using reenactments and interviews, filmmaker Abner Benaim documents the collective memory -as well as the selective amnesia- of his fellow Panamanians around the 1989 U.S. invasion to overthrow General Manuel Noriega. The lives of the people of the Central American nation were deeply shaken by the American military incursion. Invasion–Panama’s first film to be submitted for the Best Foreign Language Oscar– is a witty and engaging documentary that talks about the perils of sovereignty, democracy and endangered virtues of today’s ultra-capitalist world. The film not only explores the mechanisms in which memory is turned into history, but holds a mirror to the present to show how the recent past shapes the current Panama.
Saturday, February 27, 12:30pm
"Ixcanul"
(Jayro Bustamante, Guatemala/France, 2015, 93 min. In Kaqchikel and Spanish with English subtitles)
Winner, Best First Film – Cinema Tropical Awards
Winner of the Berlinale’s Silver Bear Alfred Bauer Prize–the top honor ever won by a Central American film– Ixcanul marks the auspicious debut of Guatemalan filmmaker Jayro Bustamante. The film follows María (played by María Mercedes Coroy), a 17-year-old Mayan girl who lives and works in a coffee plantation that sits at the base of an active volcano in Guatemala. Although Maria dreams of going to the 'big city,' her condition as an indigenous woman does not permit her to change her destiny, and an arranged wedding is waiting for her. A snake bite forces her to go out into the modern world where her life is saved, but at a steep price. Ixcanul is a beautiful and poignant meditation on the clash between tradition and modernity. A Kino Lorber release.
Saturday, February 27, 3:00pm
"The Fire"
(El incendio, Juan Schnitman, Argentina, 2015, 95 min. In Spanish with English subtitles) New York Premiere Nominated, Best First Film – Cinema Tropical Awards On the way to closing the contract on their first home, Lucía and Marcelo withdraw a hundred thousand dollars in cash from their bank. The seller can’t make it to the signing and it gets postponed to the next day. Frustrated, they head back to their old place and put the money away. The next 24 hours will unveil the true nature of their love, the crisis they are in, and the violence within themselves. “A riveting chamber piece of subtle shifts and evenhanded power struggles (Variety), Schnitman’s debut feature film was the winner of the Best Film Award at the Transylvania Film Festival.
Saturday, February 27, 5:00pm
"Videophilia (And Other Viral Syndromes)"
(Videofilia (y otros síndromes virales), Juan Daniel F. Molero, Peru/USA, 2015, color, 102 min. In Spanish with English subtitles) U.S. Premiere Nominated, Best First Film – Cinema Tropical Awards The first Peruvian film to ever win the Tiger Award at the Rotterdam Film Festival, Videophilia (and Other Viral Syndromes) follows Luz, a teenage misfit from Lima who meets online Junior, a weird slacker who is obsessed with conspiracy theories, Mayan prophecies of the end of the world, and underground porn. They try to hook up in the real life but supernatural events start to unfold to guide their destinies. Set in Lima, Juan Daniel F. Molero’s exhilarating debut fiction film is a playful mashup of internet cafes, slackers, not-so-innocent schoolgirls, amateur porn, Google Glass, acid trips and guinea pigs as extras in an exorcism.
Q&A with filmmaker
Saturday, February 27, 7:00pm
"Jauja"
(Lisandro Alonso, Argentina/Denmark/France/Mexico, 2014, color, 108 min. In Danish and Spanish with English subtitles) Winner Best Fiction Film – Cinema Tropical Awards An astonishingly beautiful and gripping Western starring Viggo Mortensen, Jauja begins in a remote outpost in Patagonia during the late 1800s. Captain Gunnar Dinesen has come from abroad with his fifteen year-old daughter to take an engineering job with the Argentine army. Being the only female in the area, Ingeborg creates quite a stir among the men. She falls in love with a young soldier, and one night they run away together. When Dinesen realizes what has happened, he decides to venture into enemy territory, against his men’s wishes, to find the young couple. Featuring a superb performance from Mortensen, Jauja (the name suggests a fabled city of riches sought by European explorers) is the story of a man’s desperate search for his daughter, a solitary quest that takes him to a place beyond time, where the past vanishes and the future has no meaning. A Cinema Guild release.
