‘The Wheel Of Time’ Adds Olivia Williams, Luke Fetherston, Callum Kerr & Nuno Lopes To Season 3 Cast
Olivia Williams (The Sixth Sense), Luke Fetherston (Doctor Who), Callum Kerr (Hollyoaks) and Nuno Lopes (White Lines) have joined the Season 3 cast of Prime Video‘s fantasy epic series The Wheel of Time, starring Rosamund Pike, Madeleine Madden and Josha Stradowski.
Williams, Fetherston, Kerr and Lopes will portray the royal family of the kingdom of Andor. Andor is the largest, most populous, and most influential country within the heart of the Westlands, the fictional land depicted in Robert Jordan’s epic fantasy book series on which the television series is based.
Williams portrays Morgase Trakand, the Queen of Andor. Morgase did not inherit her throne. Rather, when the succession was left without an heir, she waged a brutal war against a half-dozen noble rivals, and thanks to her political savvy and utter ruthlessness, she won. She has sworn ever since to shield her daughter and heir, Elayne, from ever having to endure what she did…...
Williams, Fetherston, Kerr and Lopes will portray the royal family of the kingdom of Andor. Andor is the largest, most populous, and most influential country within the heart of the Westlands, the fictional land depicted in Robert Jordan’s epic fantasy book series on which the television series is based.
Williams portrays Morgase Trakand, the Queen of Andor. Morgase did not inherit her throne. Rather, when the succession was left without an heir, she waged a brutal war against a half-dozen noble rivals, and thanks to her political savvy and utter ruthlessness, she won. She has sworn ever since to shield her daughter and heir, Elayne, from ever having to endure what she did…...
- 12/18/2024
- by Denise Petski
- Deadline Film + TV
Cannes Critics’ Week has appointed French producer Sylvie Pialat as president of the jury for its upcoming edition after Spanish director Rodrigo Sorogoyen, who was originally announced for the role, was forced to cancel for personal reasons.
French director Iris Kaltenbäck has also been been named as a new jury member. Her first film The Rapture premiered to acclaim in Critics’ Week last year. The drama, starring Hafsia Herzi as a midwife who passes off her best friend’s newborn child as her own, won the Prix Sacd.
Previously announced members of the jury include Rwandan actress Eliane Umuhire (Augure by Baloji, My New Friends, Haven of Grace), Belgian cinematographer Virginie Surdej (The Blue Caftan, Our Mothers, Casablanca Beats), and Canadian film critic and journalist Ben Croll.
Producer Pialat spent the first part of her cinema career collaborating with her husband Maurice Pialat, co-writing the screenplays for a number of...
French director Iris Kaltenbäck has also been been named as a new jury member. Her first film The Rapture premiered to acclaim in Critics’ Week last year. The drama, starring Hafsia Herzi as a midwife who passes off her best friend’s newborn child as her own, won the Prix Sacd.
Previously announced members of the jury include Rwandan actress Eliane Umuhire (Augure by Baloji, My New Friends, Haven of Grace), Belgian cinematographer Virginie Surdej (The Blue Caftan, Our Mothers, Casablanca Beats), and Canadian film critic and journalist Ben Croll.
Producer Pialat spent the first part of her cinema career collaborating with her husband Maurice Pialat, co-writing the screenplays for a number of...
- 5/11/2024
- by Melanie Goodfellow
- Deadline Film + TV
Céline Devaux's Everybody Loves Jeanne is now showing exclusively on Mubi from July 27, 2023, in many countries—including the United Kingdom, the United States, India, Turkey, Canada, and Mexico—in the series Debuts.Devaux's notebook.Everybody Loves Jeanne started out as an attempt to write a fictional journal. I created this ecological superhero character, Jeanne Mayer, who's a bundle of fear and arrogance because she's busy saving the world, no less. I told myself that this was the most useful job in the world today, and that it must be really terrible to fail at it. I took this moment of failure and made it the story of the film. I took a very difficult moment in a woman’s life, and put it under a microscope.I wanted to collect someone's thoughts, all of them, from the most ridiculous to the most secret, from the most grandiose to the most trivial,...
- 7/31/2023
- MUBI
The stylish feature debut from Céline Devaux explores the life of businesswoman Jeanne, her louche ex-lover and a strangely seductive new acquaintance
Parisian film-maker and illustrator Céline Devaux, whose award-winning shorts have been shown at Cannes and Venice, now makes her feature debut with a salty romcom character study; it is deceptively slight, though leaning heavily on a certain kind of quirkiness, and undoubtedly intriguing.
Jeanne is an entrepreneur who has fallen into a depression caused by the death of her mother and the recent bizarre collapse of her business; she has an inner anxiety-voice represented by Devaux’s own sketches of the cartoon-ghost in her head, always nagging at her. An undersea device for hoovering up microplastics, into which Jeanne invested every cent of her own money, became unmoored and Jeanne was humiliatingly shown on the TV news as she desperately dived fully clothed into the sea in a doomed attempt to save it.
Parisian film-maker and illustrator Céline Devaux, whose award-winning shorts have been shown at Cannes and Venice, now makes her feature debut with a salty romcom character study; it is deceptively slight, though leaning heavily on a certain kind of quirkiness, and undoubtedly intriguing.
Jeanne is an entrepreneur who has fallen into a depression caused by the death of her mother and the recent bizarre collapse of her business; she has an inner anxiety-voice represented by Devaux’s own sketches of the cartoon-ghost in her head, always nagging at her. An undersea device for hoovering up microplastics, into which Jeanne invested every cent of her own money, became unmoored and Jeanne was humiliatingly shown on the TV news as she desperately dived fully clothed into the sea in a doomed attempt to save it.
- 7/24/2023
- by Peter Bradshaw
- The Guardian - Film News
Mubi has announced its lineup of streaming offerings for next month, including the exclusive streaming premiere of Lars von Trier’s The Idiots in a new 4K restoration, Céline Devaux’s anti-romcom Everybody Loves Jeanne, and Tyler Taormina’s Happer’s Comet.
Additional selections include three films by Wong Kar Wai, a Robert Altman double feature, four works by Jacques Rivette, plus shorts by Mia Hansen-Løve and Yorgos Lanthimos.
Check out the lineup below and get 30 days free here.
July 1 – Synecdoche, New York, directed by Charlie Kaufman
July 2 – 2046, directed by Wong Kar Wai | As Time Goes By: Three by Wong Kar Wai
July 3 – The Exiles, directed by Kent MacKenzie
July 4 – Ivansxtc, directed by Bernard Rose
July 5 – Un Pur Esprit, directed by Mia Hansen-Løve | Short Films Big Names
July 6 – Contemporary Color, directed by Bill Ross IV, Turner Ross | Turn It Up: Music on Film
July 7 – The Idiots, directed by Lars von Trier...
Additional selections include three films by Wong Kar Wai, a Robert Altman double feature, four works by Jacques Rivette, plus shorts by Mia Hansen-Løve and Yorgos Lanthimos.
Check out the lineup below and get 30 days free here.
July 1 – Synecdoche, New York, directed by Charlie Kaufman
July 2 – 2046, directed by Wong Kar Wai | As Time Goes By: Three by Wong Kar Wai
July 3 – The Exiles, directed by Kent MacKenzie
July 4 – Ivansxtc, directed by Bernard Rose
July 5 – Un Pur Esprit, directed by Mia Hansen-Løve | Short Films Big Names
July 6 – Contemporary Color, directed by Bill Ross IV, Turner Ross | Turn It Up: Music on Film
July 7 – The Idiots, directed by Lars von Trier...
- 6/26/2023
- by Leonard Pearce
- The Film Stage
The American French Film Festival, formerly known as Colcoa, has set the dates of its 2023 edition to Oct. 18-22.
Organized by the Franco-American Cultural Fund, the festival will host its 27th edition at the Directors Guild of America Theater on Sunset Boulevard in Hollywood.
“Created by the Franco-American Cultural Fund, this event is the largest French film festival in North America and the largest festival dedicated to French Films and TV programs in the world,” said Cécile Rap-Veber, CEO of Sacem who presides over the Franco-American Cultural Fund.
Rap-Veber said “the American French Film Festival is a wonderful symbol to embody the Franco-American friendship and a crucial moment and spotlight to promote French cinema and all its talented creators.”
A Hollywood launchpad for French movies, the festival was launched in 1996 and has hosted premieres of movies by critically acclaimed filmmakers such as Jean-Jacques Annaud, Emmanuel Mouret, Maïmouna Doucouré, Céline Devaux,...
Organized by the Franco-American Cultural Fund, the festival will host its 27th edition at the Directors Guild of America Theater on Sunset Boulevard in Hollywood.
