Onstage in recent years, Michael Bolton routinely introduces a number he’s about to sing by first announcing its composer, Bob Dylan. The reaction is usually muted: “Bob Dylan should elicit this enormous response,” he says. “But I don’t get that.” Then the piano-based melody starts up, Bolton works his way into the soothing melody, and the crowd melts. “It makes people feel good and they give it up at the end the song,” Bolton says. “It’s the audience’s response to the song that turns it all around.
- 10/28/2019
- by David Browne
- Rollingstone.com
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