Sunday, February 28, 4:30pm...
- 2/22/2016
- by Sydney Levine
- Sydney's Buzz
Plus: At Sundance, Dell, Adrien Grenier launch short film contest and Vimeo announces female filmmaker support.
Lisandro Alonso’s Argentinean film Jauja starring Viggo Mortensen won top honoursfor best Latin American film of the year at the sixth annual Cinema Tropical Awards in New York on Thursday night.
Panamanian film Invasion by Abner Benaim was named Best Latin American documentary, while Jayro Bustamante’s Ixcanul was honoured with prize Best First Film.
Chile’s Pablo Larraín was named best director for The Club and Mexico’s Betzabé García best director of a documentary for Kings Of Nowhere. For the full list of awards click here.
Vimeo announced in Sundance an initiative to close the gender-equality gap called Share The Screen. The platform will invest in five projects from women this year and provide marketing support and global distribution via Vimeo On Demand. Saturday Night Live cast member Aidy Bryant’s Darby Forever is the first original short from...
Lisandro Alonso’s Argentinean film Jauja starring Viggo Mortensen won top honoursfor best Latin American film of the year at the sixth annual Cinema Tropical Awards in New York on Thursday night.
Panamanian film Invasion by Abner Benaim was named Best Latin American documentary, while Jayro Bustamante’s Ixcanul was honoured with prize Best First Film.
Chile’s Pablo Larraín was named best director for The Club and Mexico’s Betzabé García best director of a documentary for Kings Of Nowhere. For the full list of awards click here.
Vimeo announced in Sundance an initiative to close the gender-equality gap called Share The Screen. The platform will invest in five projects from women this year and provide marketing support and global distribution via Vimeo On Demand. Saturday Night Live cast member Aidy Bryant’s Darby Forever is the first original short from...
- 1/22/2016
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Twenty-nine films from twelve countries have been nominated in the sixth annual edition of the Cinema Tropical Awards, honoring the best of Latin American cinema of the year in six different categories: Best Feature Film; Best Documentary Film; Best Director, Feature Film; Best Director, Documentary Film; Best First Film; and Best U.S. Latino Film.
The five films competing for the Cinema Tropical Award for Best Feature Film of the Year are: The Club by Pablo Larraín (Chile), Jauja by Lisandro Alonso (Argentina), Los Hongos by Oscar Ruiz Navia (Colombia), The Princess of France by Matías Piñeiro (Argentina), and White Out, Black In by Adirley Queirós (Brazil).
The five nominees for Best U.S. Latino Film of the Year are: The Book of Life by Jorge Gutierrez, East Side Sushi by Anthony Lucero, Mala Mala by Antonio Santini and Dan Sickles, Me and Earl and the Dying Girl by Alfonso Gomez-Rejon, and We Like It Like That by Mathew Ramirez Warren.
The winners of the 6th Annual Cinema Tropical Awards will be announced at a special evening ceremony at The New York Times Company headquarters in New York City on Wednesday, January 20, 2016. The winning films will be showcased as part of the Cinema Tropical Festival at Museum of the Moving Image, February 25-28, 2016, celebrating the organization’s 15th anniversary.
The candidates were culled from a comprehensive list of films created by a nominating committee composed of 12 film professionals from Latin America, the U.S., and Europe. All the films under consideration had a minimum of 60 minutes in length and premiered between April 1, 2014 and March 31, 2015.