“Created by the Franco-American Cultural Fund, this event is the largest French film festival in North America and the largest festival dedicated to French Films and TV programs in the world,” said Cécile Rap-Veber, CEO of Sacem who presides over the Franco-American Cultural Fund.
Rap-Veber said “the American French Film Festival is a wonderful symbol to embody the Franco-American friendship and a crucial moment and spotlight to promote French cinema and all its talented creators.”
A Hollywood launchpad for French movies, the festival was launched in 1996 and has hosted premieres of movies by critically acclaimed filmmakers such as Jean-Jacques Annaud, Emmanuel Mouret, Maïmouna Doucouré, Céline Devaux,...
- 3/14/2023
- by Elsa Keslassy
- Variety Film + TV
Dominik Moll’s The Night of The 12th has won best film at the 28th edition of France’s Lumière Awards in Paris on Monday evening.
The investigative drama, which was nominated in six categories, also won Best Screenplay.
The film, which debuted in the Cannes Film Festival’s non-competitive Cannes Première section, stars Bastien Bouillon as a police detective who becomes obsessed with a case involving a complex female murder victim.
Best director went to Albert Serra for French Polynesia-set drama Pacification. The feature also clinched two other prizes: Best Actor for Benoît Magimal and Best Cinematography for Artur Tort.
Virginie Efira won Best Actress for her performance in Rebecca Zlotowski’s Other People’s Children about the challenge of navigating the stepmother role.
Nadia Tereszkiewicz won Best Female Revelation for her performance in Forever Young and Dimitri Doré, Best Male Revelation for Bruno Reidal.
Alice Diop clinched best documentary category for We,...
The investigative drama, which was nominated in six categories, also won Best Screenplay.
The film, which debuted in the Cannes Film Festival’s non-competitive Cannes Première section, stars Bastien Bouillon as a police detective who becomes obsessed with a case involving a complex female murder victim.
Best director went to Albert Serra for French Polynesia-set drama Pacification. The feature also clinched two other prizes: Best Actor for Benoît Magimal and Best Cinematography for Artur Tort.
Virginie Efira won Best Actress for her performance in Rebecca Zlotowski’s Other People’s Children about the challenge of navigating the stepmother role.
Nadia Tereszkiewicz won Best Female Revelation for her performance in Forever Young and Dimitri Doré, Best Male Revelation for Bruno Reidal.
Alice Diop clinched best documentary category for We,...
- 1/16/2023
- by Melanie Goodfellow
- Deadline Film + TV
Studio executives, renowned directors, and a crop of rising young talent huddled below crystal chandeliers in Paris’ Palais Royal on Thursday, turning out to fête “Benedetta” star Virginie Efira as she received the Unifrance French Cinema Award – a prize honoring those who carry the banner for Gallic cinema across the globe – in the presence of Unifrance president Serge Toubiana and the country’s Minister of Culture, Rima Abdul Malak.
Organized as part of the Unifrance Rendez-Vous in Paris, the ceremony drew a fittingly international crowd, with filmmakers Emily Atef, Juho Kuosmanen, Sergei Loznitsa and Albert Serra joining “Athena” star Dali Benssalah, “Forever Young” lead Nadia Tereszkiewicz, “Mother and Son” breakout Annabelle Lengronne and “Everybody Loves Jeanne” director Céline Devaux for an intimate reception held in opulent surroundings.
Abdul Malak kicked off the Efira tribute with a victory lap of sorts, boasting about local theatrical attendance rates – which, with only 29 lost...
Organized as part of the Unifrance Rendez-Vous in Paris, the ceremony drew a fittingly international crowd, with filmmakers Emily Atef, Juho Kuosmanen, Sergei Loznitsa and Albert Serra joining “Athena” star Dali Benssalah, “Forever Young” lead Nadia Tereszkiewicz, “Mother and Son” breakout Annabelle Lengronne and “Everybody Loves Jeanne” director Céline Devaux for an intimate reception held in opulent surroundings.
Abdul Malak kicked off the Efira tribute with a victory lap of sorts, boasting about local theatrical attendance rates – which, with only 29 lost...
- 1/14/2023
- by Ben Croll
- Variety Film + TV
Dominik Moll’s The Night of The 12th, which world premiered in Cannes in May, has topped the nominations for the 28th edition of France’s Lumière Awards.
The awards are voted on by members of the international press corp hailing from 36 countries based in France.
The Night Of The 12th was nominated in six categories including best film, director and screenplay. The film debuted in the Cannes Film Festival’s non competitive Cannes Première section.
The investigative drama is Moll’s seventh feature. It stars Bastien Bouillon, with support from Bouli Lanners, as a police detective who becomes obsessed with a case involving a complex female murder victim.
Other multi-nominated titles include Albert Serra’s French Polynesia-set drama Pacification five nominations.
Four films received four nominations each: Alice Diop’s Saint-Omer; Rebecca Zlotowski’s Other People’s Children; Louis Garrel’s The Innocent and Gaspar Noé’s Vortex.
Diop,...
The awards are voted on by members of the international press corp hailing from 36 countries based in France.
The Night Of The 12th was nominated in six categories including best film, director and screenplay. The film debuted in the Cannes Film Festival’s non competitive Cannes Première section.
The investigative drama is Moll’s seventh feature. It stars Bastien Bouillon, with support from Bouli Lanners, as a police detective who becomes obsessed with a case involving a complex female murder victim.
Other multi-nominated titles include Albert Serra’s French Polynesia-set drama Pacification five nominations.
Four films received four nominations each: Alice Diop’s Saint-Omer; Rebecca Zlotowski’s Other People’s Children; Louis Garrel’s The Innocent and Gaspar Noé’s Vortex.
Diop,...
- 12/15/2022
- by Melanie Goodfellow
- Deadline Film + TV
Click here to read the full article.
The American French Film Festival is set to open with a North American premiere for Jean-Jacques Annaud’s Notre-Dame on Fire on Oct. 10.
Annaud, who will attend the festival, is bringing his latest film, which re-creates the events of April 15, 2019, when the Notre-Dame Cathedral in Paris caught fire, prompting a heroic rescue of the celebrated church.
The festival, formerly called Colcoa, will end on Oct. 16 with Dominik Moll’s thriller The Night of the 12th screening at DGA Theater Complex in Los Angeles. The American French Film Festival will dedicate its annual Focus on a Filmmaker spotlight to Moll and will also close with Irma Vep, Olivier Assayas’ HBO remake of his 1996 film, which had a world theatrical premiere at the festival.
In all, 75 films and series and 20 short films were unveiled as part of the festival’s 2022 lineup during a press conference on Tuesday.
The American French Film Festival is set to open with a North American premiere for Jean-Jacques Annaud’s Notre-Dame on Fire on Oct. 10.
Annaud, who will attend the festival, is bringing his latest film, which re-creates the events of April 15, 2019, when the Notre-Dame Cathedral in Paris caught fire, prompting a heroic rescue of the celebrated church.
The festival, formerly called Colcoa, will end on Oct. 16 with Dominik Moll’s thriller The Night of the 12th screening at DGA Theater Complex in Los Angeles. The American French Film Festival will dedicate its annual Focus on a Filmmaker spotlight to Moll and will also close with Irma Vep, Olivier Assayas’ HBO remake of his 1996 film, which had a world theatrical premiere at the festival.
In all, 75 films and series and 20 short films were unveiled as part of the festival’s 2022 lineup during a press conference on Tuesday.
- 9/20/2022
- by Etan Vlessing
- The Hollywood Reporter - Movie News
Aftersun – Charlotte Wells
Alma viva – Cristèle Alves Meira [Review]
Imagine – Ali Behrad
La jauría – Andrés Ramírez Pulido [Review]
Love According to Dalva – Emmanuelle Nicot
Nos cérémonies – Simon Rieth [Review]
The Woodcutter Story – Mikko Myllylahti [Review]
Special Screenings
Tout le monde aime Jeanne – Céline Devaux [Review]
Next Sohee – July Jung
Sons of Ramses – Clément Cogitore [Review]
When You Finish Saving the World – Jesse Eisenberg [Sundance Review]…...
Alma viva – Cristèle Alves Meira [Review]
Imagine – Ali Behrad
La jauría – Andrés Ramírez Pulido [Review]
Love According to Dalva – Emmanuelle Nicot
Nos cérémonies – Simon Rieth [Review]
The Woodcutter Story – Mikko Myllylahti [Review]
Special Screenings
Tout le monde aime Jeanne – Céline Devaux [Review]
Next Sohee – July Jung
Sons of Ramses – Clément Cogitore [Review]
When You Finish Saving the World – Jesse Eisenberg [Sundance Review]…...
