Hiroyuki Nishiyama offers his second narrative short film, “Blue and White,” capturing themes close to the concerns of his first film “20 db” (2021) but focusing on the effects of loss and what comes after it. Its brief runtime is a delight to see, from the intimacy of its design to the intricacy of the performances.
Blue and White is screening at Short Shorts Film Festival and Asia
The film opens with Ryusuke (Jun Kunimura) starting his day gathering firewood, then cuts to his workshop where he steams seawater to harvest salt. His granddaughter, Midori (Momoko Fukuchi) eventually enters the frame, mumbling to herself why her grandfather is working that morning of her grandmother's funeral. An attendee of the funeral (Toshio Kakei) asks Midori the same question she was mumbling earlier, hinting that it is disrespectful to the dead for her grandfather to not show his face in the funeral.
What is...
Blue and White is screening at Short Shorts Film Festival and Asia
The film opens with Ryusuke (Jun Kunimura) starting his day gathering firewood, then cuts to his workshop where he steams seawater to harvest salt. His granddaughter, Midori (Momoko Fukuchi) eventually enters the frame, mumbling to herself why her grandfather is working that morning of her grandmother's funeral. An attendee of the funeral (Toshio Kakei) asks Midori the same question she was mumbling earlier, hinting that it is disrespectful to the dead for her grandfather to not show his face in the funeral.
What is...
- 6/6/2024
- by Epoy Deyto
- AsianMoviePulse
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