Complete List of Nominations:
Best Feature Film
• "The Club"/ "El club" (Pablo Larraín, Chile, 2015)
• "Jauja" (Lisandro Alonso, Argentina, 2014)
• "Los Hongos" (Óscar Ruiz Navia, Colombia, 2014)
• "The Princess of France" / "La princesa de Francia" (Matías Piñeiro, Argentina/USA, 2014)
• "White Out, Black In" / "Branco Sai, Petro Fica" (Adirley Queirós, Brazil, 2014)
Best Director, Feature Film
• Nicolás Pereda, "The Absent" / "Los ausentes" (Mexico, 2014)
• Gabriel Mascaro, "August Winds" / "Ventos de Agosto" (Brazil, 2014)
• Pablo Larraín, "The Club" / "El club" (Chile, 2015)
• Laura Amelia Guzmán and Israel Cárdenas, "Sand Dollars" / "Dólares de arena" (Dominican Republic/Mexico/Argentina, 2014)
• Paz Fábrega, "Viaje" (Costa Rica, 2015)
Best First Film
• "600 Miles" (Gabriel Ripstein, Mexico, 2015)
• "The Fire" / "El incendio" (Juan Schnitman, Argentina, 2015)
• "Ixcanul" (Jayro Bustamante, Guatemala, 2015)
• "She Comes Back on Thursday" / "Ela Volta Na Quinta" (Andrés Novais Oliveira, Brazil, 2014)
• "Videophilia (and Other Viral Syndromes)" / "Videofilia (y otros síndromes virales)" (Juan Daniel F. Molero, Peru, 2015)
Best Documentary Film
• "A Committee Chronicle" / "Crónica de un comité" (José Luis Sepúlveda and Carolina Adriazola, Chile, 2014)
• "Identification Photos" / "Retratos de Identificaçao" (Anita Leandro, Brazil, 2014)
• "Invasion" / "Invasión" (Abner Benaim, Panama, 2014)
• "Last Conversations" / "Últimas Conversas" (Eduardo Coutinho, Brazil,2015)
• "Monte Adentro" (Nicolás Macario Alonso, Colombia/Argentina, 2014)
Best Director, Documentary Film
• Maíra Bühler and Matias Mariani, "I Touched All Your Stuff"/ "A Vida Privada dos Hipopótamos" (Brazil, 2014)
• Karina García Casanova, "Juanicas" (Mexico, 2014)
• Betzabé García, "Kings of Nowhere"/ "Los reyes del pueblo que no existe" (Mexico, 2015)
• Aldo Garay, "The New Man" / "El hombre nuevo" (Uruguay, 2015)
• Christopher Murray, "Propaganda" (Chile, 2014)
Best U.S. Latino Film
• "The Book of Life" (Jorge Gutierrez, USA, 2014)
• "East Side Sushi" (Anthony Lucero, USA, 2014)
• "Mala Mala" (Antonio Santini and Dan Sickles, USA/Puerto Rico, 2014)
• "Me and Earl and the Dying Girl" (Alfonso Gomez-Rejon USA, 2015)
• "We Like It Like That" (Mathew Ramirez Warren, USA, 2015)
2015 Jury: Amalia Córdova, film programmer and scholar; Aaron Cutler, film critic and programmer; Paul Dallas, film critic; Vanessa Erazo, Film Editor, Remezcla; Michelle Farrell, film scholar; Sandra Kogut, filmmaker; Dominic Davis, film programmer, Rooftop Films; David Schwartz, Chief Curator, Museum of the Moving Image; Diana Vargas, Artistic Director, Havana Film Festival New York.
2015 Nominating Committee: Fábio Andrade, Revista Cinética, Brazil; Juan Pablo Bastarrachea, Cine Tonalá, Mexico; Consuelo Castillo, Doctv Latinoamérica, Colombia; Fernando del Razo, Riviera Maya Film Festival, Mexico; Vanessa Erazo, Film Editor, Remezcla, USA; Luis Gonzalez Zaffaroni, DocMontevideo, Uruguay; James Lattimer, Berlinale's Forum, Germany; Alicia Morales, Lima Film Festival, Peru; Joel Poblete. Sanfic, Chile; Andrea Stavenhagen, San Sebastian Film Festival, Spain; Charles Tesson, Critics' Week, Cannes, France; Raúl Niño Zambrano, International Documentary Film Festival - Idfa, Netherlands.