- 6/13/2022
- by Eric Lavallée
- IONCINEMA.com
Cahen discusses love of American indie cinema, choice of Korean police thriller Next Sohee as closing film and being section’s youngest-ever artistic director.
Cannes Critics’ Week’s new artistic director Ava Cahen unveiled her inaugural selection earlier this week, for the 61st edition of the parallel section running May 18-26.
It will showcase an eclectic French and international line-up of 11 features, seven of them in competition, and another 13 shorts, kicking off with US actor Jesse Eisenberg’s directorial debut When You Finish Saving The World and closing with Korean female police detective thriller Next Sohee.
At 36, Cahen is the...
Cannes Critics’ Week’s new artistic director Ava Cahen unveiled her inaugural selection earlier this week, for the 61st edition of the parallel section running May 18-26.
It will showcase an eclectic French and international line-up of 11 features, seven of them in competition, and another 13 shorts, kicking off with US actor Jesse Eisenberg’s directorial debut When You Finish Saving The World and closing with Korean female police detective thriller Next Sohee.
At 36, Cahen is the...
- 4/22/2022
- by Melanie Goodfellow
- ScreenDaily
Two more sidebars at this year’s Cannes Film Festival have unveiled their lineup. First up, Critics Week (aka La Semaine de la Critique), which brings together first and second features, has announced its 2022 slate, which includes a special screening of Jesse Eisenberg’s When You Finish Saving the World, which we reviewed at Sundance. While the festival is primarily geared towards discoveries, it also includes a new short by Yann Gonzalez.
Acid (Association for the Distribution of Independent Cinema) also unveiled its nine features, which notably includes a new film by Damien Manivel, who recently directed the acclaimed Isadora’s Children. Check out both lineups below.
Critics Week (hat tip to Screen Daily)
Special Screenings
When You Finish Saving The World (US) (Opening film)
Dir. Jesse Eisenberg
Sons Of Ramses (Fr)
Dir. Clément Cogitore
Everybody Loves Jeanne (Fr)
Dir. Céline Devaux
Next Sohee (S Kor) (Closing film)
Dir. July Jung...
Acid (Association for the Distribution of Independent Cinema) also unveiled its nine features, which notably includes a new film by Damien Manivel, who recently directed the acclaimed Isadora’s Children. Check out both lineups below.
Critics Week (hat tip to Screen Daily)
Special Screenings
When You Finish Saving The World (US) (Opening film)
Dir. Jesse Eisenberg
Sons Of Ramses (Fr)
Dir. Clément Cogitore
Everybody Loves Jeanne (Fr)
Dir. Céline Devaux
Next Sohee (S Kor) (Closing film)
Dir. July Jung...
- 4/20/2022
- by Jordan Raup
- The Film Stage
Finn Wolfhard and Julianne Moore make the sparks fly in Cannes Critics’ Week opening choice When You Finish Saving the World Photo: A24 The first selection by Ava Cahen, the new supremo of the Cannes Critics’ Week (La Semaine de la critique), reveals there are seven first features in the selection for the 61st edition.
Actor Jesse Eisenberg receives the privileged first place with his first film as a director When You Finish Saving The World starring Julianne Moore and Finn Wolfhard about a volatile mother-son relationship.
The closing film will be Next Sohee (Da-eum-so-hee), described as a feminist thriller, a second directorial outing for Korean director Jung July.
A quartet of French directors will be present with Alma Viva by the Franco-portuguese Cristèle Alves Meira (set in a strange and isolated village); Nos cérémonies by Simon Rieth about a respected and influential medium with Karim Leklou; and Tout le...
Actor Jesse Eisenberg receives the privileged first place with his first film as a director When You Finish Saving The World starring Julianne Moore and Finn Wolfhard about a volatile mother-son relationship.
The closing film will be Next Sohee (Da-eum-so-hee), described as a feminist thriller, a second directorial outing for Korean director Jung July.
A quartet of French directors will be present with Alma Viva by the Franco-portuguese Cristèle Alves Meira (set in a strange and isolated village); Nos cérémonies by Simon Rieth about a respected and influential medium with Karim Leklou; and Tout le...
- 4/20/2022
- by Richard Mowe
- eyeforfilm.co.uk
Cannes Film Festival’s parallel sidebar Critics’ Week has unveiled the 11 features and 13 shorts that will comprise its 2022 edition. Scroll down to see the full lineup.
Opening the event will be Jesse Eisenberg’s comedy-drama When You Finish Saving the World, which premiered at Sundance this year and has its international premiere in Cannes. The film stars Julianne Moore and Finn Wolfhard as mother and son.
Closing the program will be Jung July’s Next Sohee, a detective drama starring Bae Doona.
This is the first selection for new Critics’ Week artistic director Ava Cahen, who becomes the second female director in the event’s history.
Cannes Critics’ Week runs May 18-26 this year.
Competition
Feature Films
Aftersun (UK / U.S.)
Dir. Charlotte Wells
Alma Viva (Portugal / France)
Dir. Cristèle Alves Meira
Dalva (Love according to Dalva) (Belgium / France)
Dir. Emmanuelle Nicot
La Jauría (Colombia / France)
Dir. Andrés Ramírez Pulido...
Opening the event will be Jesse Eisenberg’s comedy-drama When You Finish Saving the World, which premiered at Sundance this year and has its international premiere in Cannes. The film stars Julianne Moore and Finn Wolfhard as mother and son.
Closing the program will be Jung July’s Next Sohee, a detective drama starring Bae Doona.
This is the first selection for new Critics’ Week artistic director Ava Cahen, who becomes the second female director in the event’s history.
Cannes Critics’ Week runs May 18-26 this year.
Competition
Feature Films
Aftersun (UK / U.S.)
Dir. Charlotte Wells
Alma Viva (Portugal / France)
Dir. Cristèle Alves Meira
Dalva (Love according to Dalva) (Belgium / France)
Dir. Emmanuelle Nicot
La Jauría (Colombia / France)
Dir. Andrés Ramírez Pulido...
- 4/20/2022
- by Tom Grater
- Deadline Film + TV
Critics’ Week, the sidebar dedicated to first and second films running alongside the Cannes Film Festival, will be kicking off with Jesse Eisenberg’s feature debut “When You Finish Saving the World” and showcase four female-directed movies.
Selected out of 1100 submitted movies, the full roster includes 11 feature films, seven of which will compete and four will play as special screenings.
“When You Finish Saving the World,” which is headlined by Julianne Moore and Finn Wolfhard, revolves around the relationship between a politically-engaged mother and her fame-obsessed teenage son, who is also a burgeoning musician. The A24 movie is based on Eisenberg’s 2020 audio drama of the same name and was part of the Sundance 2022 selection.
“We already adored Eisenberg as an actor and discovered him as a true auteur with this film that’s both tender and contemporary and exposes a generational gap between a mother and her son,” said Ava Cahen,...
Selected out of 1100 submitted movies, the full roster includes 11 feature films, seven of which will compete and four will play as special screenings.
“When You Finish Saving the World,” which is headlined by Julianne Moore and Finn Wolfhard, revolves around the relationship between a politically-engaged mother and her fame-obsessed teenage son, who is also a burgeoning musician. The A24 movie is based on Eisenberg’s 2020 audio drama of the same name and was part of the Sundance 2022 selection.
“We already adored Eisenberg as an actor and discovered him as a true auteur with this film that’s both tender and contemporary and exposes a generational gap between a mother and her son,” said Ava Cahen,...
- 4/20/2022
- by Elsa Keslassy
- Variety Film + TV
The lineup for the 2022 Cannes Critics’ Week (La Semaine de la Critique) has been announced. See also the full lineup of the Official Selection and Directors' Fortnight.Next SoheeCOMPETITION — FEATURESAftersun (Charlotte Wells)Alma Viva (Cristèle Alves Meira)Dalva (Emmanuelle Nicot)La Jauría (Andrés Ramírez Pulido)Summer Scars (Simon Rieth)Imagine (Ali Behrad)The Woodcutter Story (Mikko Myllylahti)Competition — SHORTSCanker (Lin Tu)Las criaturas que se derriten bajo el sol (Diego Cespedes)Chords (Estibaliz Urresola Solaguren)Will You Look At Me (Shuli Huang)Ice Merchants (João Gonzalez)It’s Nice In Here (Robert-Jonathan Koeyers)I Didn’t Make It To Love Her (Anna Fernandez De Paco)On Xerxes’ Throne (Evi Kalogiropoulou)Manta Ray (Anton Bialas)Swan In the Center (Iris Chassaigne)Special Screenings — FEATURESWhen You Finish Saving The World (Jesse Eisenberg): Evelyn and her oblivious son Ziggy seek out replacements for each other as Evelyn desperately...
