Stars: Lanise Antoine Shelley, Rob Fagin), Crystal Kim, Tyler Owen Parsons, Randolph Thompson, Christine Vrem-Ydstie, Will Mobley, Christina Reis, Ryan Imhoff | Written by Ryan Imhoff | Directed by Matt Neal, Ryan Imhoff
When Ryan Imhoff emailed me asking if I’d be interested in reviewing Fresh Hell, the film he wrote and co-directed with Matt Neal was a bit hesitant. Having been dealing with videochat horror films going back to Unfriended in 2014 and 2018’s E-Demon I was sicker than most of the genre. But its trailer looked different so I decided to give it a look. As it turns out, different is an understatement.
Classmates Grace (Lanise Antoine Shelley; Stratford Festival: Macbeth), Todd (Rob Fagin), Cynthia (Crystal Kim), Brian (Tyler Owen Parsons), James, and Kara haven’t seen other since graduation. Since Covid is preventing them from having an actual reunion, they’re doing it virtually via Zoom.
After a few...
When Ryan Imhoff emailed me asking if I’d be interested in reviewing Fresh Hell, the film he wrote and co-directed with Matt Neal was a bit hesitant. Having been dealing with videochat horror films going back to Unfriended in 2014 and 2018’s E-Demon I was sicker than most of the genre. But its trailer looked different so I decided to give it a look. As it turns out, different is an understatement.
Classmates Grace (Lanise Antoine Shelley; Stratford Festival: Macbeth), Todd (Rob Fagin), Cynthia (Crystal Kim), Brian (Tyler Owen Parsons), James, and Kara haven’t seen other since graduation. Since Covid is preventing them from having an actual reunion, they’re doing it virtually via Zoom.
After a few...
- 7/1/2022
- by Jim Morazzini
- Nerdly
Good Madam: "Shudder, AMC Networks’ premium streaming service for horror, thrillers and the supernatural, is thrilled to release the first trailer for the Shudder Original Good Madam ahead of the film’s debut on the platform on Thursday, July 14. The film is the fourth feature from celebrated South African writer/director Jenna Cato Bass and world premiered to high praise at the 2021 Toronto International Film Festival.
In Good Madam, Tsidi, a single mother, is forced to move in with her estranged mother Mavis, a live-in domestic worker caring obsessively for her catatonic white ‘Madam’ in an affluent Cape Town suburb. As Tsidi tries to heal her family however, a sinister specter begins to stir.
A genre film entrenched in the ordinary everyday horrors in our society, Good Madam explores the generational trauma inherent to South African culture, sprawling from the past to the present day, with chilling delivery and haunting results.
In Good Madam, Tsidi, a single mother, is forced to move in with her estranged mother Mavis, a live-in domestic worker caring obsessively for her catatonic white ‘Madam’ in an affluent Cape Town suburb. As Tsidi tries to heal her family however, a sinister specter begins to stir.
A genre film entrenched in the ordinary everyday horrors in our society, Good Madam explores the generational trauma inherent to South African culture, sprawling from the past to the present day, with chilling delivery and haunting results.
- 6/20/2022
- by Jonathan James
- DailyDead
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