The five films competing for the Cinema Tropical Award for Best Feature Film of the Year are: The Club by Pablo Larraín (Chile), Jauja by Lisandro Alonso (Argentina), Los Hongos by Oscar Ruiz Navia (Colombia), The Princess of France by Matías Piñeiro (Argentina), and White Out, Black In by Adirley Queirós (Brazil).
The five nominees for Best U.S. Latino Film of the Year are: The Book of Life by Jorge Gutierrez, East Side Sushi by Anthony Lucero, Mala Mala by Antonio Santini and Dan Sickles, Me and Earl and the Dying Girl by Alfonso Gomez-Rejon, and We Like It Like That by Mathew Ramirez Warren.
The winners of the 6th Annual Cinema Tropical Awards will be announced at a special evening ceremony at The New York Times Company headquarters in New York City on Wednesday, January 20, 2016. The winning films will be showcased as part of the Cinema Tropical Festival at Museum of the Moving Image, February 25-28, 2016, celebrating the organization’s 15th anniversary.
The candidates were culled from a comprehensive list of films created by a nominating committee composed of 12 film professionals from Latin America, the U.S., and Europe. All the films under consideration had a minimum of 60 minutes in length and premiered between April 1, 2014 and March 31, 2015.
Complete List of Nominations:
Best Feature Film
• "The Club"/ "El club" (Pablo Larraín, Chile, 2015)
• "Jauja" (Lisandro Alonso, Argentina, 2014)
• "Los Hongos" (Óscar Ruiz Navia, Colombia, 2014)
• "The Princess of France" / "La princesa de Francia" (Matías Piñeiro, Argentina/USA, 2014)
• "White Out, Black In" / "Branco Sai, Petro Fica" (Adirley Queirós, Brazil, 2014)
Best Director, Feature Film
• Nicolás Pereda, "The Absent" / "Los ausentes" (Mexico, 2014)
• Gabriel Mascaro, "August Winds" / "Ventos de Agosto" (Brazil, 2014)
• Pablo Larraín, "The Club" / "El club" (Chile, 2015)
• Laura Amelia Guzmán and Israel Cárdenas, "Sand Dollars" / "Dólares de arena" (Dominican Republic/Mexico/Argentina, 2014)
• Paz Fábrega, "Viaje" (Costa Rica, 2015)
Best First Film
• "600 Miles" (Gabriel Ripstein, Mexico, 2015)
• "The Fire" / "El incendio" (Juan Schnitman, Argentina, 2015)
• "Ixcanul" (Jayro Bustamante, Guatemala, 2015)
• "She Comes Back on Thursday" / "Ela Volta Na Quinta" (Andrés Novais Oliveira, Brazil, 2014)
• "Videophilia (and Other Viral Syndromes)" / "Videofilia (y otros síndromes virales)" (Juan Daniel F. Molero, Peru, 2015)
Best Documentary Film
• "A Committee Chronicle" / "Crónica de un comité" (José Luis Sepúlveda and Carolina Adriazola, Chile, 2014)
• "Identification Photos" / "Retratos de Identificaçao" (Anita Leandro, Brazil, 2014)
• "Invasion" / "Invasión" (Abner Benaim, Panama, 2014)
• "Last Conversations" / "Últimas Conversas" (Eduardo Coutinho, Brazil,2015)
• "Monte Adentro" (Nicolás Macario Alonso, Colombia/Argentina, 2014)
Best Director, Documentary Film
• Maíra Bühler and Matias Mariani, "I Touched All Your Stuff"/ "A Vida Privada dos Hipopótamos" (Brazil, 2014)
• Karina García Casanova, "Juanicas" (Mexico, 2014)
• Betzabé García, "Kings of Nowhere"/ "Los reyes del pueblo que no existe" (Mexico, 2015)
• Aldo Garay, "The New Man" / "El hombre nuevo" (Uruguay, 2015)