- 4/20/2022
- MUBI
Jesse Eisenberg’s directorial debut ’When You Finish Saving The World’ will open the section focused on first and second films.
Cannes Critics’ Week, the parallel section focused on first and second films, has unveiled the line-up for its 61st edition, running May 18-26.
The section will showcase 11 features, seven of them in competition, and another 13 shorts.
It is the first selection piloted by incoming Critics’ Week artistic director Ava Cahen, since taking over the reins from Charles Tesson, who stepped down at the end of last year’s 60th edition after 10 years at the helm.
At 36, she is the...
Cannes Critics’ Week, the parallel section focused on first and second films, has unveiled the line-up for its 61st edition, running May 18-26.
The section will showcase 11 features, seven of them in competition, and another 13 shorts.
It is the first selection piloted by incoming Critics’ Week artistic director Ava Cahen, since taking over the reins from Charles Tesson, who stepped down at the end of last year’s 60th edition after 10 years at the helm.
At 36, she is the...
- 4/20/2022
- by Melanie Goodfellow
- ScreenDaily
Broadcasting
Channel 4 and Sky in the U.K. have extended their pre-existing, long-term commercial partnership in a new multi-year agreement which, according to the companies, will facilitate greater opportunity for collaboration, commercial growth and innovation as broadcasting evolves going forward.
Under the terms of the new deal, Sky customers will have access to even more Channel 4 content as more than 1000 hours of All 4 — Channel 4’s VoD platform — exclusives are integrated into Sky’s current and future TV products. Channel 4 will benefit from under the new terms by opening avenues to new digital ad revenue streams which can support its Future4 strategy.
“When we set out our Future4 strategy last year, we made clear that securing strategic distribution partnerships would be a vital part of ensuring we can maximize our reach and impact with viewers in a digital age, grow our revenues and compete more effectively for the future,” said Alex Mahon,...
Channel 4 and Sky in the U.K. have extended their pre-existing, long-term commercial partnership in a new multi-year agreement which, according to the companies, will facilitate greater opportunity for collaboration, commercial growth and innovation as broadcasting evolves going forward.
Under the terms of the new deal, Sky customers will have access to even more Channel 4 content as more than 1000 hours of All 4 — Channel 4’s VoD platform — exclusives are integrated into Sky’s current and future TV products. Channel 4 will benefit from under the new terms by opening avenues to new digital ad revenue streams which can support its Future4 strategy.
“When we set out our Future4 strategy last year, we made clear that securing strategic distribution partnerships would be a vital part of ensuring we can maximize our reach and impact with viewers in a digital age, grow our revenues and compete more effectively for the future,” said Alex Mahon,...
- 7/2/2021
- by Jamie Lang
- Variety Film + TV
Portugal’s cash rebate scheme, introduced in 2018, is attracting major international productions and new production outfits and facilities, and providing significant leverage for domestic film and TV productions.
Shoots slowed during the pandemic, with several projects lensed in bubbles, but production is expected to surge in the second half of 2021.
The current cash rebate is tabbed at 25/30% of eligible production spend and may be upwardly revised in the near future.
€22.5 million ($27.5 million) in total cash rebate has been disbursed since 2018, roughly equally split between international shoots and 100% Portuguese productions and co-productions.
High-profile projects include Ira Sachs’ “Frankie,” with Isabelle Huppert, Richard Stanley’s “The Color Out of Space,” starring Nicolas Cage, Marco Pontecorvo’s “Fatima,” with Harvey Keitel, and three Bollywood pics. These projects have accessed cash rebate per pic varying between €631,000 and €1.9 million ($2.4 million) Portugal is also shaking up its production eco-system. Pubcaster Rtp has shifted from telenovelas to...
Shoots slowed during the pandemic, with several projects lensed in bubbles, but production is expected to surge in the second half of 2021.
The current cash rebate is tabbed at 25/30% of eligible production spend and may be upwardly revised in the near future.
€22.5 million ($27.5 million) in total cash rebate has been disbursed since 2018, roughly equally split between international shoots and 100% Portuguese productions and co-productions.
High-profile projects include Ira Sachs’ “Frankie,” with Isabelle Huppert, Richard Stanley’s “The Color Out of Space,” starring Nicolas Cage, Marco Pontecorvo’s “Fatima,” with Harvey Keitel, and three Bollywood pics. These projects have accessed cash rebate per pic varying between €631,000 and €1.9 million ($2.4 million) Portugal is also shaking up its production eco-system. Pubcaster Rtp has shifted from telenovelas to...
- 3/3/2021
- by Martin Dale
- Variety Film + TV
’Beautiful Minds’ is inspired by the real-life experiences of co-director Alexandre Jollien who was born with cerebral palsy but overcame his disabilities to study philosophy
Elle Driver has launched sales on Bernard Campan and Alexandre Jollien’s pioneering French comedy-drama Beautiful Minds, about a workaholic funeral director and a solitary vegetable delivery man and philosopher born with cerebral palsy, who embark on a road trip in a hearse.
It is inspired by the real-life experiences of Jollien who was born with cerebral palsy but overcame his disabilities to study philosophy and become became a major thinker and spiritual teacher, who has written several best-selling books.
Elle Driver has launched sales on Bernard Campan and Alexandre Jollien’s pioneering French comedy-drama Beautiful Minds, about a workaholic funeral director and a solitary vegetable delivery man and philosopher born with cerebral palsy, who embark on a road trip in a hearse.
It is inspired by the real-life experiences of Jollien who was born with cerebral palsy but overcame his disabilities to study philosophy and become became a major thinker and spiritual teacher, who has written several best-selling books.
- 3/3/2021
- by Melanie Goodfellow
- ScreenDaily
The French film centre will also be backing the feature debuts by Tamara Erde and Zaven Najjar; three projects have been selected, representing fiction, documentary and animation, respectively. Three feature-debut projects have been selected during the fifth and final 2020 session of the Cnc’s second pre-production advance on receipts committee. Standing out among them is Tout le monde aime Jeanne by Céline Devaux, a director who has been festooned with awards with her animated short films Gros chagrin (Golden Lion at Venice in 2017), Sunday Lunch (César Award for Best Animated Short and International Press Award at the MyFrenchFilmFestival in 2016) and Vie et mort de l’illustre Grigori Efimovitch Raspoutine (Best Animated French-language Film Award at Clermont-Ferrand in 2013). This time, the filmmaker will not only be making the leap to feature-length territory, but also to live action, even though her project will also include animation. The director herself also...
French producer Sylvie Pialat at Les Films du Worso is teaming up with Palme d’Or winning director Cristian Mungiu on “To the Edge of Sorrow,” a drama based on Holocaust survivor Aharon Appelfeld ‘s book.
“To the Edge of Sorrow” inspired by a true story, follows a intrepid Jewish teenager who managed to escape from the Nazis and found refuge in the mountains where he took part in an organized resistance movement along with other Jewish of diverse backgrounds and generations. The film will be directed by Michel Spinosa (“Enchanted Interlude”). The script of the film was written in collaboration with Valérie Zenatti, Appelfeld’s French translator.
Les Films du Losange, the banner behind Michael Haneke’s films, has taken French rights to the project and is handling international sales. The film is co-produced by Belgian coproducer Patrick Quinet (Artemis) and David Silber from Israeli company Metro Communication.
The...
“To the Edge of Sorrow” inspired by a true story, follows a intrepid Jewish teenager who managed to escape from the Nazis and found refuge in the mountains where he took part in an organized resistance movement along with other Jewish of diverse backgrounds and generations. The film will be directed by Michel Spinosa (“Enchanted Interlude”). The script of the film was written in collaboration with Valérie Zenatti, Appelfeld’s French translator.
Les Films du Losange, the banner behind Michael Haneke’s films, has taken French rights to the project and is handling international sales. The film is co-produced by Belgian coproducer Patrick Quinet (Artemis) and David Silber from Israeli company Metro Communication.
The...
- 5/16/2019
- by Elsa Keslassy
- Variety Film + TV
This year the Academy’s Short Films and Feature Animation branch has deemed eligible a record 70 animated shorts to vie for the shortlist of ten, followed by the final five nominations for the Oscar. That’s 10 more than last year’s 60.
The number of qualified shorts has been growing steadily, from 33 in 2010 to 58 in 2014.
Members of the branch who volunteer to serve will now view the shorts and rate the films. The ten best-rated shorts will go on the shortlist, to be revealed in November. A larger group will check those out and cull the final five which will be announced on Tuesday, January 24. The shorts will be sent to the entire Academy, who will vote on the winner.
Cartoon Brew got hold of the list of qualified contenders, and assesses what they consider to be the best of the best, including trailers. The Academy has not released that list.
The number of qualified shorts has been growing steadily, from 33 in 2010 to 58 in 2014.
Members of the branch who volunteer to serve will now view the shorts and rate the films. The ten best-rated shorts will go on the shortlist, to be revealed in November. A larger group will check those out and cull the final five which will be announced on Tuesday, January 24. The shorts will be sent to the entire Academy, who will vote on the winner.
Cartoon Brew got hold of the list of qualified contenders, and assesses what they consider to be the best of the best, including trailers. The Academy has not released that list.
- 10/29/2016
- by Anne Thompson
- Thompson on Hollywood
This year the Academy’s Short Films and Feature Animation branch has deemed eligible a record 70 animated shorts to vie for the shortlist of ten, followed by the final five nominations for the Oscar. That’s 10 more than last year’s 60.
The number of qualified shorts has been growing steadily, from 33 in 2010 to 58 in 2014.
Members of the branch who volunteer to serve will now view the shorts and rate the films. The ten best-rated shorts will go on the shortlist, to be revealed in November. A larger group will check those out and cull the final five which will be announced on Tuesday, January 24. The shorts will be sent to the entire Academy, who will vote on the winner.
Cartoon Brew got hold of the list of qualified contenders, and assesses what they consider to be the best of the best, including trailers. The Academy has not released that list.
The number of qualified shorts has been growing steadily, from 33 in 2010 to 58 in 2014.
Members of the branch who volunteer to serve will now view the shorts and rate the films. The ten best-rated shorts will go on the shortlist, to be revealed in November. A larger group will check those out and cull the final five which will be announced on Tuesday, January 24. The shorts will be sent to the entire Academy, who will vote on the winner.
Cartoon Brew got hold of the list of qualified contenders, and assesses what they consider to be the best of the best, including trailers. The Academy has not released that list.
- 10/29/2016
- by Anne Thompson
- Indiewire
Big winners also included Oscar nominee Mustang and local box office hit Margurite.
Philippe Faucon’s contemporary immigrant drama Fatima won best film at France’s César ceremony in Paris on Friday, beating hot favourites Marguerite, My Golden Years, and Oscar nominee Mustang as well as Palme d’Or winner Dheepan.
The picture — based on the semi-autobiographical works of Fatima Elayoubi about an illiterate North African woman adapting to life in France — also won Césars for best upcoming actress for Zita Hanot and best adaptation for Faucon.
As was the case last year, when Abderrahmane Sissako’s timely exploration of Islamic extremism of Timbuktu swept the board, the votes of 4,276-strong César academy appear to have been influenced in part by events in France, which like many countries across Europe is preoccupied with immigration and the reality of its ethnic minorities.
Other winners on Friday night included foreign language Oscar nominee Mustang and local box office hit [link...
Philippe Faucon’s contemporary immigrant drama Fatima won best film at France’s César ceremony in Paris on Friday, beating hot favourites Marguerite, My Golden Years, and Oscar nominee Mustang as well as Palme d’Or winner Dheepan.
The picture — based on the semi-autobiographical works of Fatima Elayoubi about an illiterate North African woman adapting to life in France — also won Césars for best upcoming actress for Zita Hanot and best adaptation for Faucon.
As was the case last year, when Abderrahmane Sissako’s timely exploration of Islamic extremism of Timbuktu swept the board, the votes of 4,276-strong César academy appear to have been influenced in part by events in France, which like many countries across Europe is preoccupied with immigration and the reality of its ethnic minorities.
Other winners on Friday night included foreign language Oscar nominee Mustang and local box office hit [link...
- 2/27/2016
- ScreenDaily
The 15th anniversary celebration of the Whistler Film Festival wrapped Sunday night, living up to its title as ‘Canada’s coolest film fest’ by hosting more premieres, filmmakers, industry executives, and celebrities than ever before, including unique experiences from films, music and parties to high adrenaline races.
The Whistler Film Festival’s Pandora Audience Award went to British-American romantic drama "Carol," directed by Todd Haynes from the screenplay by Phyllis Nagy (Variety 10 Screenwriters to Watch class of 2014) starring Cate Blanchett and Rooney Mara, which received its Canadian premiere at Whistler. The Wff Audience Award runner-ups were "The Legend of Barney Thomson," character-actor Robert Carlyle's first theatrical feature and directorial debut, which received its North American premiere at the festival, followed by Ricardo Trogi’s mid-life crisis dramedy, Quebec film "Le Mirage," the highest grossing and most popular Canadian film of the year so far. The Wff Audience Award is a non-cash prize presented to the highest-rated film as voted by the audience.
Paul Gratton, Director of Programming had this to say about this year’s event: "We were very fortunate to open this year's fest with the Canadian premiere of "Carol," a film we are convinced will be a major contender in this year's awards season race. The festival took off from there, with many sold out screenings, packed and newsworthy industry sessions, and over 450 guests who made a point of trekking out to beautiful Whistler to support their films and talk business with the high-level movers and shakers also in attendance. 2015 represented another step forward towards making Wff the coolest festival in the world. Can't wait 'til next year.”
Total attendance for this year’s fest was 13,233 attendees (a 18% increase over 11,273 in 2014) . This included 7,740 film-screening attendees and 3,533 special event attendees (Signature Series, Music Café, ShortWork Showcase, R-Rated Party, Awards Brunch, L’Oreal Men Expert Bobsleigh Race and Celebrity Challenge Ski Race), in addition to 2,530 Summit attendees. Several of the feature films were at or near capacity, including: "Born to be Blue," "Chasing Bansky," "Forsaken," "How to Plan and Orgy in a Small Town," "Legend,""Legend of Barney Thomson," "Numb," "The Lady in the Van," "the Steps," and "Trumbo."
Designed to facilitate international alliances and financial partnerships, Wff’s industry Summit program presented 30 interactive sessions that addressed a range of issues affecting the film, television, and digital media industry. Overall Summit attendance was at 86% capacity with 2,530 attendees (a 13% increase over 2,231 in 2014) including 855 delegates (on par with 2014). The Whistler Summit directly connects to Wff’s slate of project development programs designed to provide creative and business immersion experiences for 42 Canadian artists including its Feature Project Lab, Praxis Screenwriters Lab, Aboriginal Filmmaker Fellowship, and Music Café. Wff also collaborates with several industry organizations by hosting specific third party initiatives at the Whistler Summit including the Women in the Director’s Chair Industry Immersion, Women in Film & Television Film Market Preparation Mentorship, and the Mppia Short Film Award Pitch with the Motion Picture Production Industry Association and Creative BC. In addition to the
204 scheduled meetings (a 10% increase over 186 in 2014) that took place during the Summit, there was again a notable increase in unscheduled meetings that took place outside of scheduled blocks proving the festival remains an important place for the industry to meet and do business. Industry guests came from Canada, USA, UK, India, and China to participate, and included some of the top talent and executives in the business.
Film met music when Morning Show, one of the ten-featured BC artists from Wff’s Music Café, performed the live score for "He Hated Pigeons." Wff’s Music Café, which expanded to include two showcases over two days and featured five music supervisors, was well received with several deals in the works and over 526 guests in attendance.
Toronto’s first-time feature director Jamie M. Dagg’s "River" dominated Whistler prize-giving, winning for best Canadian feature, Best Director and Best Screenplay in the Borsos Competition for Best Canadian Feature presented by the Directors Guild of Canada – British Columbia. The jury also awarded French-Canadian actor Paul Savoie with Best Performance in a Borsos Film for his performance in "The Diary of an Old Man," as well as provided honorable mention for Rossif Sutherland’s work in "River" and Laura Abramsen’s roles in "Basic human Needs" and "The Sabbatical." Lastly, Best Cinematography in a Borsos Film, presented by I.A.T.S.E. Local 669, went to cinematographer Dylan Macleod for "He Hated Pigeons," directed by Ingrid Veninger. The Borsos Jury was comprised of three accomplished film industry artists that included the highly versatile director and screenwriter and WFF15 Alumni Carl Bessai ("Rehearsal), beloved actor and director Marc-André Grondin , and award-winning producer extraordinaire, Kim McCraw.