• Christopher Murray, "Propaganda" (Chile, 2014)
Best U.S. Latino Film
• "The Book of Life" (Jorge Gutierrez, USA, 2014)
• "East Side Sushi" (Anthony Lucero, USA, 2014)
• "Mala Mala" (Antonio Santini and Dan Sickles, USA/Puerto Rico, 2014)
• "Me and Earl and the Dying Girl" (Alfonso Gomez-Rejon USA, 2015)
• "We Like It Like That" (Mathew Ramirez Warren, USA, 2015)
2015 Jury: Amalia Córdova, film programmer and scholar; Aaron Cutler, film critic and programmer; Paul Dallas, film critic; Vanessa Erazo, Film Editor, Remezcla; Michelle Farrell, film scholar; Sandra Kogut, filmmaker; Dominic Davis, film programmer, Rooftop Films; David Schwartz, Chief Curator, Museum of the Moving Image; Diana Vargas, Artistic Director, Havana Film Festival New York.
2015 Nominating Committee: Fábio Andrade, Revista Cinética, Brazil; Juan Pablo Bastarrachea, Cine Tonalá, Mexico; Consuelo Castillo, Doctv Latinoamérica, Colombia; Fernando del Razo, Riviera Maya Film Festival, Mexico; Vanessa Erazo, Film Editor, Remezcla, USA; Luis Gonzalez Zaffaroni, DocMontevideo, Uruguay; James Lattimer, Berlinale's Forum, Germany; Alicia Morales, Lima Film Festival, Peru; Joel Poblete. Sanfic, Chile; Andrea Stavenhagen, San Sebastian Film Festival, Spain; Charles Tesson, Critics' Week, Cannes, France; Raúl Niño Zambrano, International Documentary Film Festival - Idfa, Netherlands.
- 12/27/2015
- by Sydney Levine
- Sydney's Buzz
Carlos Enderle’s Minezota and Maya Goded’s Plaza De La Soledad shared the Impulso Morelia awards as the 13th Morelia International Film Festival concluded in Michoacán, Mexico, at the weekend.
Cinépolis gave a prize of approximately Usd $12,100 (200,000 Mxn) for post-production services to Minezota, while Plaza De La Soledad earned a guarantee of national distribution via Cinépolis and a P&A commitment of at least Usd $15,100 (250,000 Mxn)
The Guerrero Press Award for Best Mexican Feature Length Documentary went to El Hombre Que Vio Demasiado, by Trisha Ziff.
The prize of Best Mexican Documentary Made By A Woman, given by the Association of Women in Film and Television of Mexico, was presented to Los Reyes Del Pueblo Que No Existe, by Betzabé García.
The Guerrero Award for Best Mexican Feature Film went to Te Prometo Anarquía byJulio Hernández Cordón.
Jana Raluy won the best actress in a Mexican feature award for Un Monstruo De Mil Cabezas while [link=nm...
Cinépolis gave a prize of approximately Usd $12,100 (200,000 Mxn) for post-production services to Minezota, while Plaza De La Soledad earned a guarantee of national distribution via Cinépolis and a P&A commitment of at least Usd $15,100 (250,000 Mxn)
The Guerrero Press Award for Best Mexican Feature Length Documentary went to El Hombre Que Vio Demasiado, by Trisha Ziff.
The prize of Best Mexican Documentary Made By A Woman, given by the Association of Women in Film and Television of Mexico, was presented to Los Reyes Del Pueblo Que No Existe, by Betzabé García.
The Guerrero Award for Best Mexican Feature Film went to Te Prometo Anarquía byJulio Hernández Cordón.
Jana Raluy won the best actress in a Mexican feature award for Un Monstruo De Mil Cabezas while [link=nm...