Other Whistler award winners included "Last Harvest" by first-time female director Hui (Jane) Wang that won the World Documentary Award presented by Tribute.ca with honorable mention for Brian D. Johnson’s "Al Purdy Was Here." The Best Mountain Culture Film presented by Whistler Blackcomb went to Anthony Bonello’s "Eclipse." The Canadian ShortWork Award went to "Withheld" directed by Johnathan Sousa, with an honorable mention to Amanda Strong and Bracken Hanuse Corlett’s Mia’. The International ShortWork Award was awarded to "Dissonance" by Germany filmmaker Till Nowak, with Langara College’s Canadian ShortWork Award for Best Screenplay given to Jem Garrard’s "The World Who Came to Dinner." Emily Carr University of Art and Design’s Lawrence Lam won the ShortWork Student Award presented by Capilano University Film Centre for "The Blue Jet," and Maja Aro won the Mppia Short Film Award for "Hoods" presented by Mppia and Creative BC, which consists of a $15,000 cash award plus up to $100,000 in services. The Alliance of Women Film Journalists (Awfj) Eda Awards gave Best Female-Directed Narrative Feature to Valerie Weiss’ "A Light Beneath Their Feet," Best Female-Directed Documentary to Hui (Jane) Wang’s "Last Harvest," with a special mention for Brian D. Johnson’s "Al Purdy Was Here." In addition, Céline Devaux’s "Sunday Lunch" took home the Best Female-Directed Short Award.
Receiving Wff’s Trailblazer Award and Tribute presented by Pandora, British-born Canadian actor, film producer, and film director Kiefer Sutherland discussed his extensive acting career spanning film, stage and television, with CTV Film Critic Jim Gordon , followed by the Western Canadian Premiere of his latest film, "Forsaken." Scottish-born Robert Carlyle , one of the most recognizable actors today, graced the Festival’s red carpet at this year’s Spotlight event as Wff’s Maverick Award honoree and sat down with Jim Gordon to discuss his bold choices that have led to the creation of some of the most dynamic, memorable, and beloved characters of our time before the North American Premiere of his directorial debut, "The Legend the Barny Thomson." One of Canada's hardest working and most accomplished character actors, Bruce Greenwood was the recipient of Wff’s Career Achievement Award, at the World Premiere of his latest film "Rehearsal," directed by admired Wff Alumni Carl Bessai.
The Whistler Film Festival proudly hosted the Variety 10 Screenwriters to Watch for the fourth consecutive year hosted by Variety Vice President and Executive Editor, Steven Gaydos . This year’s slate of screenwriters in attendance included Bryan Sipe ("Demolition"), John Scott III ("Maggie"), Meg LeFauve ("Inside Out"), Mike Le ("Patient Zero"), and Emma Donoghue ("Room"), who also delivered a Master Class for the Wff Praxis Screenwriters Lab participants.
To top it all off, Lauren Lee Smith ("How to Plan an Orgy in a Small Town"), Jakob Davies ("The Birdwatcher"), Taylor Russell and Rustin Gresiuk ("Suspension") were recognized as Wff’s Rising Stars sponsored by Ubcp/Actra at this year’s Keynote Filmmaker Luncheon presented by Pacific Northwest Pictures, and all had films premiering at the fest.
Over 400 guests attended the fest with other notable talent in attendance with films premiering at the fest including: actor Rossif Sutherland ("River"), director Jon Cassar ("Forsaken"), actor Callum Keith Rennie ("Born to Be Blue"), director/writer Sandy Wilson ("My American Cousin), actors Aleks Paunovic, Stefanie von Pfetten, Marie Avgeropoulos and Colin Cunningham ("Numb"), actors Chelah Horsdal and Alex Zahara ("Patterson's Wager"), actor Sage Brocklebank ("Suspension"), actors Gabrielle Rose and Camille Sullivan ("The Birdwatcher"), actor Rebecca Dalton ("The Colossal Failure of the Modern Relationship"), actor Paul Savoie ("The Diary of an Old Man"), director and founder of the Toronto Film Critics Association Brian D. Johnson ("Al Purdy Was Here"), director and co-founder of World Elephant Day Patricia Sims and co-director Michael Clark ("When Elephants Were Young"), "The Steps" director Andrew Currie and actor Steven McCarthy , and award-winning directors Philippe Lesage ("The Demons") and Ricardo Trogi ("The Miracle"). Veteran director Bruce McDonald attended as a mentor of the Wff Praxis Screenwriters Lab, as well as Canadian actress, writer, filmmaker, comedian, and social activist Mary Walsh , who participated in the Women In The Director’s Chair program and got a standing ovation as Wff’s Keynote Speaker at the Filmmaker Luncheon.
The Whistler Film Festival’s Pandora Audience Award went to British-American romantic drama "Carol," directed by Todd Haynes from the screenplay by Phyllis Nagy (Variety 10 Screenwriters to Watch class of 2014) starring Cate Blanchett and Rooney Mara, which received its Canadian premiere at Whistler. The Wff Audience Award runner-ups were "The Legend of Barney Thomson," character-actor Robert Carlyle's first theatrical feature and directorial debut, which received its North American premiere at the festival, followed by Ricardo Trogi’s mid-life crisis dramedy, Quebec film "Le Mirage," the highest grossing and most popular Canadian film of the year so far. The Wff Audience Award is a non-cash prize presented to the highest-rated film as voted by the audience.
Paul Gratton, Director of Programming had this to say about this year’s event: "We were very fortunate to open this year's fest with the Canadian premiere of "Carol," a film we are convinced will be a major contender in this year's awards season race. The festival took off from there, with many sold out screenings, packed and newsworthy industry sessions, and over 450 guests who made a point of trekking out to beautiful Whistler to support their films and talk business with the high-level movers and shakers also in attendance. 2015 represented another step forward towards making Wff the coolest festival in the world. Can't wait 'til next year.”
Total attendance for this year’s fest was 13,233 attendees (a 18% increase over 11,273 in 2014) . This included 7,740 film-screening attendees and 3,533 special event attendees (Signature Series, Music Café, ShortWork Showcase, R-Rated Party, Awards Brunch, L’Oreal Men Expert Bobsleigh Race and Celebrity Challenge Ski Race), in addition to 2,530 Summit attendees. Several of the feature films were at or near capacity, including: "Born to be Blue," "Chasing Bansky," "Forsaken," "How to Plan and Orgy in a Small Town," "Legend,""Legend of Barney Thomson," "Numb," "The Lady in the Van," "the Steps," and "Trumbo."
Designed to facilitate international alliances and financial partnerships, Wff’s industry Summit program presented 30 interactive sessions that addressed a range of issues affecting the film, television, and digital media industry. Overall Summit attendance was at 86% capacity with 2,530 attendees (a 13% increase over 2,231 in 2014) including 855 delegates (on par with 2014). The Whistler Summit directly connects to Wff’s slate of project development programs designed to provide creative and business immersion experiences for 42 Canadian artists including its Feature Project Lab, Praxis Screenwriters Lab, Aboriginal Filmmaker Fellowship, and Music Café. Wff also collaborates with several industry organizations by hosting specific third party initiatives at the Whistler Summit including the Women in the Director’s Chair Industry Immersion, Women in Film & Television Film Market Preparation Mentorship, and the Mppia Short Film Award Pitch with the Motion Picture Production Industry Association and Creative BC. In addition to the
204 scheduled meetings (a 10% increase over 186 in 2014) that took place during the Summit, there was again a notable increase in unscheduled meetings that took place outside of scheduled blocks proving the festival remains an important place for the industry to meet and do business. Industry guests came from Canada, USA, UK, India, and China to participate, and included some of the top talent and executives in the business.
Film met music when Morning Show, one of the ten-featured BC artists from Wff’s Music Café, performed the live score for "He Hated Pigeons." Wff’s Music Café, which expanded to include two showcases over two days and featured five music supervisors, was well received with several deals in the works and over 526 guests in attendance.
Toronto’s first-time feature director Jamie M. Dagg’s "River" dominated Whistler prize-giving, winning for best Canadian feature, Best Director and Best Screenplay in the Borsos Competition for Best Canadian Feature presented by the Directors Guild of Canada – British Columbia. The jury also awarded French-Canadian actor Paul Savoie with Best Performance in a Borsos Film for his performance in "The Diary of an Old Man," as well as provided honorable mention for Rossif Sutherland’s work in "River" and Laura Abramsen’s roles in "Basic human Needs" and "The Sabbatical." Lastly, Best Cinematography in a Borsos Film, presented by I.A.T.S.E. Local 669, went to cinematographer Dylan Macleod for "He Hated Pigeons," directed by Ingrid Veninger. The Borsos Jury was comprised of three accomplished film industry artists that included the highly versatile director and screenwriter and WFF15 Alumni Carl Bessai ("Rehearsal), beloved actor and director Marc-André Grondin , and award-winning producer extraordinaire, Kim McCraw.