- 10/31/2015
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Mexico’s Kings of Nowhere wins doc prize; Thank You For Bombing wins Switzerland, Germany, Austria award.Scroll down for full list of winners
Grimur Hakonarson’s Rams (Hrútar) has won the Golden Eye for Best International Feature Film at the 11Sth Zurich Film Festival (Sept 24-Oct 4).
The film, about two estranged brothers who have to reunite to save their sheep during an outbreak of disease, is Iceland’s submission for the Oscars for Best Foreign-Language Film.
Zff’s international jury, headed by Carol producer Elizabeth Carlson, awarded the title as well as a cash prize of more than $25,000 (CHF25,000).
It continues a strong festival run for Rams, which won the Un Certain Regard prize at Cannes in May before going on to screen at Karlovy Vary, Telluride and Toronto among others.
International sales are handled by New Europe Film Sales, which has sold the film to around 40 countries. Cohen Media Group handle Us distribution.
It also marks...
Grimur Hakonarson’s Rams (Hrútar) has won the Golden Eye for Best International Feature Film at the 11Sth Zurich Film Festival (Sept 24-Oct 4).
The film, about two estranged brothers who have to reunite to save their sheep during an outbreak of disease, is Iceland’s submission for the Oscars for Best Foreign-Language Film.
Zff’s international jury, headed by Carol producer Elizabeth Carlson, awarded the title as well as a cash prize of more than $25,000 (CHF25,000).
It continues a strong festival run for Rams, which won the Un Certain Regard prize at Cannes in May before going on to screen at Karlovy Vary, Telluride and Toronto among others.
International sales are handled by New Europe Film Sales, which has sold the film to around 40 countries. Cohen Media Group handle Us distribution.
It also marks...
- 10/4/2015
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
This year’s festival saw over 150 features screened, including 102 world premieres and 14 North American premieres.
SXSW has unveiled the winners of this year’s Audience Awards.
Trey Edward Shults’ Krisha and Scott Christopherson & Brad Barber’s Peace Officer repeated their Jury Award wins in Narrative Feature and Documentary Feature, respectively, while Rkss Collective’s Turbo Kid (Midnighters) and Joshua Oppenheimer The Look of Silence (Festival Favourites) took the Audience Award in their categories.
Other winners included Josh Lawson’s The Little Death in Narrative Spotlight, Michael Showalter’s Hello, My Name is Doris in Headliners and Todd Rohal’s Uncle Kent 2 in Visions.
All Audience Award results were certified by the accounting firm of Maxwell Locke & Ritter.
This year’s SXSW screened over 150 features, consisting of 102 world premieres, 14 North American premieres and 11 Us premieres. 106 shorts screened as part of ten curated shorts programmes.
Full list of Audience Award winners
Narrative Feature Competition - Krisha, Director: [link=nm...
SXSW has unveiled the winners of this year’s Audience Awards.
Trey Edward Shults’ Krisha and Scott Christopherson & Brad Barber’s Peace Officer repeated their Jury Award wins in Narrative Feature and Documentary Feature, respectively, while Rkss Collective’s Turbo Kid (Midnighters) and Joshua Oppenheimer The Look of Silence (Festival Favourites) took the Audience Award in their categories.
Other winners included Josh Lawson’s The Little Death in Narrative Spotlight, Michael Showalter’s Hello, My Name is Doris in Headliners and Todd Rohal’s Uncle Kent 2 in Visions.
All Audience Award results were certified by the accounting firm of Maxwell Locke & Ritter.
This year’s SXSW screened over 150 features, consisting of 102 world premieres, 14 North American premieres and 11 Us premieres. 106 shorts screened as part of ten curated shorts programmes.
Full list of Audience Award winners
Narrative Feature Competition - Krisha, Director: [link=nm...
- 3/22/2015
- by ian.sandwell@screendaily.com (Ian Sandwell)
- ScreenDaily
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