Other Whistler award winners included "Last Harvest" by first-time female director Hui (Jane) Wang that won the World Documentary Award presented by Tribute.ca with honorable mention for Brian D. Johnson’s "Al Purdy Was Here." The Best Mountain Culture Film presented by Whistler Blackcomb went to Anthony Bonello’s "Eclipse." The Canadian ShortWork Award went to "Withheld" directed by Johnathan Sousa, with an honorable mention to Amanda Strong and Bracken Hanuse Corlett’s Mia’. The International ShortWork Award was awarded to "Dissonance" by Germany filmmaker Till Nowak, with Langara College’s Canadian ShortWork Award for Best Screenplay given to Jem Garrard’s "The World Who Came to Dinner." Emily Carr University of Art and Design’s Lawrence Lam won the ShortWork Student Award presented by Capilano University Film Centre for "The Blue Jet," and Maja Aro won the Mppia Short Film Award for "Hoods" presented by Mppia and Creative BC, which consists of a $15,000 cash award plus up to $100,000 in services. The Alliance of Women Film Journalists (Awfj) Eda Awards gave Best Female-Directed Narrative Feature to Valerie Weiss’ "A Light Beneath Their Feet," Best Female-Directed Documentary to Hui (Jane) Wang’s "Last Harvest," with a special mention for Brian D. Johnson’s "Al Purdy Was Here." In addition, Céline Devaux’s "Sunday Lunch" took home the Best Female-Directed Short Award.
Receiving Wff’s Trailblazer Award and Tribute presented by Pandora, British-born Canadian actor, film producer, and film director Kiefer Sutherland discussed his extensive acting career spanning film, stage and television, with CTV Film Critic Jim Gordon , followed by the Western Canadian Premiere of his latest film, "Forsaken." Scottish-born Robert Carlyle , one of the most recognizable actors today, graced the Festival’s red carpet at this year’s Spotlight event as Wff’s Maverick Award honoree and sat down with Jim Gordon to discuss his bold choices that have led to the creation of some of the most dynamic, memorable, and beloved characters of our time before the North American Premiere of his directorial debut, "The Legend the Barny Thomson." One of Canada's hardest working and most accomplished character actors, Bruce Greenwood was the recipient of Wff’s Career Achievement Award, at the World Premiere of his latest film "Rehearsal," directed by admired Wff Alumni Carl Bessai.
The Whistler Film Festival proudly hosted the Variety 10 Screenwriters to Watch for the fourth consecutive year hosted by Variety Vice President and Executive Editor, Steven Gaydos . This year’s slate of screenwriters in attendance included Bryan Sipe ("Demolition"), John Scott III ("Maggie"), Meg LeFauve ("Inside Out"), Mike Le ("Patient Zero"), and Emma Donoghue ("Room"), who also delivered a Master Class for the Wff Praxis Screenwriters Lab participants.
To top it all off, Lauren Lee Smith ("How to Plan an Orgy in a Small Town"), Jakob Davies ("The Birdwatcher"), Taylor Russell and Rustin Gresiuk ("Suspension") were recognized as Wff’s Rising Stars sponsored by Ubcp/Actra at this year’s Keynote Filmmaker Luncheon presented by Pacific Northwest Pictures, and all had films premiering at the fest.
Over 400 guests attended the fest with other notable talent in attendance with films premiering at the fest including: actor Rossif Sutherland ("River"), director Jon Cassar ("Forsaken"), actor Callum Keith Rennie ("Born to Be Blue"), director/writer Sandy Wilson ("My American Cousin), actors Aleks Paunovic, Stefanie von Pfetten, Marie Avgeropoulos and Colin Cunningham ("Numb"), actors Chelah Horsdal and Alex Zahara ("Patterson's Wager"), actor Sage Brocklebank ("Suspension"), actors Gabrielle Rose and Camille Sullivan ("The Birdwatcher"), actor Rebecca Dalton ("The Colossal Failure of the Modern Relationship"), actor Paul Savoie ("The Diary of an Old Man"), director and founder of the Toronto Film Critics Association Brian D. Johnson ("Al Purdy Was Here"), director and co-founder of World Elephant Day Patricia Sims and co-director Michael Clark ("When Elephants Were Young"), "The Steps" director Andrew Currie and actor Steven McCarthy , and award-winning directors Philippe Lesage ("The Demons") and Ricardo Trogi ("The Miracle"). Veteran director Bruce McDonald attended as a mentor of the Wff Praxis Screenwriters Lab, as well as Canadian actress, writer, filmmaker, comedian, and social activist Mary Walsh , who participated in the Women In The Director’s Chair program and got a standing ovation as Wff’s Keynote Speaker at the Filmmaker Luncheon.
- 12/9/2015
- by Peter Belsito
- Sydney's Buzz
Chicago – The 2015 awards ceremony at the 51st Chicago International Festival took place on Friday, October 23rd, and Andrew Davis – International Competition Jury President – announced that the French film “A Childhood” was the recipient of the prestigious Gold Hugo Award for the festival’s top film.
The evening was also highlighted by the Founder’s Award, given by festival originator Michael Kutza. Director Michael Moore accepted the award in person for his new and provocative documentary, “Where to Invade Next.” Moore gave an impassioned acceptance speech, amplifying his optimism in his new film, which pleads for social change in America.
Michael Moore Accepts The Founder’s Award
Photo credit: Patrick McDonald for HollywoodChicago.com
The awards event took place in the ballroom at Chicago’s Peninsula Hotel, and was hosted by festival Managing Director Vivian Teng. Presenters included Programming Director Mimi Plauché, programmers Anthony Kaufman and Camille Lugan, plus various jury...
The evening was also highlighted by the Founder’s Award, given by festival originator Michael Kutza. Director Michael Moore accepted the award in person for his new and provocative documentary, “Where to Invade Next.” Moore gave an impassioned acceptance speech, amplifying his optimism in his new film, which pleads for social change in America.
Michael Moore Accepts The Founder’s Award
Photo credit: Patrick McDonald for HollywoodChicago.com
The awards event took place in the ballroom at Chicago’s Peninsula Hotel, and was hosted by festival Managing Director Vivian Teng. Presenters included Programming Director Mimi Plauché, programmers Anthony Kaufman and Camille Lugan, plus various jury...
- 10/25/2015
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
Miguel Gomes’ Arabian Nights wins Fipresci Jury prize at New Horizons festival.
Belgian director Gust Van den Berghe’s third feature Lucifer has won the $22,000 (€20,000) Grand Prix in the International Competition at the 15th T-Mobile New Horizons International Film Festival (July 23 - Aug 2) in Poland’s Wroclaw.
Set in a Mexican village at the base of a volcano, Lucifer is the third instalment in Van den Berghe’s triptych about the emergence of human consciousness after Little Baby Jesus of Flandr and Blue Bird, previously shown in Wroclaw in 2012.
Lucifer received its world premiere at the Rome Film Festival last October and won the Grand Prix at the Black Nights Film Festival in Estonia’s Tallinn in November.
The International Competition Jury, which included filmmakers Anna Sosnal, Reha Erdem, and Noaz Deshe and festival programmer Diane Henderson, also gave a special mention to Carlos M. Quintela’s Rotterdam winner The Project Of The Century.
Other awards...
Belgian director Gust Van den Berghe’s third feature Lucifer has won the $22,000 (€20,000) Grand Prix in the International Competition at the 15th T-Mobile New Horizons International Film Festival (July 23 - Aug 2) in Poland’s Wroclaw.
Set in a Mexican village at the base of a volcano, Lucifer is the third instalment in Van den Berghe’s triptych about the emergence of human consciousness after Little Baby Jesus of Flandr and Blue Bird, previously shown in Wroclaw in 2012.
Lucifer received its world premiere at the Rome Film Festival last October and won the Grand Prix at the Black Nights Film Festival in Estonia’s Tallinn in November.
The International Competition Jury, which included filmmakers Anna Sosnal, Reha Erdem, and Noaz Deshe and festival programmer Diane Henderson, also gave a special mention to Carlos M. Quintela’s Rotterdam winner The Project Of The Century.
Other awards...
- 8/3/2015
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
According to Thierry Frémaux, Cannes Film Festival Director, this past year has been an outstanding year for French production and the submissions received for consideration were of exceptional quality. Five French films are in competition in the official selection and will have the honor to be presented at the red carpet events, there are also numerous coproductions, films screening out-of-competition and others in the parallel sections.
Official Selection - In Competition
-"Standing Tall" (La tête haute) - Opening Film
Dir. Emmanuelle Bercot
World Sales: Elle Driver
World Premiere
- "Dheepan - L'homme qui n-amait plus la guerre"
Dir. Jacques Audiard
World Sales: Celluloid Dreams / Wild Bunch
World Premiere
-"The Measure of a Man" (La loi du marché)
Dir. Stéphane Brizé
World Sales :mk2
World Premiere
-"Marguerite & Julien"
Dir. Valérie Donzelli
World Sales: Wild Bunch
World Premiere
-"Mon Roi"
Dir. Maïwenn
World Sales: StudioCanal
World Premiere
- "Valley of Love"
Dir. Guillaume Nicloux
World Sales: Le Pacte
World Premiere
-"Ice and the Sky" (La Glace et le Ciel"
Dir. Luc Jacquet
World Sales: Wild Bunch
World Premiere
Short Film Competition
-"Le Repas dominical" de Céline Devaux – Sacrebleu Productions
-"Sali (Mardi) de Ziya Demirel – oriGine films – Istos Films
-"Ave Maria" de Basil Khalil – Incognito Films – Flying Moon Filmproduktion
Cinefondation
-"Léonardo" de Félix Hazeaux, Thomas Nitsche, Edward Noonan, Franck Pina, Raphaëlle Plantier – Mopa
-"Les Chercheurs" de Aurélien Peilloux – La fémis
Official Selection - Special Screenings
-"Asphalte"
Dir. Samuel Benchetrit
World Sales: TF1 International
World Premiere
-"L'esprit de l'escalier"
Dir. Elad Keidan
Israel/ France
World Sales: The Match Factory
World Premiere
-"Don't Tell Me the Boy Was Mas"(Une histoire de fou)
Dir. Robert Guédiguian
World Sales: mk2
World Premiere
Official Selection - Un Certain Regard
-"I'm a Soldier" (Je suis un Soldat)
Dir. Laurent Larivière
World Sales: Le Pacte
World Premiere
-"Close Protection" (Maryland)
Dir. Alice Winocour
World Sales: Indie Sales
World Premiere
Director's Fortnight
-"In the Shadow of Women" (L'Ombre des Femmes)
Dir. Philippe Garre
l
World Sales: Wild Bunch
World Premiere
-"Les Cowboys"
Dir. Thomas Bidegain
World Sales: Pathé Distribution
World Premiere
-"My Golden Days" (Trois Souvenirs de Ma Jeunesse)
Dir. Arnaud Desplechin
World Sales: Le Pacte
World Premiere
-"Fatima"
Dir. Philippe Faucon
World Sales: Pyramide International
World Premiere
Short Films
-"Calme ta joie" de Emmanuel Laskar – Ecce Films
-"Pitchoune" Reda Kateb – 31 Juin Films
Critic's Week
-"The Anarchists" (Les Anarchists) - Opening Film
Dir. Elie Wajeman
World Sales: Wild Bunch
World Premiere
-"The Wakhan Front" (Ni le Ciel, Ni la Terre)
Dir.Clément Cogitore
World Sales: Indie Sales
World Premiere
-"Les Deux Amis"
Dir. Louis Garrel
World Sales: Indie Sales
World Premiere
-"Learn By Heart" (La Vie en Grand)
Dir. Mathieu Vadepied
World Sales: Gaumont
World Premiere...
Official Selection - In Competition
-"Standing Tall" (La tête haute) - Opening Film
Dir. Emmanuelle Bercot
World Sales: Elle Driver
World Premiere
- "Dheepan - L'homme qui n-amait plus la guerre"
Dir. Jacques Audiard
World Sales: Celluloid Dreams / Wild Bunch
World Premiere
-"The Measure of a Man" (La loi du marché)
Dir. Stéphane Brizé
World Sales :mk2
World Premiere
-"Marguerite & Julien"
Dir. Valérie Donzelli
World Sales: Wild Bunch
World Premiere
-"Mon Roi"
Dir. Maïwenn
World Sales: StudioCanal
World Premiere
- "Valley of Love"
Dir. Guillaume Nicloux
World Sales: Le Pacte
World Premiere
-"Ice and the Sky" (La Glace et le Ciel"
Dir. Luc Jacquet
World Sales: Wild Bunch
World Premiere
Short Film Competition
-"Le Repas dominical" de Céline Devaux – Sacrebleu Productions
-"Sali (Mardi) de Ziya Demirel – oriGine films – Istos Films
-"Ave Maria" de Basil Khalil – Incognito Films – Flying Moon Filmproduktion
Cinefondation
-"Léonardo" de Félix Hazeaux, Thomas Nitsche, Edward Noonan, Franck Pina, Raphaëlle Plantier – Mopa
-"Les Chercheurs" de Aurélien Peilloux – La fémis
Official Selection - Special Screenings
-"Asphalte"
Dir. Samuel Benchetrit
World Sales: TF1 International
World Premiere
-"L'esprit de l'escalier"
Dir. Elad Keidan
Israel/ France
World Sales: The Match Factory
World Premiere
-"Don't Tell Me the Boy Was Mas"(Une histoire de fou)
Dir. Robert Guédiguian
World Sales: mk2
World Premiere
Official Selection - Un Certain Regard
-"I'm a Soldier" (Je suis un Soldat)
Dir. Laurent Larivière
World Sales: Le Pacte
World Premiere
-"Close Protection" (Maryland)
Dir. Alice Winocour
World Sales: Indie Sales
World Premiere
Director's Fortnight
-"In the Shadow of Women" (L'Ombre des Femmes)
Dir. Philippe Garre
l
World Sales: Wild Bunch
World Premiere
-"Les Cowboys"
Dir. Thomas Bidegain
World Sales: Pathé Distribution
World Premiere
-"My Golden Days" (Trois Souvenirs de Ma Jeunesse)
Dir. Arnaud Desplechin
World Sales: Le Pacte
World Premiere
-"Fatima"
Dir. Philippe Faucon
World Sales: Pyramide International
World Premiere
Short Films
-"Calme ta joie" de Emmanuel Laskar – Ecce Films
-"Pitchoune" Reda Kateb – 31 Juin Films
Critic's Week
-"The Anarchists" (Les Anarchists) - Opening Film
Dir. Elie Wajeman
World Sales: Wild Bunch
World Premiere
-"The Wakhan Front" (Ni le Ciel, Ni la Terre)
Dir.Clément Cogitore
World Sales: Indie Sales
World Premiere
-"Les Deux Amis"
Dir. Louis Garrel
World Sales: Indie Sales
World Premiere
-"Learn By Heart" (La Vie en Grand)
Dir. Mathieu Vadepied
World Sales: Gaumont
World Premiere...
- 5/12/2015
- by Sydney Levine
- Sydney's Buzz
Abderrahmane Sissako to head the Cinéfondation and Short Films jury.
With the Official Selection of features for the 68th Cannes Film Festival set to be revealed tomorrow (April 16), the line-up of Short Films has been unveiled in advance.
This year the Selection Committee received 4,550 short films – 1,000 more than in 2014 – from more than 100 countries.
Nine films (including one animation) will compete for the Short Film Palme d’or, to be awarded by Timbuktu director Abderrahmane Sissako, president of the Cinéfondation and Short Films jury, at the festival’s awards ceremony on May 24.
Short Films In Competition:
Waves ’98
dir: Ely Dagher (Lebanon, Qatar)
The Guests
dir: Shane Danielsen (Australia)
Sali (Tuesday)
dir: Ziya Demirel (Turkey, France)
Le Repas Dominical (Sunday Lunch)
dir: Céline Devaux (France)
Love Is Blind
dir: Dan Hodgson (UK)
Ave Maria
dir: Basil Khalil (Palestine, France, Germany)
Copain (Buddy)
dir: Jan Roosens, Raf Roosens (Belgium)
Patriot
dir: Eva Riley (UK)
Presente Imperfecto (Present Imperfect)
dir: Iair Said...
With the Official Selection of features for the 68th Cannes Film Festival set to be revealed tomorrow (April 16), the line-up of Short Films has been unveiled in advance.
This year the Selection Committee received 4,550 short films – 1,000 more than in 2014 – from more than 100 countries.
Nine films (including one animation) will compete for the Short Film Palme d’or, to be awarded by Timbuktu director Abderrahmane Sissako, president of the Cinéfondation and Short Films jury, at the festival’s awards ceremony on May 24.
Short Films In Competition:
Waves ’98
dir: Ely Dagher (Lebanon, Qatar)
The Guests
dir: Shane Danielsen (Australia)
Sali (Tuesday)
dir: Ziya Demirel (Turkey, France)
Le Repas Dominical (Sunday Lunch)
dir: Céline Devaux (France)
Love Is Blind
dir: Dan Hodgson (UK)
Ave Maria
dir: Basil Khalil (Palestine, France, Germany)
Copain (Buddy)
dir: Jan Roosens, Raf Roosens (Belgium)
Patriot
dir: Eva Riley (UK)
Presente Imperfecto (Present Imperfect)
dir: Iair Said...
- 4/15/2015
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
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